Tomorrow, February 7, at 12:00 ends 315-е the Auction and curator's auction "XXI century"
ARTinvestment.RU   06 февраля 2020

The master catalogue — lots thirty: sixteen paintings, three leaves of original and one — printed graphics, eight works in mixed media and one sculpture, and three objects in one lot

the fee from buyers is 18 %.

Catalog of the Auction No. 315 and curator of the auction "XXI century".

Open directory the works of Russian artists Abroad. All these works created by authors in exile, in 1920-30-е years, in the Prime creative forces.

1930-ми years Dating expert Elena Zhukova's work in mixed media "Red figure" Mary V. Vasilyeva. "among its famous works, — said the expert, — occupy a significant place collages, which she was fond of in the thirties. “Red figure” (the name conditional) fits in the circle of these works <...> Individual features of the figure of a young man reflected in the collage show an actual prototype of this image, and the female head (sculpture?), which he admiring, said of his involvement in the arts. This ironic and witty, friendly cartoon, played in the style of ancient red-figure vase painting. An integral part of the work is the author's mirror frame decorating the collage, giving it a completeness and reinforcing artistic interpretation of the image of man".

the landscape Konstantin Aleksandrovich Veselova "the Cabin in the woods after a snowfall" (1920-30-е), according to the expert, "passed brilliantly the mood and condition of the snowy European landscape where-то near Chamonix. This is one of the most popular scenic landscapes Veselova, which is his calling card".

When 2-й half of 1920-х made a charcoal drawing "still life with a bouquet and a Cup" Natalia Sergeevna Goncharova. The work was created in Paris Studio on Rue Jacques Collot, where, according to the expert, "finally the artist got the opportunity to escape from the theatre of orders and concentrate on easel work. According to his disciples, in those days, when Goncharova was not loaded execution of urgent order, she has painted for himself in his workshop, making the composition “of the material at hand”. These graphic works are distinguished by realistic manner of execution, one and the same set of depicted things. Work executed in charcoal on paper, large format, perhaps this is a preliminary composition for painting works". It is obvious that these compositions is our pattern. In the collection of the state Tretyakov gallery there is a still life oil painting on canvas depicting the same objects — in particular, are similar in composition, manner and set things painting "still life with tulips and Mimosas" the first half of 1930-х years.

the work of the "Three female figures" Mikhail Fedorovich Larionov tempera and gouache on colored paper in the late 1920-х — the early 1930-х, when the artist, as the expert, experimented with color techniques and textured paper. "At this time, Mikhail Larionov creates a whole series of graphic works depicting female figures. He uses thick colored paper and a very bright “fluorescent” colors in contrasting combinations. A rough, uneven surface of paper, thick coloured strokes, some blotches of white create a unique glow effect. Not accidentally, the latest “Dating” drawing “Three female figures”, the artist puts the date “1905”, reminiscent of the early, impressionisticthe period of his life, when the main theme of his painting was the light". Thus, in our little drawing "Three female figures" embodies the link of times in the works of Larionov: from creative and not from motives of interest (as did some of his brothers) is dated 1905-м created in the late 1920-х — the early 1930-х and friendly signed and donated by Nanette Rothschild in 1950-х.

As usual, a diverse section of artists who worked in the Soviet period.

Free, air-filled urban landscape of the "Roof of the VKhUTEMAS and post office" (1929) Peter Ivanovich Lvov gives the impression of what-то unusual and attractive. Lviv was a very talented, back in 1916-м critic Nikolai Punin praised his style, which is completely absent in the gloss and every narrative. From 1924 to 1928 the lions lived and worked in Moscow. He was invited to teach at VKhUTEMAS — prepare and received in the housing in vhutemasa house on Myasnitskaya, 21. The artist often watched the city from the Windows of his apartment on 9-м floor and probably our landscape is also written in explanation of these observations. Landscape was exhibited at the personal exhibition of Peter Lviv to Leningrad in 1989. About the artist read on AI: "artist of the week: Petr Lvov".

early work Vladimir Fedorovich Stozharov applies etude "House of culture. The Bank of the river Kotorosl. Yaroslavl" (1957). "In the Kostroma and Yaroslavl regions, there are places where there are few Railways, city rare among untouched nature, lies the village largely preserved the ancient way of life. Here, where his numerous relatives, the artist traveled constantly", — writes in the album "Stozharov" (Moscow, 2006), the art critic Galina Kirillova. He knew these places from childhood, felt them here — all his stack, , the barns and herds. And here's — is a gentle warmth in the picture surrounded by trees and protected doghouse house of culture — cabin with porch on the Bank of Kotorosl. In many a little earlier, in 1955, the sketches there is one and the same motif — expanse of heaven and earth. Our "House of culture...", written in 1957-м, — it is not a panoramic study, from a distant perspective, it is the work more intimate, more difficult than two years ago, and fine mood.

an Interesting development of the ancient themes are presented in a bright, created in a loose, almost Cezanne (discounted for flavor) manner of the song "the overthrow of the giants" (1960-е (?)) Sergei Mikhailovich Romanovich — may free author's variations on the theme of famous paintings of Peter Paul Rubens, "the fall of the titans" (1637-1638). The ancestors of R. in the male line (except the father) was the priest. Probably, here was his interest in ancient and Christian themes, which comprise the main part of his work throughout his life. R. was a friend of Mikhail Larionov and Natalia Goncharova, participated in the artistic Association "Radiant and budowniczy" (1912-1914), exhibited together with them at shows ("Target" — 1913, No. 4 — 1914). In Soviet times, earned a living ideologically correct monumental paintings in exhibitions participated rarely (with its-то theme!), after the war, almost not exhibited. The return of the work of this interestingthe painter to the public and professionals began in the mid-1990-х. In 1995, in the Russian Museum (Saint-Петербург), and then in the Tretyakov gallery (Moscow) held a retrospective of his, and after 8 years, 2003-м, in the Tretyakov gallery was held a scientific conference devoted to the artist: "...In the art of R. it affects the consistency, perseverance appeals to the hardest art task, and most importantly, amazing ethical beauty. The R. spiritual painting. Great skill, which he owns, he gives the person raising it. Opening high the beauty and inner strength. I have no doubt that the time will come when the name of R. become widely known" (Dmitry Sarabianov). "...Paintings and drawings by S. M. Romanovich — is beautiful art, which should come in our best museums. I'm sure it will happen sooner or later" (Mikhail Alpatov). The artist's works are in Museum collections Voronezh, Smolensk, Saratov, Pavlovsk, Saint-Петербурга, Moscow (source: ru.wikipedia.org).

"I believe that still life — is a wonderful material which combines all aspects of creativity, where the solution movement, color, shape can develop the artist", — said follower Moscow painting tradition Victor Savvich Cockle, the author of still life floral "Irises" (1994), written by a rich palette, but subtly nuanced coloristic and very beautiful.

"Moskvoretsky bridge" (1997) Gennady I. Nightingale — canvas on one of the favorite themes of the artist, on which he worked throughout his life. Moscow, Kremlin, city, architecture and historical monuments called the artist the greatest emotional response and inspired him to create paintings.

the largest and Most diverse section of the directory — the works of the sixties.

Opens his "Song" (1964-1966 (?)) Hulot-Ильмара Sooster — a small sheet of paper on cardboard with absolutely amazing for subtlety and elegance and pattern, engraved with special tools. In 2006 the work was exhibited in Moscow at the exhibition "Julo Sooster and Tenno Sooster" and published in its catalog.

figure Vadim Abramovich Sidur "Adam and eve" (1974), made with markers and ink, organically adjacent to a circle of works on biblical subjects, developed in 1970-80-е years. In our figure, as well as in a large, complex polyptych "Adam, eve and the Lord God" (1976. Particleboard, oil) or "Paradise life in a corridor" (1980. Particleboard, oil), the obvious interest in the biblical theme, to Russian icons and, of course, to folk art. Here — thin intricate shapes of flowers, birds, butterflies and other living things of the world surrounding the main characters.

In 1977 created subtle graphic "Portrait" of Vladimir Igorevich Yakovlev.

Abandoned Indian city Machu-Пикчу repeatedly appeared in graphic compositions Dmitry Petrovich Plavinsky. The story he developed with the help of different printing techniques, ensuring the completeness of the implementation of creative ideas. Our print "the Deserted city of Machu-Пикчу" made in 1978 by the method of etching and aquatint edition of 15 copies, signed and inscribed by the author. One of the prints of the same edition is in the collection of the Pushkin Museum to them. A. S.Pushkin.

Butter "a walk in the Park" (1980) expert calls creative success Anatoly T. Zverev. He indicates that the work comes from the collection of the writer-публициста V. S. Shumsky, a close friend and collector of works of A. T. Zvereva, and suggests that, apparently, Zverev wrote it at the request Shumsky at his apartment in 1980: "In this motive felt nostalgia for his youth the author worked in Sokolniki Park. Even sculpturally, this thing reminds Zverev's works of the late 1950-х years. Working on this painting, Zverev witty, photographically building up the composition, would like on behalf of the person carrying the stroller with the infant".

Another embodiment of the author's main themes presented at the auction the work "Jack retro" (1997) Vladimir Nikolaevich Nemukhin. Work on paper in mixed media, using oil, graphite pencil and collage clearly represents a successful, from the point of view of the author, the development of the found motif associated with the art of the Russian avant-garde 1910-20-х years and especially Kazimir Malevich, because in 10 years Nemukhin returned to this composition and almost no changes made it in the big picture "Retro" (2007). The expert notes that "and that similar things on the topic of card games with a good inclusion of quotations and allusions from the works of artists of the Russian авангарда1910–20-х, will be the recognizable hallmark V. N. Nemukhin and bring him fame".

Complete the story of the works of the sixties work great from all points of view — undated canvas Brush work Yuri Leonidovich Cooper. One of the most beloved author of the — brush (such a kind of "portraits" brush Cooper made some — of different sizes, color and, most importantly, mood), a unique technique that allows to achieve the effect of light, comfortable size, decorative, elegance and beauty — in short, everything that is valued in the product purchased at the same time for investment and for the soul.

the Final section of the directory — the work of contemporary artists. Begin not quite in chronological order.

"the Dawn is always hope. The miracle of the beginning of joy" (Lucy Voronov). Open the section its large and bright oil "the Dawn in Khovrino" (2018). At the request of AI work commented the son of the artist Georgi Voronov: "Dated 2018 a large canvas "Sunrise in Khovrino" — work for its time, unusual. Things Lucy wrote in 2010-2017, and this late piece is in the moment of transition to the “happy period” of creativity. Picture — is real, in the truest sense, and a very strong plot for the prosperity and well-being. Each element in it represents the wishes of all that is good and good: bright colors, juicy slices of ripe watermelon, fruits, poultry and — a host of angels, the visible incarnation of goodness and love".

In a mixed technique with the use of printing and enamel work "untitled" (2001) Boris Konstantinovich Orlov.

To of Marasovich Paata Merabishvili, the author of the sculpture "Mother-кентавр (Cantabria)" (2019), motherhood, warmth and purity of family relations — a great value and a constant source of inspiration. Why so often in his work we see the images of mother and child;in today's sculpture, they embody the centaurs, mythological creatures, symbols of connection of natural and human creation, but above all the personification of wisdom, love and devotion. Radically reducing the form, the artist creates a metaphorical image, interpreted in an abstract visual manner. Saturated bright-синим monochrome color the author brings to the appearance that allows the viewer to study the plastic properties of his images, their dynamics, expression and rhythm. About the artist read on AI: "the Sculptor Paata Merabishvili: the Creator creates what he feels and not what he sees".

the Three objects from the "Entertaining entomology" (2001) are in the catalog of the work of Andrei Filippov and Mavropulo Marina.

at the same time with our staff 315-м AI Auction open auction big new project ARTinvestment.RU "twenty-first century. Contemporary Russian art". In its composition — 10 works by contemporary artists, curated art auction, L. A., Kashuk. About the project "XXI century. Contemporary Russian art" and the artists whose works were included in the catalogue of the first auction, read on AI: "twenty-first century. Wide horizons of contemporary art".

All the best of luck on 315-м AI-Аукционе and the auction of the "twenty-first century. Contemporary Russian art"!

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

the auction AI continues to operate a virtual party "Reserve price is not reached". He appears in the final minutes of trading, so that customers have the option to kill the reserve price (for those items where it is). In other words, if you see party "Reserve price is not reached," that is a reason to continue the fight — perhaps the victory is near.

If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

the fee from the buyer is 18 % of the final price of the lot.

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