State Museum of fine arts of the Republic of Tatarstan,
1 August — October 11, 2015
Kazan, K. Marksa str., 64

In Kazan, State Museum of fine arts of the Republic of Tatarstan, an exhibition of private collections Pushkin Museum of RT "Russian art of XIX–XX centuries".

the Turning nature of the turn of XIX–XX centuries was reflected in all spheres of life in Russia, including on art and culture. The period witnessed the peak of public interest in the artistic life. One of the largest societies of this period was the group of artists "World of art" (1898-1924), opposes himself to the academic and Peredvizhniki movement, advocating aesthetic idea of synthesis of arts and a special type of retrospective review, based on careful study of antiquity. At the exhibition you can see the work of leaders of the Association, the ideologist and theoretician of the group А.Н. Benoit, its members Konstantin Somov, golovine, as well as other artists: U. S. Sudeikin, B. I. Anisfeld, П.И. Lviv, Б.М. Kustodiev, Э.О. Wiesel. Their works are marked by a penchant for theatrical, filled with the aesthetics of the art Nouveau style that emerged on the platform of the European neo-romanticism and originated in Russian painting of various kinds stylizacji@

Attracts the attention of the audience a portrait by golovine "Woman in white", executed in pastels. With characteristic linear artist clarity, accentuated contornato letters, the portrait takes the viewer into another full harmony, the world of the past centuries, the world XVIII veka@

the exhibition presents a marvelous painting of a significant artist of the turn of XIX–XX centuries, a member of the "World of art" and "Union of Russian artists" О.Э. Braz "Lady in yellow" (1902). The use of unusual perspective and magnificence of color gradations are particularly attracted to yellow in this painting. Another original female portrait "Lady in blue. P. M. Sudkovsky" (1906) B. M. Kustodiev represents an original example of an early painting of the artist. This portrait is unusual for creative practice Kustodiev and curious to explore stylistic soedinenii@

Canvas "Desert country. Theodosius" (1903) and "the Mountain of St. George" (1911) the painter К.Ф. Bogaevsky, part of the famous Cimmerian school of painting, is also a typical example of symbolism. They are written as the images of old earth, where a fantastic view of the painter are intertwined with the ancient history of the Crimea, creating a kind of fairy tale paintings Feodosii@

Follower of impressionism И.Э. Grabar presented at the exhibition are three paintings of "Sunset" (1907), "Woman with buckets" (1908) and "Morning tea" (1917). "Sunset", shimmering in all shades of the color spectrum, an example of a hobby artist by neo, or, as it is called, pointilism@

Artists-пуантилисты who has finished the expressiveness of brushwork to the point of the purity of the paint, of course, came as close to symbolic images. These are presented at the exhibition fabulous winter landscapes Н.В. Mesarina, which is particularly relevant to the aesthetics of art Nouveau "Frosty night" (1908). This winter fantasy night where each stroke is carefully laid, verified, like pieces of colorful mosaic of smalt, created in shades of blue and blue, resulting in born fragile fresh image of a frosty winter Wonderland. For works FAMO generally characterized by similar sounding brass structure: point edge smear that make up a particular musical structure of the piece. This is the early "Landscape with house" (1900-е) Д.Д. Burliuk, later known leader futuristas@

of symbolic directions are works by members of art group "Blue rose" (1907), which included N. P. Krymov, P. V. Kuznetsov, P. S. Utkin,, N. N. Sapunov, M. S. Saryan, U. S. Sudeikin, N. D. Milioti. In their works harmoniously combines conventionality, allegory, decorative, flatness. The pursuit of stylization, symbolism, sometimes to primitivization of the image in the spirit of the splint, children's creativity is a characteristic feature of the creative team. The General trend in the development of the artists group was the transition from impressionism to post-impressionism. Them joined V. I. Denisov, very close to their creative aspirations was the artist V. A. Galvis, whose works are also shown in vistavka@

Initially in the activities of goluborozovtsev was attended by V. E. Borisov-Мусатов and М.А. Wrobel, art and before and after stood aloof, but they were growing on the same aesthetic platform of symbolism. At the exhibition you can see the "tree Branch on a background of clouds" В.Э. Borisov-Мусатова, Madonna N. D. Milioti, "the virgin Seraphim" (1917) and "Holiday" V. A. Gallica, "Spring. The dance" and "Landscape with river" by V. I. Denisov, "the Branch" (1907) and "Sea bottom" (1913) П.С. Utkina@

Monumental canvas by M. A. Vrubel's "Flight of Faust and Mephistopheles" (1896) – the pride of the Museum's collection of Russian art. This four-meter decorative panels is a preliminary version of the famous fairy murals for Gothic parlor of the mansion of merchants V. A. and A. V. Morozov in Mosque@

Collection of Russian avant-garde of the Pushkin Museum of RT presents the most striking phenomenon in the history of Russian art of the early twentieth century paintings and sculptures of famous Russian artists: П.П. Konchalovsky, А.В. Kuprin, А.В. Lentulov, Н.С. Goncharova, М.Ф. Larionov, Р.Р. Falk, В.В. Christmas, И.И. Mashkov, С.Т. Konenkov, Б.Д. Queen. The exhibition reflects nearly all stages of development of the Russian avant-garde: from the creativity of its forerunners – M. A. Vrubel and V. E. Borisov-Мусатова – up to the latest trends in European and Russian art: cubism, futurism, primitivism, abstract. These phenomena are revealed in the activities of those most famous art Association of Russian masters as "Jack of diamonds" and "Donkey's tail".

Such a radical avant-garde artists as Mikhail Larionov and R. Falk, represented by the works of the different periods of creativity. Early works done in the spirit of impressionism, which for many avant-garde artists almost indispensable stage of artistic evolution. In the "spring Garden" (1904?) M. F. Larionov, in its transparency and contemplation, elegance and parsimony of the color palette, in the rhythmic composition shows the proximity of the scenic artist search V. E. Borisov-Мусатова. In "the Provincial Prentice" (1907) of the same master of the roughness and naivety combined with surprising purity, which the artist achieves the most scanty means — simplified forms, expressive line and just two colors @blue & mdash geltoi@

, "Lisa in the sun" (1907) R. Falk balanced detachment and tilt the head of a seated woman, her image filled with purity and harmony, also involuntarily associated with female characters in Saratov masters. But in a bold contrasts of yellow and blue, in the vigor of the strokes is already quite different scenic temperament@

In the still life paintings of p. P. Konchalovsky, I. Mashkov, A. V. Kuprin, V. V. Rozhdestvensky, presented at the exhibition, is born self-sufficient artistic element, temperamental, bright, emotional, a tuning fork which are painted fair trays. Still life perception of the world, typical of the artists Association, put the seal and other genres – landscape, portrait@

In the experiments with the form to the border of irrelevance came closest A.V. Lentulov, which is clearly seen in his work presented at the exhibition in full color and motion "Landscape" (1910-е), which is crushed cubist alyamani@

Source: museum.ru