"The mirror" No. 53: Grobman, Zakharov, Tatyana Goryacheva, Burliuk and Nusberg
ARTinvestment.RU   23 апреля 2019

Out-of-print room dedicated to the opening at the Israel Museum in Jerusalem's exhibition "victory over the sun: the avant-garde movement in Russian art of XX–XXI century"

Reflections on the Russian avant-garde begins the review "Russia. The twentieth century: from avant-garde to underground" the curator of the exhibition Tatiana Cirkovic, where the author reveals his concept of the exhibition as the evolution of ideas of the avant-garde in the art of several generations.

mikrotomografii "Almost all the Black box" is known in Russia expert at the forefront of Tatiana Goryacheva traces the history of "Black square" of Malevich. Intriguing history — from the emergence of the idea to the subsequent fate of the main program's symbol of Suprematism. The second article Goryacheva, "About figurine", dedicated to the birth of futuristic theater in Russia — in particular, the failure to plan Lissitzky to stage the Opera "Victory over the sun". He wanted to bring it to the stage in the form of "electrical and mechanical performance, where instead of the actors had to act "figurine" — huge puppets, driven Electromechanical plant".

the subject of the article Lely Kantor-Казовской "In the Wake of the Russian avant-garde: independent art in Russia 1960-2000-х years" — "diverse and complex reflection on the Russian avant-garde 1910-20-х at my leisure (that is, unofficial) art of the" Russia in the second half of the twentieth and early twenty-first century. A continuation of this article was to a detailed interview taken Kantor-Казовской one of the characters of his article, Mikhail Grobman, appears here as not only an artist but one of the most famous collectors of the Russian avant-garde art.

the Artist Vadim Zakharov, presented at the exhibition "victory over the sun..." installation "History of Russian art from avant-garde to the Moscow conceptual school", in the article "resurrecting the avant-garde" ironically draws back to the tradition of the avant-garde as a kind of social-художественный the Apocalypse: "the Risen dead last with trembling triangles instead of hands and heads instead of squares will be to sow terror, and we cannot escape from that".

the Category "Direct term" made two content: essay Mikhail Grobman on "Malevich" an essay by Michael Allenova "Around "the Black square"", which in contrast to Grobman, determines the Suprematism of Malevich as "a kind of artistic Judaism," sees the "Black square" symbols Christian.

the Heading "Links" were:

"Souvenirs" — selection of early, mostly unpublished poems, David Burliuk, selected them and copied in 1933 in the so-called "notebook in brocade binding." The author the introductory article Eugene Demenok;

the Assembly of the aesthetic manifestos of group Motion, written in 1960-е the years, the artist Lev Nusberg, party of the Second Russian avant-garde, the founder and Director of the kinetic group "Movement", the author of the first Russian performances.

Completes the coffee room the publication of the poems of another representative of the Second Russian avant-garde, Vladimir Chovancova(1938-1986).

Source: zerkalo-litart.com




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