THG, June 20 @7 September. 2014
Moscow, Krimsky Val, 10, halls 21-22

In the Tretyakov gallery on the Crimean Shaft, the exhibition "Joseph Rubanov (1903-1988). Successor Moscow traditions" from the collections of the state Tretyakov gallery, the Institute of Russian realist art from the collection of the family hudojnika@

Tretyakov gallery continues to introduce the audience to the heritage little known to the public by the authors. A new exhibition opens name Joseph M. Rubanov, a recognized authority in the professional environment of Moscow painters. Living in a Town of artists on Upper Maslovka, Rubanov has always been at the center of the artistic life of Moscow, communicating with artists of different generations and different napravlenii@

His work is developed sequentially, without sudden evolutionary leaps. His pictorial language Rubanov formed, starting from the experience of the old masters, among which he distinguished by Titian, El Greco, velázquez and Chardin, who had an influence on him. The Supreme authority for himself a painter believed Susanna@

Art education Rubanov began in Krasnoarmeysky University of Mogilev, and later briefly studied at the Petrograd Institute of art. Between 1925 and 1930 in the Moscow VKhUTEMAS — the song his teachers were famous masters of painting and graphics K. N. Istomin, , A. D. Drevin, N. A. Udaltsov, , A. A. Osmerkin, R. Falk, D. P. Shterenberg, A. V. Shevchenko, , I. I. Mashkov, , V. A. Favorsky. A mentor and a friend Joseph Rubanov was Aaron Reznikov, artist, researcher art of the French Impressionists and the art of Cezanne, who had a great influence on students of VKhUTEMAS their philosophical and theoretical reflections. Later, in 1960-е years, in his programmatic work of graphic art "Italian courtyard in the Museum named after A. S. Pushkin" Rubanov tried to create a group portrait of his contemporaries — prominent artists of the first half of the twentieth century: Falk, Alexander Osmerkin, Mashkov, Konchalovsky, Reznikova, Tabor. To this work he proceeded repeatedly for many years, the exhibition presents one of atutov@

the integrity of the artwork was achieved Rubanov how he built the harmony of composition and color relationships. Rigor, intolerance to mechanical approach to solving creative challenges and uncompromising in matters of art the artist persevered and in his teaching system: all his life he taught in the houses of culture and creative studiach@

About 70 paintings 1920-80-х years, mostly plein-air landscapes and portraits that comprise the exhibition. Attention to nature and the desire to convey a sincere, direct impression from talking with her was the basis of artistic method Rubanov. One of his favorite examples of this approach were the words of Camille Corot, who before each etude prayed to God to return his vision of a three year old child. In landscapes of Maslovka, and the kinds of stadium "Dynamo", in portraits, celebrating milestones in a creative way, and in the still lifes that the artist created almost on the principles of musical harmony, he valued the "dispensation" of the piece, which would make it possible to maintain live contact with natural@

Источник: press-релиз GTG