The master catalogue — thirty lots: twenty paintings, four sheets of original and one — printed graphics, two works in mixed media, one sculpture, one porcelain dish and a single object

the fee from buyers is 18 %.

Catalogue of the Auction No. 327 XIII and curator of the auction "XXI century".

In section of Russian art early twentieth century we present the participants of the auction of small paintings "seascape with boat" Nikolai Alexandrovich Tarkhov, performed in Paris in 1904 — in the heyday of his talent and the peak of its popularity among connoisseurs and the public. In Paris, where Tarkhov settled in 1899-м, it is from the early symbolist things came to impressionism. However, the impressionism of the artist was not a simple imitation of the French masters, but his own characteristic manner. "Tarkhova know at the Paris salons among the thousands of paintings at once", — wrote Alexander Benois. In the apt words of art historian V. And Rakitin, "Tarkhov is on the brink of impressionism, post-impressionism and Fauvism, maintaining changeable in the game "isms" its lyrical intonation and personality". In our work "favorite by Targowym oblique, as if to smear the dancing, the music weaving a single color-звука to another, fine attention to color nuances define the distinctive handwriting of the master, which is characterized by special eyes, able to notice the change of color of the solar disk for a short period of time" (Bialik V. M. Nikolay Tarkhov 1871-1930. M. : Publishing house-во "Art — XXI century", 2006. (Artists of the Russian emigration). P. 120).

the Following section of the catalog — creativity artists of the Russian Diaspora. Strictly speaking, these should be attributed to N. A. Tarkhov, but his departure from Russia was not forced, like most of those who left the country after the revolution of 1917. From abroad in 1899, Tarkhov has maintained close contacts with the homeland, was a member and participant of a number of prominent art groups, including "World of art".

the Staged "still life with oranges" (1920-е) Boris Izrailevich Anisfeld of characterizes the Mature period of the master and, apparently, made in the USA, where he lived and worked after emigrating from Russia. Noting that the genre of staged still life Anisfeld "has not changed throughout the long creative path," the examiner indicates that the work of the artist "are always decorative and expression, sochineniy composition and fantastic motifs which nevertheless has a real basis, a dynamic sweeping stroke, juicy texture and, of course, masterful use of bold, striking intensity and richness of color combinations". The expert quoted Vsevolod Voinov, who in 1912 wrote the article about the Anisfeld: "It precedes the <...> nature flowing, so to speak, through the crucible of brilliance. He gives a subtle, amazing courage and strength color-matching, which immediately performed a sharp distinction between the nature of what she is in herself and what she is drawn to his creative eyes".

1950-60-ми years, the "American period" of creativity David Burliuk dates back to the expert canvas "Bouquet of chrysanthemums on the background of the sea." "in 1922, the artist lived in the United States (from 1941 is constantly in HAMPTON-Бейзе, long island), which often create still lifes, characterized by deliberately-примитивной manner of execution,unexpected combinations of the depicted objects, decorative, texture painting surface, sophisticated and vibrant color scheme with a distinctive brown-голубым with purple color, red-бордовыми accents, combinations lemon-желтых and turquoise-зеленых tones". Our still life is another incarnation of one of my favorite author's motives — bright flower composition on the background of the sea.

Chapter the Soviet art of the first third of the twentieth century opens a "Composition" from series "Aristokratia" (1918-1924) Yakov Georgievich Chernikhov. The series is made up of colorful sketches of graphic art that reflects the dialogue of the artist with the "left" art trends, mainly Suprematism. In the "Aristocratie" the artist uses shapes of basic geometric elements and elaborates a whole system of color problems — monochrome composition, volume with overlays of semi-transparent layers, weighting element, dark colors, creating a complex axonometric image tone stretching, etc. He Chernikhov called this series "the compositional structure of colors". Based on the main principles of the famous avant-garde artists, Chernikhov reinterprets them and gives a new interpretation of the, sometimes surprising with his genius, even the creators of these directions. it is Important: sheet AI Auction received a verbal confirmation from "Architectural charity Fund in the name of Iakov Chernikhov", which means confirmation of the authenticity of the work, and that it was kept in RGALI and was not wanted. About the artist read on AI: "artist of the week: Yakov Chernikhov".

the Second sheet section — illustration "Tractor plant in the factory "Red Putilovets"" (End 1920-х — 1930-е) Mieczyslaw V. Dobrokovskogo. In the early 1930-х years, that is about the time when was created our pattern, Dobrogowski wrote in his notebook: "I have 13 years of knocking on critics of art, to give place — place "under the moon of art" — aesthetics of the factory drawing, because things (industrial), which are now recognized, at last, worthy art, as before to be made, born in the drawing in the coordinates — a t-square and ruling pen, because they are made! So drawing the graphics it conveys better than dry brush or blur.

Soul industrial objects in the drawing!

My art — is “right note,” without the arts, if you want. Directly from paper to brain, without change at the station "impression"".

It was a time when agriculture was largely destroyed by the three wars, the tractor was vital. "From-за to lack of experience and lack of time on developing their own sample could not be considered. The most simple in design, cheap and namecallback in the world at that time was considered a light tractor "Fordson", produced in the United States since 1917. It and decided to put on a production. To do this, six new 20-сильных tractors dismantled to the last screw. Experiencing parts and after metallographic analysis, the selected materials and established manufacturing technology" (gvtm.ru). Serial production was started in 1924 at major St. Petersburg machine-building plant "Red Putilovets". And of course, thisevent as the engineering preparation and production of the first Soviet tractors, could not fail to attract the attention of the artist Dobrokovskogo. Our drawing is made at the factory "Red Putilovets", most likely, on the instructions of one of the newsrooms in which he worked Dobrokovsky.

He lived for over forty years, his life, which was the sea, a military feat, the work in the midst of Soviet industrial construction ended in 1938 at Butovo. And probably, no exaggeration, talking about the artist-моряке, to quote writer-моряка of Victor Kopecky: "When trying to enter the state of mind of Pushkin, Lermontov or Chekhov on the eve of their death, it seems that the main pain tormented them because they knew how much did not, how much is not done. They could not know their great prices and not feel a great mental energy not used and a tenth. And how they from this consciousness unbearably painful to die, and how they sound and not given to understand that, and what's the highest Russian modesty in their silence about the main burden" (baltkon.ru). Kopecky wrote about genius, but I guess that was how everyone thinks a talented man who finds in life its only right place and pulls out her boiling disease, old age or someone else's will. About the artist read on AI: "artist of the week: Mieczyslaw Dobrokovsky".

the following section presents the work Russian artists of the second half of the twentieth century.

"a Kind of poetic Suite, executed in a light, free and graceful manner of pencil drawing" calls the expert loop field drawings and temperature Valentin Ivanovich Polyakov, on which he worked in the late 1950-х — 1960-х years. Referring to the cycle of our work "Reclining Nude" (1963), the expert notes that "when the artist adds to his drawings then his things become refined, balanced, colorful decoration, the harmony". Student volokidina P. G. and T. B. Fraerman the Odessa art school, pupil of A. A. Osmerkin and P. D. Pokarzhevsky in Moscow state art Institute, Valentin Poles better known for his landscapes, genre paintings exhibited at exhibitions or stored in Museum collections, as well as monumental paintings. That is why is especially interesting for our field "Reclining Nude" — bright, graceful, poetic, revealing another facet of the talent of the great masters.

Street of old Moscow, in 1992, regained its historical name Pottery, depicted in the urban landscape "Volodarskogo Street (Pottery street)" (1974) Sergiy Kolyada Avksentyevich. Master of the urban landscape and people, in love with our city, Sergiy Kolyada imprinted on their cardboard and canvas favorite parts of Moscow, many of which have already disappeared forever, replaced by modern buildings. All his works bear the spirit of old Moscow — low-rise, clean, warm, sanctuary and very beautiful.

In 1983 created the etching sheet No. 3 of a series "Space" the Garifuna of Sharipovich Basyrov. "I work on what interested me, what really captivates me" — wrote the Garif Basyrov. "He worked in various graphic techniques, such as printing (etching,lithography), and unique (figures pencil and ink), preferring the latter. He experimented with letters and sign systems, abstract collages and sculptures-ассамбляжами... <...> never marked time by replicating itself, but moving always forward from series to series, from project to project, from figurative to abstract, from graphics to sculpture, living the creative life one after another" (basyrov.com).

In the biography on the website of the artist is humble phrase: "For many Basyrov first became well known as the author of drawings on the pages of the then popular magazine "Chemistry and life", a kind of island of liberalism in the swamp of Brezhnev's stagnation" (basyrov.com). The Basyrov was not just the drawings — in the Soviet Union, perhaps, there was another print publication that could unmistakably recognize with a single figure, in turn, one page at a time. The magazine was incredibly popular, there were great artists, but for most readers it flying graphics Garifuna Basyrov, made in the same manner as our present etching was the one and only.

"Summer day" (1998) Aaron Froimovich Buch — small beautiful canvas painted in the rich palette of early summer. The leaves of the trees are still fresh June's freshness, pure little lake is resplendent with bright colors, yellow and pink flowers like scattered generous hand of the artist on the soft summer grass. Even storm cloud poured not PPE weight, and the color of the sea, with glimpses of blue sky.

Next big section of the directory — the works of the sixties.

the Only sculpture in the collection — emotional and what-то very touching aluminum composition "Mother and child" (1964) Vadim Abramovich Sidur.

drawing with markers "Bathing" (1971) Vadim Abramovich Sidur — mixed composition, made of plastic extruded lines. In this work an interesting kind of reference to the genre: the naked woman does not exist in an abstract space, surrounded by flowers, and she came ashore near the Creek, overgrown with reeds, holding a towel.

In 1975, before the exile, is written on canvas "Night cows" Oscar Yakovlevich Rabin. Subject it is more than concise: the barracks, a huge moon, snow and cow. Winter, all shades of iridescent mother-of-pearl Rabin's grey colors of the urban landscape. The barracks and the cow (by the way, she makes the winter's night on the street?) indirectly talking about the presence of a person, and if the barracks (very important image for the artist) create an atmosphere of bleak wretched existence, the cow, let the skinny and what-то unsettled, as, indeed, all around, makes this atmosphere of hope for a warm and meaningful life. Emotionally it is Rabin's work.

Creativity Vladimir Borisovich Yankilevsky the catalog contains a large colorful pastels with collage elements from the cycle "Space of experiences" (1990), made on colored paper.

the China of the sixties — a uniquely large and diverse phenomenon in the art of the second Russian avant-garde. Plate pattern Francisco Infante-Араны "Point in space" (1964) from the graphic series "Shedding — absorption" belongs to a series of works made in 1992Infante and Eduard Steinberg in conjunction with the Centre for contemporary arts (CCA) and the Association "Kuznetsovsky porcelain". Every plate is a limited edition of 25 pieces, plus a few unnumbered (backup) copies. Instead of Francisco Infante four plates were produced only three. Most copies were purchased by the Ministry of culture of the Russian Federation.

"Porcelain proved to be fertile material for illustrating the ideas of Francisco Infante. We can say that here got a new breaking of his famous “the concept artifact”. “Artifact” — is the term used in the interpretation of the artist “refers to the thing second nature, i.e., something man-made and, therefore, Autonomous in relation to nature,” but which, in the artist's thoughts, associated with such concepts as “tradition” and “culture”. Special emphasis in his theory Infante did on the embodiment in the artifact link “technology — nature”, communication, capable, in his opinion, to create a new synthesis in the eternal art. This ability of the artifact Infante saw a special “symbol of the Mystery of creativity.” Porcelain also — material, born of fire, combining the natural and the technological side, anciently confers mysterious properties — as nothing else matched the author's conception of the artifact. Therefore, it is likely, as a harmonious and logical look works Infante on porcelain plates" (Victoria Petukhov. Porcelain as nepriglyadnoy art or another facet of nonconformism // Porcelain of the sixties: an Exhibition in Romanov gallery. M : Bonfi, 2012. P.14).

Creativity Vladimir Nikolaevich Nemukhin represents a composition of 1999, "Card still life". According to the expert, it "refers to the well-known and popular cycle... card deals on which he worked in the 1960s-х — 2000- the years. Successfully found the formula of the compound of solitaire with a beautifully-пластическими artistic techniques of masters of Russian avant-garde of the early twentieth century brought V. N. Nemukhin success and well-deserved popularity. It is no coincidence that some of the most successful and interesting work from this cycle of solitaire, he repeatedly said".

To a later generation of the masters of any other art, the seventies, is the author of midsize minimalist painting "Composition. Improvisation No. 2" (2003) Leningrad Leonid Konstantinovich Borisov the Artist "in pure geometrical abstraction without the usual for Leningrad underground philosophical connotations. He is interested in geometric form, the combination of the two-трех forms itself... <...> the Delicacy and refinement of color solutions, the location of the shapes on the canvas allow for the utmost reticence to achieve a convincing effect" (Gurevich. The artists of the Leningrad underground. Biographical dictionary. — SPb.: Art-СПб, 2007. P.26).

the Final section of the directory — of the work modern authors.

Opens its geometric abstraction "Squares" (1989) Yuri Ivanovich Zheltova. "Referring directly to the context of art Zheltova, it can be noted that if formal-стилистическом level, it is reminiscent of Suprematism, at the level of the foundations of forming not less notable contact with the iconthe structure of the space, — wrote about the artist great art historian and critic Sergey Kuskov. — Thus the combination of the ideas of universal order with the pulses of the national spiritual tradition (of course, in her unorthodox undogmatically rethinking), and all passed through the stylistic "rebar" geometric abstraction of the twentieth century and lived in the existential experience of the individual" (art-critic-kuskov.com, read this fine publication).

the Painting "White lines and harmony" (1998) belongs to the brush of Yuri Mikhailovich Scopula, artist Studio Elia Belutin "New reality", a member of Studio exhibitions, and subsequently one of the organizers of the group of "avant-garde abstraction". Today the works of Yuri Scopula are in the collections of the State Tretyakov gallery (Moscow), State Russian Museum (Saint-Петербург), Hungarian National gallery (Budapest), in other museums and private collections.

still life "Winter rainbow. Turn on the summer" (2018) Lucy Raven filled with a hidden, but very positive symbols, though he, perhaps, does not contain any attributes, solstice, solstice — solar symbol of the ancient Slavs, except that round. But the rotation for the summer — is a movement to flourish, for new life and renewal, a rainbow, and even winter, — sure sign of the coming prosperity.

In 2019 written snag "Peter the great" Alexei A. Barbenko — rather laconic still life assembled from items like paint on the palette complement each other and work together to create an artistic image of Peter the Great.

at the same time with our staff 327-м AI Auction open 13-й auction of the project "XXI century. Contemporary Russian art". We offer to the participants the works of ten artists in contemporary Russian art-сцены dedicated to the subject of landscape: the paintings of Atakhanova, Valeria Babina. Diana Vouba, Ilya Komov, Irina Korsakov, Victor Kraposhin, Andrew Munz, Igor Still, Elena Utenkova-Тихоновой and the object Seeds Agroskin.

All the best of luck on 327-м AI-Аукционе and XIII auction "twenty-first century. Contemporary Russian art"!

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

fee from the buyer is 18 % of the final price of the lot.

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