Opened 275-е the Auction
ARTinvestment.RU   23 апреля 2019

Traditional twenty lots of the Auction — ten paintings, five original leaves and two — draw graphics, one porcelain dish and one bronze sculpture. Additionally @10 mdas of F. F. Fedorovsky

the fee from buyers is 18 %.

Catalogue of the Auction № 275

Selected lots of the Auction № 275

In our current catalog are equally represented most of the genres of fine art. And in each of the sections contains the works of artists of different periods, genres and styles.

Opens a large directory section, and in it — on canvas "Nude (by the fireplace)" Nikolai Sergeevich Matveev the end of the XIX — for the first quarter of the twentieth century, one of the top lots in today's auction. Matveev came from a merchant family, was the son of the artist-любителя as volnoprihodyaschego pupils attend classes at the Moscow school of painting, studied under E. S. Sorokin and Vasily Perov. In the early 1880-х attended drawing evenings in the Studio of I. E. Repin. Worked in the field of historical and genre painting, he painted landscapes, portraits, was engaged in book illustration. Many were exhibited, consisted of several art societies. Was known primarily as a historical and genre painter, in 1895, became one of the founders and Secretary of the Society of artists of historical painting. In 1901 he joined the Moscow art lovers society, which included Pavel Tretyakov acquired several works Matveyev, including one of the best paintings, "Twilight" (1891). As written by experts, our painting, "designed in the tradition of salon art of the late nineteenth century, reflects the character of a painter. On my theme it echoes mentioned in exhibition catalogues such works Matveeva as “Broke” (1891) or “worn out. Etude" (1891)".

Thin, lively, spirited young woman's face depicted on the graphic "Female portrait" (1929) David Burliuk. According to the inscription, this portrait of the actress Esther Loess, wife of the actor of the "Worker's theatre" in new-Йорке Leonard Kopelevich-Луганова, which, as I write, he was well acquainted and even friends. The inscription on the portrait of her connection to the theater "Habima" (the Soviet Habima theatre) who toured in the U.S. since the end of 1926-го to mid-1927-го year, when most of the troupereturned to Europe, and from there moved to Palestine (source: ru.wikipedia.org). It can be assumed that the couple left in 1927-м with the entire cast, and left to live in the United States. In short, the new owner of the portrait will be in contact not only with the work of David Burliuk, but also the history of one of the most interesting theatres of the first years of Soviet power, closely associated with the names of Konstantin Stanislavsky, Evgeny Vakhtangov and artist Nathan Altman.

Brush of Samuel Yakovlevich Adlivankin belongs to the medium canvas "Nude model in the Studio" (1946).

Pencil "portrait" Anatoly T. Zverev performed in 1966 at a rapid flying manner. However, this is not a sketch, but the finished work, signed and dated by the artist.

Sculptor George Vartanovich Frangulyan, the author of a bronze composition "untitled (Nude)" (1986), known primarily as a master-монументалист, author of the monument to Bulat Okudzhava on the Arbat, Joseph Brodsky, coach Anatoli Tarasov, Isaac Babel and others. Our very small sculpture — work chamber, and elegant.

Completes the section of the abstract canvas "Old woman" (1988) Elia Mikhailovich Belyutin's executed, "worked out their unique plastic and color system. This thing is distinguished by the expressiveness of linear pattern and bright bold decorative solution".

No less varied and the landscape section of the catalog.

The earliest of them — the light-flooded landscape Vasiliy Petrovich Komardenkova "Sun is shining" (1930-е), composite and harmonious than-то reminiscent of theatrical scenery. Perhaps this reflects the vast and varied experience of the author as a theater artist-оформителя, maybe the work really is relevant to the theatre (for it says, perhaps, her participation in the personal exhibition in the theatre-декорационного art Komardenkova in 1986). One way or another, but the landscape decorative, interior, bright and joyful.

Small (31,2 × 44,4) watercolor "Moscow" (1957) Alexander Arkadevich Labas — part of a larger series of the same name. As with other works of the artist devoted to Moscow, the Akvarel is dynamic and fresh.

the Original urban landscape presents us with a graphic "Dustbin No. 8" Oscar Yakovlevich Rabin, printed in the Italian pattern, 1958.

One of the absolute top-лотов our auction — "Landscape" (1980) Igor Alexandrovich Vulokh.

Pencil landscape "Mug" (1994) made one of the most interesting of the sixties, Andrei Borisovich Grositsky. Master of color, volume and composition, he was probably the best draughtsman among the recognized graphs of his generation, and this great gift was manifested in our small work.

infinity Completes the work of contemporary artist-гиперреалиста Sergey Andreevich Geta "Overgrown pond — 2" (2019) — sunlit quiet pond and Lily pads. The thing is extremely quiet and interior.

In 1998, written in bright pasty composition "Summer" Victor Semyonovich Kazarin, which opens the section of still life. A light cloth in a modest gray plaid sets off the vase with a huge bouquet of summer flowers — bright-красных bright-желтых bright-синих.But dominate in a composition and organize all this tumult... white daisies — in them as if embodies the author's powerful energy, which is so appreciated by connoisseurs. In General, the work great and extremely positive.

To the series of the still life on the floor relates our work is oil on paper "untitled (still life on the floor)" (1999) modern artist Lucy Raven. Glass and crystal items (easily recognizable and very cute) sugar cubes in the sugar bowl, sliced lemon on a saucer — they all gathered in a wonderfully graceful and dynamic composition. The artist examines not the location, but the movement of the pieces on the floor: they seem to move, moving in a slow waltz, following the dance pattern and therefore never losing the harmony of the mutual arrangement. Movement of the composition adds graphic and the regular pattern of the parquet. Like other lifes on the floor, our work today as if envelops the viewer with warmth and arouses kind and pure feelings.

In a recognizable complex author's technique made an undated still life "untitled (Four compositions)" of the sixties Yuri Leonidovich Cooper. The work as a whole looks stylish, modern, but as if from the depths of time it appear and manifest images of fine vintage items.

Genre section opens with an illustration Valentin Alexandrovich Serov I. A. Krylov's fable "the Wolf and the shepherds" — eponymous etching, engraved in 1899 on the original figure, 1898. Etching was performed as a coffee of the Annex to No. 1-2 of the journal "World of art", 1900.

Quite early — 1975 — Tushev the song "Pieces" Eugene Iosifovicha Chubarova, certainly recognizable. What's happening in the picture can be interpreted in-разному or not interpreted at all: the drama of the situation and the intensity of emotions of the characters clearly and without a tangible interpretation of the story, which is very typical for the artist. However, unlike later compositions with figures, in our work, the figures are almost separated (the male figure covers only the left leg and left hand of the female figure) and spelled out almost completely, and largely thanks to this the viewer can meditate on the essence of the conflict of the characters.

And the latest genre in the catalogue — canvas "Apollo and Diana" (2015) modern artist the Natta Ivanovna Konysheva. Once again the artist presents his own peculiar interpretation of mythological stories or characters. As is known, Apollo and Diana (gr. Artemis) were twins. In the mythology of each of them patronized by the vast number of classes and everyday human needs, but the artist chose only one characteristic for each character, as Apollo was cifredo, i.e. played on the cithara. Diana — virgin-охотница, depicted accompanied by a deer. All other details, characteristics, mood of our canvas — is the fruit of the author's imagination, talent and irony.

the Only work on porcelain — plate "Jack of diamonds", made in decal technique in 1990 by sketch Vladimir Nikolaevich Nemukhin the mid-1970-х. "... the Beginning of the history of porcelain, created by paintings of easel-шестидесятников, lies in the last decade of the twentieth century, First in 1990, in Luxembourg at the factory Villeroy & Boch producedlimited edition plates four sketches of Vladimir Nemukhin. <...>

<...> Boards with sketches made Nemukhin in the mid 1970-х years and hanging on the walls of his Studio, saw one of the visitors — the Ambassador of Luxembourg in the USSR. Taking pictures, he organized the production of a series of four plates in the factory Villeroy & Boch, which was released in 1990 in decal technique, faithfully reproducing the sketches, with all their incompleteness. The success was overwhelming. Plates "Tambourine", "ACE", "Jack of diamonds" and "the Joker" on projects of Vladimir Nemukhin began in 1990-м face-Villeroy &@Boch semicolon at the famous exhibition of new luxury goods... and immediately dispersed to private collections of Europe" (Victoria Petukhova. Porcelain as nepriglyadnoy art or another facet of nonconformism // Porcelain of the sixties: an Exhibition in Romanov gallery. M : Bonfi, 2012. P. 12). The plot of "VALET DE CARREAU" ("Jack of diamonds") was the second story in the series (story printed on the back of the plate), and it's safe to say that our plate was one of those that started this unique art — porcelain of the sixties.

On the border of abstraction and figuration is almost monochromatic minimalist arrangement "Cross" (2015) the master of any other art Sergei Mikhailovich Bordachev.

a Separate additional section exhibited 10 works Fedor Fedorovich Fedorovsky — theater artist, painter, who served as chief artist of the Bolshoi theatre from 1929 to 1953. Including — sketches and sketches of scenery and costumes for the Opera "Ivan Susanin", "Boris Godunov", "Prince Igor", "Tsar's bride" staged in the theaters of Moscow and Leningrad, as well as some fine landscapes.

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).

we Wish you all a good bargain and good shopping!

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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the fee from the buyer is 18 % of the final price of the lot.

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