The master catalogue — lots thirty: sixteen paintings, four sheets of an original and two — printed graphics, four works in mixed media, one sculpture, one porcelain plate and one photo

the fee from buyers is 18 %.

Catalogue of the Auction No. 326 XII and curator of the auction "XXI century".

Opens the directory section of creativity artists of the Russian Diaspora.

In 1900-х — 1910-х years created "rare artistic qualities of the picture" "sun-Рафаэль" "an interesting and original artist" Alexander Esaulova. "it Is a characteristic species picture painted in the small French resort town of San-Рафаэль located halfway between Cannes and Saint-Тропе at the foot of the Esterel massif, — says the expert. — Landscape painted with complex color and tonal relationships in a light, airy manner of writing that allows you brilliantly to convey the status and mood of the selected landscape motif. It is this species plots brought Alexander Esaulovo well-deserved popularity and fame".

costume design for the Old tractor with his staff to the Opera N. Rimsky-Корсакова "the snow maiden" executed Konstantin Alexeevich Korovin in 1928 for the first production of "Private Opera in Paris." Korovin created a number of costumes berendeys for this performance, and thus on the stage, the characters, no doubt, was a motley colorful spectacle. Our Old tractor with a staff dressed in peasant clothes, but it is all embellished with embroidery and on the shirt flaunts a large embroidered Sun — a symbol of the God Yarilo, who is worshiped by the berendeys.

Lithography "Circled shape" (1963) Alexander porfiryevich Archipenko is a sheet from the folder Les Formes Vivantes ("Living form"), containing 10 tracks and released in Switzerland in 1963, edition of 75 copies.

Chapter the Soviet art of the first half of the twentieth century opens a rare theatrical a sketch of the costumes Rocked and Swayed to the play "Death of Tarelkin" (1925) to Alexandra Alexandrovna Exter. The expert notes that "suit... is from a later version (or complementary) series of costumes for the play by A. Sukhovo-Кобылина, which was supposed to put in 1 Studio of the Moscow art theatre in 1921 (setting were not implemented)". Noting the relevance of the signature on the sketch label in the late works of A. Exter related to the Paris period (after 1924), the expert specifies that "when working with works from a theatrical series, but spaced apart in time, becomes especially apparent change of tactics of the author in the direction of greater stiffness and dryness of execution, as in the coloristic and compositional relation. This evolution fits into the total development of the style Exter since the second half of 1920-х years".

Not only artistic, but clearly, historical value is "Moscow landscape" (1930) Nilovich Alexander Tikhomirov. The artist arrived in Moscow in 1924 from Tomsk and lived according to the inscription on the back of the picture, on the Upper Maslovka. In 1929, on the Top Maslovka, before had entirely wooden construction, at the initiative of M. Gorky and Igor Grabar, construction began on the Moscow Montparnasse — "town of artists". The architectural complex was designed by the team of ASNOVA in the form of a huge "ship of arts", which was supposed to be teeming with the Moscow artenvironment, to create conditions for graphic artists, sculptors, painters and promote the development of young Soviet art.

In 1930 on the place of the burnt down pavilions of the film Studio "Mezhrabpomfilm", near the "Dinamo" stadium was built 1-й production house painters (building "F" on the master plan). He later got the address: street the Top Maslovka, 9 (ru.wikipedia.org). The construction of the following housing started only in 1933, so we can assume that the canvas "Moscow landscape" the artist captured the first house, "the town of artists".

In the same 1930 made drawing with charcoal "the Woman" Alexander Alexandrovich Deineka.

Very beautiful, the delicate tints of watercolour paints "the Rain. The Village Of Zapillya. Dedovichi" (1932) belongs to the hand Anna Alexandrovna Leporsky, a pupil of K. S. Petrov-Водкина and later, in Ginhuke, — pupil and Secretary, K. S. Malevich. "Despite the fact that this full-scale watercolor — experts says: — need to be strict and harmonious composition, masterful use of luminous paper surfaces and strong letter transparent watercolors with whitewash".

Artist-затворник, follower, scholar and successor of the traditions of European modernism Anatoly Ivanovich Shugrin almost never dated, never called and never showed their work, which does not allow to identify in his work a definite segments, or periods of development. Moreover, it is known that many works, he was coming back with amendments over the years. However, we can safely say that in the period from mid-1940-х to mid-1980-х he has created many original, interesting compositional and coloristic works in which he reinterpreted what is seen when-то art findings and techniques of Matisse, Picasso, Modigliani, Derain, Morandi, De Chirico. Our abstract geometric and Composition dates from the 1950-60-ми years. In 2009 she exhibited at the Tretyakov gallery in a large retrospective Shugrina — first, except a posthumous one-day exhibition, the artist's personal exhibition in the homeland. About the life and work of Shugrina, read our article "the Artist of the week".

In 1968, written a painting "2 Nu (Dedication Leaf)" Valentin Mikhailovich Okorokova. Artist-самоучка with the drawing skills learned at the Moscow higher technical school, in the mid 1910-х — early 1920-х worked in the Studio of Vladimir Tatlin and practiced in the workshop of Rodchenko, was familiar with Malevich. Then went to his home in the town of Kozlov, where he worked as a "Commune Kozlowski creative artists", founded by Sergey Gerasimov, participated in dozens of exhibitions (artinvestment.ru).

About 1925 Ham settled in Lianozovo near Moscow, graduated from Moscow art class-графиков and entered the service in Moscow. His own work became experimental. The fruits of these experiments is not only profitable, but over time became threat; work 1930-40-х years no one except the closest friends, not seen. If 1920-30-е years he was interested in typical for that time tasks of an adequate image of the Overspeed and motion forms in free space, overcoming earth's gravity, thensubsequently, in abstract painting, he was fascinated by the possibility of exit through a color harmony to a sense of infinity, from the microcosm to the macrocosm, to the discovery of the greatness of thoughts, the revelation (tg-m.ru).

In General, Hams lived in intellectual isolation, without communication with like-minded people. Lived a "left" (artinvestment.ru). To "thaw" was still 30 years.

Enlisting in the "New reality" Elia Belutin in 1959, Ham was finally in an environment where he lacked. And it was already 68-летний, Mature, much-traveled man and an artist who needed, rather, in the energy of the young team or in dialogue with him, but not the coaching or the following General settings, as was customary at belyutintsev. Ham died in 1974. The last, a posthumous exhibition was held at the Patriarch's ponds, in the Studio Belutin, in January 1976. And then, alas, almost 30 years the name of the artist fell from the exhibition process. Enough time to get into the forgotten names (artinvestment.ru).

the Revival of interest in the legacy of Valentin Okorokov occurred only in 2008, when in the Tretyakov gallery an exhibition "Valentin Okorokov. Subject and outside the subject: 1920-е — 1970-е". On it, next to the early avant-garde works were exhibited and our current canvas. According to the materials of this extensive exhibition, the critics noted that graphic works and collages 1920-30-х years before the "cosmic" abstractions of recent years the work by Valentin Okorokov surprisingly rhymes with the development of abstract art beyond the borders of the iron curtain. Moreover, and most important, works of the second half of life are not a pale rehash of the avant-garde youth, and represent a new, even more vivid rise (tg-m.ru).

Very beautiful inspired by the romance of revolution finest linocut "the Civil war" Palekh artist Ivan Egorovich Shchukin carried out, presumably, in 1960-е years.

Next big section of the directory — the works of the sixties.

the Only sculpture in the master catalogue — elegant bronze composition "the Girl" from "Female principle" (1977) Vadim Abramovich Sidur.

Porcelain sixties — a uniquely large and diverse phenomenon in the art of the second Russian avant-garde. Plate Francisco Infante-Араны "figure 4 on the motif of "Suprematist painting" Malevich (1920)" belongs to a series of works made in 1992, Infante and Eduard Steinberg in conjunction with the Centre for contemporary arts (CCA) and the Association "Kuznetsovsky porcelain". Every plate is a limited edition of 25 pieces, plus a few unnumbered (backup) copies. Instead of Francisco Infante four plates were produced only three. Most copies were purchased by the Ministry of culture of the Russian Federation.

"Porcelain proved to be fertile material for illustrating the ideas of Francisco Infante. We can say that here got a new breaking of his famous “the concept artifact”. “Artifact” — is the term used in the interpretation of the artist “refers to the thing second nature, i.e., something man-made and, therefore, Autonomous in relation to nature,” but which, in the artist's thoughts, associated with such concepts as“tradition” and “culture”. Special emphasis in his theory Infante did on the embodiment in the artifact link “technology — nature”, communication, capable, in his opinion, to create a new synthesis in the eternal art. This ability of the artifact Infante saw a special “symbol of the Mystery of creativity.” Porcelain also — material, born of fire, combining the natural and the technological side, anciently confers mysterious properties — as nothing else matched the author's conception of the artifact. Therefore, it is likely, as a harmonious and logical look works Infante on porcelain plates" (Victoria Petukhova. Porcelain as nepriglyadnoy art or another facet of nonconformism // Porcelain of the sixties: an Exhibition in Romanov gallery. M : Bonfi, 2012. P.14).

Two works in the catalog represent the work Vladimir Nikolaevich Nemukhin.

Canvas in mixed media "composition with the map" (1996), according to the expert, "refers to the well-known and popular series of works by V. N. Nemukhin with the card layouts for card-tables. Made these difficult things are picturesquely-пластических formulas based on achievements of the Russian and European avant-garde of the twentieth century. In this particular case, a source of inspiration and the basis for building a... work “composition with the map” came with the work of Italian artist-модерниста and pioneer Lucio Fontana (1899-1968), whose paintings with cuts and tears brought him fame. For the first time since Malevich, the painting was transformed in such a radical way".

the Second work Vladimir Nikolaevich Nemukhin in the directory — composition in mixed media Joker (2010), made one of those subjects to which the artist returned repeatedly in different years of creativity that-то changing, deleting, adding, and developing compositional and technical findings. And every time, with an overall similarity of composition, it is absolutely independent things, each — to his mood, individual and interesting-своему. Our "Joker" and his other incarnations of this motif, figurative, it is based on — fish, important and very diverse way in the artist's work. Work is busy, with lots of detail, fun and beautiful.

Completes the section of art of the sixties draw sheet "the Transformations with Picasso 13" from the giclee "Transformations with Picasso" Mikhail Mikhailovich Shemyakin. "Transformation — one of the favorite words of the artist Shemyakin. And all his work is based on transformations — recyclable plastic forms of the prehistoric, ancient, medieval and modern traditional cultures and the search for metaphysical foundations of the world — of the entity, which is hidden behind the surface of things. M. Shemyakin has devoted many years to study and analyze the different States of the human soul, face and body, as well as the development created in the course of the historical process of the ways of plastic expression" (shop.mihfond.ru). Our sheet is accompanied by a Certificate of the Fund of the artist Mikhail Shemyakin(St.-Петербург). Given the number of fake or unauthorized works by Shemyakin in the market, it is a necessary document proving the authenticity and legitimacy of the work.

the Large final section of the directory —the works modern authors.

In 1997 painted the picture "the Peasant family. Before mowing" Viktor Konstantinovich Sedov. Author's inscription on the back reads: "Grandfather Paul Yakunichev // Marfa // der. Mukhino // 7 km from the station // Lying down. // my tutor". But it's not really a portrait. Sedov many years engaged in the restoration of ancient fresco paintings, deeply spiritual and sacred Russian art, establishing a high moral threshold of beingness, and an allegorical interpretation of the story became one of the main ingredients of his creative method in the work on painting.

"All of his heroes — are one face of a Mature man who knows pain and loss, it is wise looking at the world and people. He chooses his “archetype” of man, the prototype of which can be found in the Russian peasant iconography and folk prints. Who-то not without reason to celebrate here and influenced by the work of Pavel Filonov. How to build a story Sedov is important, not the outer side, while its inner nature and essence, and in human form he does not look for visual appeal, but the inner spiritual content and greatness (art-katalog.com).

Igor V. Kislitsyn — artist generation of the seventies, the party of the resonant exhibitions and a longtime member and Exhibitor of the Moscow Committee of graphic artists on Malaya Gruzinskaya, 28. "National roots of art today involve all professionals, but not all of them can rise above simple arrangement or stylization. Igor Kislitsyn was able to confidently implement, “recode” in a new quality standard structure of ancient compositions. Gradually he revealed the deep-shaped "ornament" of the archetype: the role of field lines and nodes, rhythmic pauses and accents, "eternal" translational or circular motion, a healthy harmony of pattern and color, the signification and the symbolism of the figures". This statement of the historian and critic Leo dyakonitsyna correctly and completely describes our medium-sized cardboard "the Rider", created in 2000.

One of the most at first glance the story is simple and the most profound, philosophical works catalog — "the old Man" (2006) Rinat voligamsi. "Style Voligamsi distinguish monochrome, hyperrealism and symbolism of the parts" (mmoma.ru).

"Aqueduct" (2017) Natalia Igorevna Nesterova literally draws the gaze into the picture, filled with plans, figures, details, stories. But the main thing in this canvas — movement. Nesterov is not a supporter of "frozen forms", but in our work moving everything, people, dogs, water streams, fluttering skirts, trees, Bush, flowers in the flowerbeds. This movement is emphasized and at the same time is harmonized simply, pale and extremely noble color pictures. Perhaps the only static part of the canvas — fragment of the aqueduct, but he, for all his immobility, involved in the flow of life, it is not terrible time: he — is real, and because, despite his age, with good reason exists in the present.

is Crowned by a directory "Zenit" (2019) Lucy Raven — marvelous still-life joyful the period of creativity of the artist. And this joy of life, without any philosophies, endless flow of light and color jumps off the canvas into the viewer's soul. You would be surprised but very few sponsorsthe desire and ability to give the audience a feeling of pure joy, unclouded by any implication. If you want the feeling of happiness. So wrote the sixties Anatoly Slepyshev, and this is the picture of Lucy Raven — a way of happiness!

at the same time with our staff 326-м AI Auction open 12-й auction of the project "XXI century. Contemporary Russian art". Curator Elena Kasyanenko, with the participation of Lisa Plavinskaya's presents 10 works by artists of the contemporary Russian art-сцены: painting Dasha Delone, Dmitry Kedrin, Nina Kotel, Andrew Munz, Lisa Plavinskaya's, Vladimir Salnikov, Maria Chuikova, Tatiana, Ian, work in mixed media Natalia Zernovski and the photo of Ksenia Kononenko.

All the best of luck on 326-м AI-Аукционе and the auction of the "twenty-first century. Contemporary Russian art"!

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

fee from the buyer is 18 % of the final price of the lot.

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