The master catalogue — thirty lots: nineteen paintings, four sheets of original and one — printed graphics, four works in mixed media, one sculpture and one porcelain plate

the fee from buyers is 18 %.

Catalogue of the Auction No. 319 and curator of the auction "XXI century".

Opens the directory section of the works Russian artists of the late XIX — early twentieth century presented, however, one work. "the Museum's Undoubted interest", according to experts, is the watercolour "At the pier" (1893) Lev Feliksovich Lagorio — slim, clean and very beautiful work.

the Following section of the catalog — works created in the Soviet Union in 1920-х years.

"self Portrait — favorite creative theme of Z. E. Serebryakova. Self-portraits are among the most famous of her works. In addition, the collective female image in the works of the artist also has her portrait features", — says expert Elena Zhukova. Our pencil "self-Portrait" Zinaida Serebryakova made in the early 1920-х years. The expert notes that "the drawing is made in Petrograd upon his return from Kharkov, where the artist lived with his family in 1918-1920. The house and the estate of Neskuchnoye in Kharkov province was devastated during the Civil war. Husband, B. A. Serebryakov, engineer of Railways, died in 1919 of typhus. In his portraits of this time, the artist sought to overcome suffering and to adopt its iconic image, although traces of tragic experiences clearly read on her emaciated face and expression in the eye". On the reverse side of a sheet confirming the authenticity of the inscription of the artist Serebryakova, A. B., son of Z. E. Serebryakova.

In 1925 made "the Sketch of the female costume for the play-обозрению "Conirol"". Authors — the brothers Vladimir and Georgii Stenberg — created the costume to the production of Chamber theatre of Alexander Tairov, whose premiere took place on 26 November 1925. In additional to lot the picture is a photo from the magazine "Soviet art" in 1926, in which the actress (left) is wearing a dress sewn, it seems that for this sketch. In 1920-е years, Ferris has been very common and extremely popular theatrical genre, the work on them by famous writers, playwrights, composers, and artists. These satirical avant-garde theatre productions 1920-х was performed by scanty means, and most of them are very talented. The names of those who created them, later was the Golden Fund of Soviet theater, film, music and even ballet.

paintings of "the Rising woman and the Mullah" (1927-1928) Alexei Fedorovich Pakhomov — is one of several variants of the author's development of the theme of women's liberation of the East from centuries-old foundations, occupying the artist during this period. In 1928, at the second exhibition of the creative Association "Krug", one of the organizers and the Exhibitor which was Pakhomov, he introduced the mid-sized (95.5 x 52) picture "Standing woman" (1928), now kept in the Museum of fine arts of the Republic of Karelia (goskatalog.ru). Another sketch faced woman was exhibited in 2015 at the exhibition "Flat-музей" in the Department of private collections Pushkin Museum. A. S. Pushkina (nasledie-rus.ru).

Canvas "still life with yellow pear" (1926) Anna Alexandrovna Leporsky refers to the period of her study and work in Ginhuke under the leadership of Kazimir Malevich. Just the year before she graduated from the Petrograd State free art workshops —The study with K. S. Petrov-Водкина, and his influence is quite apparent in the composition and color scheme of our strict and laconic still life.

From the first Russian avant-garde refer to second Russian avant-garde, the work of artists which is traditionally a large section of the catalog.

One of the top-лотов our auction — is large (59,3 × 44,2) "portrait of a woman with blue eyes" Anatoly T. Zverev. It "Zverev unique work, executed in 1961, — says the expert. — Such high quality early things remained very small, as the main part of the works of A. T. Zvereva the late 1950-х — early 1960-х years were taken from the Soviet Union. Of course, researched portrait of the creative success of the young artist, masterfully written in a free, masterly and innovative manner". The portrait is painted on the back of a fragment of the wall newspaper, obviously the first half of 1950-х years.

Medium canvas "lilacs" (1964) Oscar Yakovlevich Rabin, of course, also applies to top-лотам today's trading. Canvas early, written before the exile, in Rabin's unique silvery tones, which monitor brand is not transmitting. There are no barracks, herring, scraps of newspaper and other characteristic marks of Lianozovo — the artist paints a view of the rustic Lodge with the glowing window, fence and a huge white cloud, and the window look down the branches of lilac with large, heavy tassels of white flowers. And in all this beauty with no trace of emotion — on the contrary (and most amazing), it is felt that energy that distinguishes the best Rabin's canvases.

mid-size (81 × 65,5) acrylic on corrugated cardboard Mikhail Aleksandrovich Roginsky "Orange bottle on black background" written in 1978 in France. The work is very bright, colorful, and — volume, including due to additional pieces of cardboard, glued by the artist to the surface and blended into the composition.

a Small cardboard "Abstraction" (1979) Eduard Arkadievich Steinberg filled with familiar to fans of his art forms. Cross, circle, line, Crescent — they are all for the artist and at the same time signs and symbols — concepts, phenomena and allusions. It is possible to offer, for example, are their interpretations: "the triangle recalls the Trinity, the cross means the cross, the circle — idea of perfection in the world. The line may look like the border between life and death, between day and night @all mdas that haunts the metaphysical imagination of the artist"; "the Crescent moon, one of the often repeated motifs in his canvases, — is an allusion to the hammer, but certainly not as a Communist emblems, arm in arm with a hammer: it's an allusion, complete and tenderness, and severity as sickle anciently familiar to any farmer, as instilled in him a sense of confidence and peace"; "circles and white rectangles Steinberg appear in two forms, marking a desperate man, lost in the boundless space, and the triumph of conquering life returning to normal" (Dominique Fernandez. CIT. in: knife.media). To the question about finding your way in art, the artist replied that an understanding of geometrical abstraction "came through the Russian avant-garde, primarily through the Suprematism of Kazimir Malevich. But I almost nothing newopened, I just gave the Russian avant-garde a different perspective. What? Rather, religious. Their spatial geometric structures I base on the old catacomb wall painting and, of course, icon painting. My little achievement is that I almost-чуть turned Russian avant-garde. But, on the other hand, I develop in his works the traditions of Russian symbolism.... <...> the Internal concept of my works, therefore, is based on a synthesis of mystical ideas of Russian symbolism of Teens and plastic solutions to the Suprematism of Kazimir Malevich" (source: books.google.de).

In 1991, written a large "Grey cat" Victor Semyonovich Kazarin — work in a well-known to fans of the artist's style, but not quite his usual gray-лиловой scheme. In contrast to the known kazaryns'ke reckless semi-wild cats, which our members have already bought, this time we are dealing with a cat-философом, cat-денди, but the author's dripping, yellow, and the composition strongly suggest that this whole philosophy — same quiet pool where, as you know

Plate Francisco Infante-Араны "figure 3 based on the Suprematist paintings of Malevich "design 18" (1915)"belongs to a series of works made in 1992, Infante and Eduard Steinberg in conjunction with the Centre for contemporary arts (CCA) and the Association "Kuznetsovsky porcelain". Every plate is a limited edition of only 25 pieces (our plate has No. 12), plus several unnumbered (backup) copies. Instead of Francisco Infante four plates were produced only three. Most copies were purchased by the Ministry of culture of the Russian Federation.

"Porcelain proved to be fertile material for illustrating the ideas of Francisco Infante. We can say that here got a new breaking of his famous “the concept artifact”. “Artifact” — is the term used in the interpretation of the artist “refers to the thing second nature, i.e., something man-made and, therefore, Autonomous in relation to nature,” but which, in the artist's thoughts, associated with such concepts as “tradition” and “culture”. Special emphasis in his theory Infante did on the embodiment in the artifact link “technology — nature”, communication, capable, in his opinion, to create a new synthesis in the eternal art. This ability of the artifact Infante saw a special “symbol of the Mystery of creativity.” Porcelain also — material, born of fire, combining the natural and the technological side, anciently confers mysterious properties — as nothing else matched the author's conception of the artifact. Therefore, it is likely, as a harmonious and logical look works Infante on porcelain plates" (Victoria Petukhov. Porcelain as nepriglyadnoy art or another facet of nonconformism // Porcelain of the sixties: an Exhibition in Romanov gallery. M : Bonfi, 2012. P.14).

Draw "Solitaire" (2016) made a classic of nonconformism Vladimir Nikolaevich Nemukhin. Cards, the main theme of creativity Nemukhin, game, the mystery in each element in the overall linearity of the composition, a large white acrylic, complemented by collage, a thick sheet of plywood — "schikarny thing", as in his time, noted one expert, and wepicked up this wonderful clause and allow ourselves in very rare cases to use it.

the Final section of the directory — the work of contemporary writers.

in the Summer of 1991 executed colored lithograph Igor Glebovich Makarevich from the "the Seagull", sheet no 18. At that time, thanks to the support of the Norwegian collector Evina of Johansen, well-known Moscow artists-концептуалисты I. Makarevich and E. Elagina had the opportunity to work in the Paris lithographic studios of Michael Woolworth. Then created a series of 30 lithographs on "the Seagull". These work — part of the project "Chekhov", artist-initiated and first shown in Moscow in 1992 at the Center for contemporary art in Chernigov lane. "...These leaves are very different in content from social-артовской parody on stamped platitudes like "Chekhov — writer humanist" to attempts to create a graphical echo of the shrill-грустной Chekhov's lyricism, often disappearing in theatrical productions", — said the critic Petrov (source: gallery.aonb.ru).

the Author of "the Prayer. Three of the prophet" (1999) Viktor Konstantinovich Sedov — is a professional restorer of fresco painting. In his distinctive style conditionally-примитивистской metaphorical painting unites religious and real modern motifs. Our work is done in a recognizable manner: the painting is reminiscent of ancient mosaic murals and, simultaneously evokes associations with the cubist compositions, it shimmers like light reflected in the small faces of the figures and background.

Bright signature still life "Flowers" (2001) Aaron Froimovich Buch is written in a warm, August colours and comes with a Certificate of authenticity Museum of Aron Bukh.

Large canvas "Overgrown pond" (2010) presents the work of contemporary artist-гиперреалиста Sergey Andreevich Geta.

Bright dynamic composition on the theme of football "Playing ball" (2017-2019) Andrey Nikolaevich Sabianina is written in a recognizable author's "stained glass" style.

Snag as a technique used in art since the days of ancient cultures. The author of the canvas "Snag. Moscow white stone" (2018) Aleksey Viktorovich Barvenko, building, as expected, the optical illusion of three-dimensional space, presents us with a wonderful still life and put things in it create a beautiful and very Moscow, authentic image of our ancient capital.

"the World of music pleases talents. One such talented musicians and elegant at the same time as the instrument itself, — is Vanessa Mae", — to comment on his work, "Violinist Vanessa Mae" (2019) sculptor Marasovich Paata Merabishvili. Bright-красная steel composition is associated with the dancing flames, beautiful and hot, and creates the image of a powerful bundle of energy — same one that invests in their music, the famous violinist.

In 2020, made the canvas "Grand Textile" Lucy Raven. "Work great, just a giant, 130 × 150, which is rare, — commented Georgy Voronov. — In a recognizable favorite in recent years, joyful style. Lucy turns to the experience of the past, using decorative elements-прикладного art. If you look at her tapestries 1970-80-х years, we see similar motifs. In the paintings joyfulperiod of Lucy, as if on purpose, but in fact just on inspiration brings together the happy, the motives and associations of the past and present".

at the same time with our staff 319-м AI Auction open auction of the project "XXI century. Contemporary Russian art". The curator of the auction — Larisa Kashuk Her. Composed — 10 works artists of the contemporary Russian art-сцены: Svetlana Atakhanova, Natalia Glebova, Ilya Komov, Olga Motovilova-Комовой, Igor Nezhivoy, Natalia Tolstoy, George Totibadze, Tatyana Faidysh, Yury Shabel'nikova, Mary Salita. About the artists whose work is included in the auction catalog, read up on AI: "twenty-first century. Contemporary Russian art" — V.

All the best of luck on 319-м AI-Аукционе and the auction of the "twenty-first century. Contemporary Russian art"!

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

the auction AI continues to operate a virtual party "Reserve price is not reached". He appears in the final minutes of trading, so that customers have the option to kill the reserve price (for those items where it is). In other words, if you see party "Reserve price is not reached," that is a reason to continue the fight — perhaps the victory is near.

If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

fee from the buyer is 18 % of the final price of the lot.

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fee from the buyer AI Auction is set at 18% of the final price of the lot. Payment is made in rubles in cash in the office of the Auction or by wire transfer to the account of the Auction. The Auction gives buyers of permits for export outside Russia of goods purchased at auction, and does not guarantee the possibility of obtaining such permits. Sending lots outside of the Russian Federation the administration of the Auction is not possible.

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ARTinvestment.RU — information-аналитический resource on the art market, the developer of a family of indices of the art-рынка and compiler ARTIMX the world's largest database of auction results for artists outside the orbit of Russian art. In its analytical work ARTinvestment.RU relies more than 250 million auction sales results for 13 thousand of Russian artists in the segments of painting, drawing and sculpture. Unique indicators of investment risk assigned by the experts ARTinvestment.RU help exclude many of the estimated mass of questionable results.