Traditional twenty lots — is eleven paintings, nine of the original sheets, one work in mixed media, two sculptures and one lot that represents the printed schedule

the fee from buyers is 18 %.

Catalogue of the Auction № 254

Selected lots of the Auction № 254

• SAVITSKY Konstantin Apollonovich (1844-1905) study for the painting "On the building of the temple". The end of the XIX — beginning of the twentieth century
  oil on Canvas on cardboard, oil. 43 × 28,7
• Benois, Alexander Nikolayevich (1870-1960) St. Sulpice. Paris. 1926
  laid Paper with a watermark Canson, pencil, watercolor. 31 × 24,2

• BURLIUK, David Davidovich (1882-1967) mermaid. 1940-50-е
  Paper, blue pencil, watercolor. 27 × 33,5 (light)
• TABENKIN Ilya L. (1914-1988) Composition. 1980
  oil on Canvas. 63 × 75

• PODLASKIE Yuri Stanislavovich (1923-1987) Early spring. 1986
  oil on Canvas. 60,5 × 115,5
• PROKOFIEV Alexey Matveevich (1859-1925), the First snow. 1906
  Canvas on cardboard, oil. 33,6 × 47,2 (canvas), 34 x 47,8 (cardboard)

• GROSITSKY Andrey Borisovich (1934-2017) Purple folds. 2010
  Corrugated cardboard, oil. 54,5 × 32,5
• POVZNER Lev (1939) untitled (angel). 1992
  laid Paper, tempera, pastels, mixed media. 46,2 × 54 (light)

Discover our directory of three paintings by the artists working at the turn of XIX and XX centuries.

this period, the expert dates the study for the painting "On the building of the temple" Konstantin Apollonovich Savitsky. Genre works on themes of national life constitutes the main part of the heritage of the artist. As a member of the Association of traveling art exhibitions almost since its Foundation, Savitsky actively exhibited his works. 30-й exhibition TPHV exhibited his painting "On the building of the temple" (1902, 105 × 60, whereabouts unknown). the Similarity of composite solutions, according to the expert, allows likely to suggest that the work presented in our catalogue is a preparatory sketch for this work.

Canvas "First snow" (1906) belongs to the brush Alexei Matveevich Prokofiev, the Russian artist-пейзажиста, pupil of A. I. Kuindzhi at the Academy of Arts, Exhibitor perennial spring exhibitions in the halls of the Academy of Arts, St-Петербургского society of artists, the Society named AIKuindzhi, Association of artists and others. Before the revolution, Prokofiev's works were often published in magazines and on postcards.

In 1915 created the "Landscape" Fyodor Petrovich Riznichenko. It is known that Riznichenko worked primarily as a landscape painter, he participated in academic exhibitions and exhibitions TPHV. In 1911 at the Autumn exhibition in the halls of IAH held his solo exhibition.

the Artists called masters of the Russian Abroad in our catalog belong to two graphic sheets.

Watercolour "St. Sulpice. Paris" (1926) Alexander Nikolayevich Benois is, according to the expert, "a characteristic recognizable work... with a view of the beloved Paris, which perfectly conveys the author's style of drawing and watercolor letters, individual approach to the image of monuments of Paris".

Watercolor mermaid (1940-50-е) David Burliuk is written in "bright, flashy, grotesque manner, — the expert. — Itdeliberately exploiting the techniques of naive art, especially folk, which could not be better suited to his curious and amusing work with a fantastic, fairy stories".

the Next section was four paintings by artists of the mid — in the second half of the twentieth century.

Chronologically, it opens a small cardboard "On the Black sea" (1970-е) honored artist of the RSFSR Michael A. Suzdaltseva. The author was born and lived in Central Russia, but, obviously, the years of study at the Odessa art College before entering the Moscow Surikov Institute instilled in him a special view of the sea, a special kindred feeling, which is remarkably expressed in our landscape.

In 1986, written in very beautiful, clean, atmospheric landscape "Early spring" (1986) artist the Leningrad school of painting, student of B. V. Ioganson Yury Stanislavovich Podlaskie. Soft colors and delicate graphics awakening after a winter of nature the artist conveys with a huge variety of colors and shades, as if anticipating the imminent bloom of summer.

Oil "the Dead sea scrolls" (1976) belongs to the brush Valery Vsevolodovich Kapterev. According to the memoirs, in the apartment of Valery Kapterev in 1970-х "gathered people of different professions and occupations, different personalities and temperaments". (Suffice it to say that a regular guest Kapterev was the Creator of the Museum in Nukus Igor Savitsky, "currently, the Nukus Museum is eighty paintings Kapterev and more than four hundred graphic".) "Here talked about science and philosophy, archaeological discoveries about the space, talked about many different things, linking them together and trying to understand the vital truth that every human soul longs for". It is possible that the continuation of such conversations and have become our picture of the "Dead sea scrolls".

Cardboard "Theatre on Taganka" (1977) Sergey Avksentyevich Kolyada continues a huge original series of urban landscapes of Moscow. Many parts of Moscow, old Moscow houses, when-то captured by the artist, left only in his paintings and in old photographs, But corner house, where the Taganka Theatre, — repaired, restored, but still the same.

The largest section of our catalog is traditionally made up of the masters other art, the sixties, and it presents almost all the genres of art.

it Opens with a graphic self-Portrait (1960-70-е) Anatoly T. Zverev.

the Only landscape in the section — large colorful watercolor landscape with staffage "untitled (Landscape with birch trees)" (1984) Boris Petrovich Sveshnikov.

In 1980 performed "Composition" Ilya L. Tabenkina. the Artist wrote that in the still life "through the spirituality of things using simple shapes, using colours and can Express an infinite number of human emotions. ... I have a need to make lifes not random items, but to create these things yourself in the way that brighter and better will help to Express the idea. I was made of chamotte ceramics — different objects, human figures, painted background in a variety of colors, built on a table in the Studio songs from the combinations of architectural forms.I think that subconsciously I sought to turn a still life into a composition of shapes" (Ilya Tabenkin the World of still life. In the book. Ilya Tabenkin : Thoughts artist : testimonies of relatives : the memoirs of contemporaries. — M. : the Gallery vellum, 2013. P. 26-27).

In a complex mixed technique made of tempera on paper "untitled (angel)" (1992) Lev Alexandrovich of Povzner.

On the border of figurative and abstract art are small, colorful and very impressive cardboard "Purple folds" (2010) Andrei Borisovich Grositsky and medium canvas "Endless journey" (2016) Igor G. Snegur.

the Only pure abstraction in the directory — is large, distinctive and recognizable watercolor and ink "Eco-1" (1989) Nicholas Evgenyevich Vechtomova.

Printed graphics are represented in the catalog only lot — folder of 8 lithographs Mikhail Mikhailovich Shemyakin, illustrating the poems and songs of Vladimir Vysotsky. Each lithograph is placed into an individual cover with cursive texts and poems hand Shemyakin; complements the set of joint photograph of Vladimir Vysotsky and Shemyakin, as well as an information sheet about the composition and contents of the kit. Each lithograph is signed and numbered by the author, the folder is accompanied by a Certificate of the Fund of the artist Mikhail Shemyakin (St.-Петербург). The Certificate — is a huge plus because, unfortunately, from the point of view of the number of fakes Shemyakin is firmly in "risk group" on the domestic and world art-рынке.

is Crowned with a section of the art of the sixties two sculptures — bronze "Erotic monument" (1980) Vladimir Borisovich Yankilevsky and small Cabinet wooden composition "Arch" (1998) Vladimir Nikolaevich Nemukhin.

Completes the directory canvas Alexander Vladimirovich Ishin "After the bath" (2010) — fun living thing in manner, published in the artist's life in the book "Alexander Ishin. Hierarchy simplicity" (2013).

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).

we Wish you all a good bargain and good shopping!

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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