Traditional twenty lots — six paintings, five of the original sheets and one — prints and one work, executed in mixed media

the Catalogue of the Auction № 208

Selected lots of the Auction № 208

• SEROV Valentin Alexandrovich (1865-1911) Horses at the coaching Inn. 1880-е
  oil on Cardboard. 20,8 × 35,8
• PETROVICHEV, Pyotr Ivanovich (1874-1947) Young pine (Malakhovka). 1920-е
  Canvas on hardboard, oil. 36,3 × 48,3 (light)

• VECHTOMOV, Nikolai E. (1923-2007) Ancient walls. 1988
  oil on Canvas. 110 × 173,5
• BIRSHTEIN Max Avadevich (1914-2000) the Pamirs. 1969
  oil on Canvas. 57,7 × 78,5

• BURLIUK, David Davidovich (1882-1967) Woman with a cow. 1930-е — beginning 1950-х
  Canvas on cardboard, oil. 30,4 × 40,7
• ZVEREV Anatoly T. (1931-1986) Three Christmas trees. 1961
  Paper, gouache. 41 × 58,5

• VASILIEV (MON), Yuri Vasilyevich (1925-1990) Potato Buddha. 1975
  Hardboard, oil, metal shavings. 50 × 39,3
• UNKNOWN Ernst I. (1925-2016) Gagarin and the crocodile. 1979
  Paper, tinted (spray or airbrush), felt pen, gouache. 91 × 61

Traditionally opens the catalog description landscape section, where this time we have collected seven papers.

"Rural landscape with a bridge" (1895) refers to the early period of creativity Maria Alekseevna Fedorova (ion) and therefore, according to the expert, is of particular interest. However, this landscape is written is not the student's hand and the hand of a Mature master (as soon as four years earlier, one of the landscapes M. A. Fedorova acquired in his collection of P. Tretyakov). Work is filled with air and natural light.

Landscape "of Young pines (Malakhovka)" (1920-е) Peter Ivanovich Petrovicheva is written in one of the most famous and favorite suburban places. In this work, clearly manifested the characteristic elements of the author's style, including the expert, are the bright and colorful palette with a tendency to complex development of greenery, the desire to generalize the picturesque forms, with particular attention to silhouette, etc.

"Three Christmas trees" (1961) Anatoly T. Zverev, according to the expert, — wonderful work, written in the characteristic of the work of A. T. Zvereva the late 1950-х — early 1960-х years expressive manner, colorful, temperamental, powerful and characterizes Anatoly Zverev as a brilliant master-экспериментатора, a kind of innovator with a unique free picture and an amazing sense of color.

In the small watercolor "Zagorsk" (1963) Nikolai Mikhailovich Nedbaylo, author of the then still young but already very actively worked in magazine illustration, the traits of the future of the artist's style-примитивиста.

"Pamir" (1969) brushes max Avadevich Birshtein — once the recognition of the author's love of nature in Central Asia, where he first went during the evacuation, where he studied, and then often returned. Big, atmospheric, decorative and just a beautiful work of a Mature master.

Cardboard "Theatre on Taganka" (1977) Sergey Avksentyevich Kolyada continues the great series of urban landscapes of Moscow. Many parts of Moscow, old Moscow houses, when-то captured by the artist only to his paintings andold photos, But corner house, where the Taganka Theatre, — repaired, restored, but still the same.

Completes the string landscape of vast (110 x 173,5) oil on canvas "Ancient walls" (1988) Nicholas Evgenyevich Vechtomova. Work is absolutely recognizable in the red-черной viktorovskoe colours, incredibly beautiful.

Quite large this time, was section of genre works.

it Opens with a little butter "Horses at the coaching Inn" (1880-е) Valentin Alexandrovich Serov. Experts point out that in this period the artist was first drawn to writing horse-drawn portraits. Comparing our work with the samples stored in the state Tretyakov gallery, they note that they share a common artistic-пластические techniques, broad impasto brushwork, pigment composition based on the combination of different shades of a deep, dark brown with grayish-белыми tones, especially stroke and movement of the brush.

In the picture "Gossips gossip" (1927) Michael Markelovich Guzhavin first drew attention to themselves not a group gossips, gossip is located on the hillside, and the air is filled with work, and fine line. Bright local colors, outfits, grass, trees in the background and crisp graphics large branches do not contradict each other and create a sense of air movement and freshness of it. The expert points out that the motive of the work, its coloristic and picturesque-фактурное building typical of the author's works 1920-х years.

"the Woman with the cow" (1930-е — beginning 1950-х) brush David Burliuk refers to the American period of the artist. As you know, at that time, he often wrote such a small genre scenes on a Russian theme with elements of the landscape, characterized by grotesque-примитивной manner of execution, decorative, complex and vibrant colours and characteristic texture of the paint surface.

the Painting "Children at the table" (1930-е) student V. N. Baksheeva, K. A. Korovin, S. V. Malyutin, N. Kasatkina, A. Arkhipov Yakov Alexandrovich Bashilova — sample late work of a remarkable artist-жанриста. Bashilov many years taught at various schools — from courses in pre-school education up to the Workshops, much time was given to artistic education and upbringing of children, he is the author of several books on children's creativity. Our picture, despite the low-key palette, — wonderful way children's holiday when at the table, except small members, even the cat and a Teddy bear. And all the fun!

Recognizable author's style, recognizable motive, pure color, color palette — everything came together in the printed schedule of "Builders" (1959) by Fernand Leger. To understand the individual intricacies of drawing technique mixed with pleasure we offer to the future owner of this fine work, executed on paper, obviously specially made for this edition — with a particular watermark F. LÉGER.

the Genre of still life in the catalogue represent the two works.

Gouache on paper "still life with plants", "Russian French", Isaak Pailes, according to the expert, belongs to those works of the artist in which the subject, fine the beginning combined with abstract decorativeexpressiveness. In addition, "very typical of a vertical composition with a coherent superposition of plans geometrization of forms".

"still life with a kettle" (1989) Aaron Froimovich Buch represents its author, one of the best modern colorists, master of the almost monochrome painting. And what a master!

In the next section gathered quite a diverse and extremely interesting company, relatively speaking, portraits.

in Fact, the portrait here is only one — "Family portrait" (2016) of Natta Ivanovna Konysheva, performed in her unique manner.

Following the work of — "untitled" (1972) Vladlen Vasilievich Gavrilchik — belongs to the category of copyright "Parsuna": portrait, resemblance, obviously, far (although personality is guessed), but the attribute — crushed by the heel of the violin — says about this figure and the cap is more than said would be drawn to the glitz facial features, wrinkles and light the cigarette. Read about the author and his works in today's article "artist of the week: Vladlen Gavrilchik".

"Potato Buddha" (1975) Yuri Vasilievich Vasiliev (MON) — fun fantasy image was painted in the distinctive style.

In the genre of abstraction, this time also only two works, but very interesting.

Tushev "Composition" (1966) Lidia Alekseevna Masterkova painted in the period when the artist has almost completely moved away from color and turned to black-белым works. This abstract graph gives the impression of a complex collage, which supposedly are connected to a separate figurative elements, but the impression is deceptive: there's no collage, no figurative elements. But there is only imagination and skill.

Huge (91 × 61) graphics "Gagarin and the crocodile" (1979) Ernst I. Unknown in the original technique: a specially prepared (using an aerosol or airbrush) paper complicated the drawing is made in black marker and gouache.

Complete description on a poetic note. Big oil "Black Swan" (1990) Victor Semyonovich Kazarin makes a strong impression: very colorful, decorative, good size and written in a recognizable manner.

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).

we Wish you all a good bargain and good shopping!

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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Note: fee from the buyer 15% of the final price of the lot.

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