At the National Art gallery "hazine" in the Kazan Kremlin the exhibition "Zinaida Serebryakova. The State Russian Museum collection", consisting of the 66 paintings and drawings

24 April @5 July. 2015
national art gallery "hazine"
the Kazan Kremlin

the National Art gallery "hazine" in the Kazan Kremlin the exhibition "Zinaida Serebryakova. The collection of State Russian Museum".

Zinaida Evgenievna Serebriakova — one of the first prominent women-художниц included in the history of painting. Being the heiress of the two known genera, Benoit and Lancer who have made an invaluable contribution to the history of Russian culture, she continued the path of creating a new classic in the fine arts. Her life in Russia was associated with the ancestral estate of Neskuchny in Kharkov province, Petersburg and Tsarskoye Selo, abroad — with France, Brittany, travelling in Marocco@

the Path to great art was natural and organic. In his work Z. E. Serebryakova focused on classical clarity of the pictorial language of the Renaissance and ancient art, art principles A. G. Venetsianov , where she was captivated by the purity and chastity of the images, their organic connection with nature and earth. Serebriakova was standing aside from the new, booming at the time trends in the art of the early XX century — cubism, expressionism, futurism. Her work has always been inherent in the clarity and harmony of the artistic language, purity Sveta@

In the artist's life was a wonderful time associated with the homeland, the family nest, the creation of family and birth of children, the comprehension of his work in the world of art, a performance at the first exhibition. Further creative path of the artist is inextricably linked with her dramatic life: the death of loved ones, revolution, poverty, emigration, separation from children. And "spiritual return" to their homeland at the end of life, in 1966, when in the USSR — in Moscow, Leningrad and Kiev — held exhibitions of her work, which became triumphant and deservedly regained the name of the great artist in the history of art strany@

Exhibition of Zinaida Serebryakova from the collection of the State Russian Museum —; first meeting of the Tatarstan the viewer with the work of outstanding artist. Russian Museum St-Петербурга — guardian of one of the largest collections of the artist, which has about 60 paintings and about 200 graphic works, showing all stages of the artist's work. The collection of works of Zinaida Serebryakova was formed in the Russian Museum throughout the life of the master. The first acquisitions were made by the Museum in 1911 with the famous exhibition "World of art" that opened the name Serebryakova. Other sources of formation was the Assembly of the children of the artist — Tatiana and Eugene Life, as well as works that were purchased with his personal exhibitions were in Leningrad in 1966 goda@

the Exhibition in Kazan, consisting of 66 paintings and drawings, gives you the opportunity to get acquainted with the different periods and the main themes that I worked in Z. Serebryakova. This work, written in the family estate not boring at Kharkov. The paintings of this period turned to the peasant theme — "harvest. Harvest", "Peasants", the sketches for the famous painting "the Bleaching of the canvas". Gorgeous her self-portraits — in Kazan presented her self-portrait 1911 goda@

Z. Serebriakova was the first Russian artist who revived the tradition of beautiful images of the female body in his living charms. This theme, the artist developed when he created murals for the Kazan railway station in Moscow to participate in the project Z. Serebryakov invited her uncle, , A. N. Benoit , but the project remained unrealized from-за revolutionary events of 1917). The exhibition also presents works created in Petrograd, in which Z. Serebriakova discovered a new topic — ballet ("Ballet restroom. The ballet "Swan lake", Portrait of a ballerina E. N. Heidenreich in red", etc.).

finally, the works created in the period of exile in France. The Parisian period of creativity Z. Serebryakova long remained obscure, in Soviet times, the name of the artist was suppressed, but this period was a time of hope for return to the meeting with children. When he left, she thought that leaving home for a few months. Was — forever. But, even while away from home, in Paris, Z. Serebryakova continued to develop the same favorite topics: she writes Breton fishermen and market women ("Old fisherman"), Oriental women ("the Moroccan woman in white"), Moroccan children ("Negro children"). The works of Zinaida Serebryakova — is a whole world of bright, saturated colors and color. This is not to talk about the idealism of the artist: she sees and anxieties, and troubles of this world. But the pure joy of the beautiful craftsmanship was so great in her that she has transformed all her own difficult life path. In the first and second halls of the second floor is an exhibition prepared by the Museum of a RT: "Zinaida Evgenievna Serebriakova (1884-1967): the essay art in the background of the events of life." Includes copies of photographs, excerpts from diaries, letters, gives an opportunity to plunge into the era, feel the time in which the artist lived, to see the faces of her family and her environment, to hear and feel her thoughts, her pain, her perezhivanie@

Источник: izo-museum.ru