"And after a square I put the cup ..." Vladimir Sterligov
Tonight in the gallery "Elysium" Opening Day will be held a personal exhibition of Vladimir Vasilyevich Sterligova (1904-1973)
Today at 18.00 in the Gallery "Elysium" (Krimsky Val, 10, CHA) will start Opening Day solo exhibition Sterligova Vladimir Vasilevich (1904-1973) - one of the most interesting creators of the second half of XX century, an artist, creativity which is still unjustly underestimated. This is the first solo exhibition VV Sterligova in Moscow, it covers the artist's work from the late 1940's to early 1970's. The exhibition is accompanied by a richly illustrated scientific catalog, which includes 204 works by the artist, of which more than 100 published for the first time. The catalog contains letters Sterligova different years, illustrated by drawings of the artist.
Creativity V. Sterligov has direct relevance to the philosophical and poetic system Oberiu and is directly linked to the concepts of development of plastic form Malevich and MV Matiushin .
Sterligova plastic world, "the paradoxical in its unexpected comparisons and connections, a world in which" reigned illogic, is directly connected with the manifesto alogism Malevich in his "Cow and Violin" (1913) and strings closest in spirit to Sterligova oberiuta AI Vvedensky «... on the wallpaper man, but on a platter Thursday ... », or «... in boiling water it was winter, in a stream was a prison ... "or« ... We do not understand nice /inexplicable us one, /we see the forest, walking back /stand yesterday, today, around ... »
 VLADIMIR Sterligov Sad. 1950. Oil on canvas. 38 × 48 |
 VLADIMIR Sterligov Winter landscape. 1950. Oil on canvas. 44,6 × 55 |
Oberiuty clearly aware that "the mind does not understand the world", in which the lives of its owner: apparently, the world is arranged differently than we expect, based on our views of the surrounding space. There is not only "peace" but "anti-world," while anti-world - a living party artwork ». man constantly meets with anti-world, and, as he wrote Sterligov,« ... people do not can be fixed, and, walking on the continuous meeting, he overcomes it, and, shaken, finds a new change is always one and the same world (previously unknown secrets of the world) right now and finding appropriate forms of expression ... »Maybe we live in an" anti "-the world taking it for real" peace "? Perhaps the seeming absurdity of another world and there is real harmony.
in the works Sterligova many worlds co-exist next to each other and form raznoprostranstvie . Worlds can interpenetrate each other, and begins "countless colors and Worlds ».
These worlds have similar properties.
« absence of top and bottom - their mutual convertibility », and as a consequence, - « Bezvesie ».
« lump sum being very distant and very close, far-near ».
« mirror » and « back peace ».
« twisted space » - traffic volumes and shapes on the principle of a Möbius strip and the movement of colors on the same principle. In Sterligova space itself has the properties of a Möbius strip: it is turned inside out, bringing with it a sense of "reverse side" of the world.
« shaken space », creates a picture of the world in motion, unexpected transformations in vibration.
 VLADIMIR Sterligov Landscape in the bowl. 1967. Cardboard, watercolor. 17,6 × 20,5 |
 VLADIMIR Sterligov Alupka. Sea. 1967 . Oil on canvas. 52,5 × 65 |
