Opened 302-е the Auction
ARTinvestment.RU   28 октября 2019

Traditional twenty lots of the Auction — nine paintings, two original and two sheet — printed graphics and two works in mixed media

the fee from buyers is 18 %.

Catalogue of the Auction № 302.

Begin the story with the large and diverse section of the directory — with the landscape.

The earliest of them — gray-серебристая Marina "At the rocky shore," created in the last quarter of the XIX century Italian painter Gabrielo Bartolomeo Casesi. A native of southern Italy, Kasese studied painting in the art schools of Florence and Rome, and in 1878 came to Russia, Aivazovsky, and for five years worked in his Studio in Feodosia. It is known that the sea Casesi Aivazovsky exhibited alongside their work in the open in 1880 the gallery. In our work, the artist captures the color, movement and mood with consummate skill using a vast palette of shades of grey.

the Late 1890-х dated a small essay "Rural landscape" of Isaac Ilyich Levitan, which, according to the expert, "a number of sketches of the artist, which were written quickly, now, on full-scale observations. In small study, is characterized by the beauty and energy of the painting, the artist presents a complete picture, building a clear finished song required in all parts and details. This manner even in the small sketch to create a complete art image is a distinctive feature of the master".

To the series "Crimea. Odessa. Batumi" refers to watercolor "in the Morning. The sea" (1928) Alexander Arkadevich Labas. Here-вот the sun comes up, but it is not, and the sea, the sky, clouds, shapes, cold predawn air becomes transparent to soft light. Nature silently, silently takes on the paint — lots of colors! Labas, as very few knew how to convey movement even the most static figures and objects, but in our landscape people are at the sea, even though they are swimming, and talking, and just sitting on the sand, in fact, as if frozen, afraid to miss the moment of accomplishment of the miracle of the sunrise. The work is accompanied by a Certificate of authenticity Labas-Фонда.

Urban landscape "Suzdal" (1961) George G. Nyssa made during one of the numerous journeys of the artist across the country. Like most of his works, finished and sketches, landscape "Suzdal" is permeated with air and movement. The point, which made this study emphasizes the upward tendency of the bell tower of the city Church@the semicolon in the sky hovers a flock of white doves. Nyssa was fond of sailing, a lot of time spent on the Klyazma reservoir, near Moscow. Inscription on the back of the cardboard addressed to a friend of Nyssa and his coach sailing Mitya — so in the sailing community were named Dmitry Leonidovich Zworykin, the eminent yachtsman and a professional trainer in sailing, prepared and trained a number of famous athletes-парусников (source: parusniy-sport.org). And another quick note about our study: people in the know say that the turquoise color is the car standing in the square, —, the private car of the artist, on which he rode many miles. It turns out that bright, colorful, fresh study of the Suzdal gives us the opportunity to admire remarkable art work and get in touch with the personality of the author — person outstanding.

In the figure, 1961, made recognizable, via-рабински Moscow, cityscape — big leaf "Vodka"Capital"" (2016) Oscar Yakovlevich Rabin, printed in Italy using several drawing techniques.

Cardboard "Boats on the shore" (1967) Yakov Dorofeevich Romas of implemented in the Caspian sea, where the artist is often and very fruitfully worked in the 1960-х years. "the Motive with the picture of the boats on the seashore is often found in the artist's work of this period, — says the expert. — To Y. D. Romas, it is important to convey a sense of the disaster through the interaction of land, sea and sky. At the same time in the natural world there is always a man: in fact, as a character, or implicitly, as in this case, the presence of people say boats". The expert notes in this work are typical of the artist's composition: "the diagonal line divides the sea and the shore, along this border there are the boats, the horizon line is too high, beyond the sea is a small strip of sky. It is thanks to the direction of the lines the artist manages to create a depth of space".

"Vladislav Ratner on the fate and personal choice — principled loner outside groups and movements, the aesthetic sound — artist important modern", — these words of the art critic Sergey Kuskov, written about the author of the cardboard "untitled (Landscape with blue mountains)" (1974) Vladislav Isaakovich the Ratner twenty years ago, accurate today: Ratner and true today modern. "In his work, — wrote to the artist —, I followed the installation that life is beautiful, but her need to fight, to be active, so in painting, I bring a bright attitude and tight lines". It is our still life — powerful, strong, local clean colors and very beautiful.

the Following landscape — small cardboard "Summer clouds" (1976) Elena Nilovna Yablonskaya. Work with a very dynamic composition and complex, bold color solution: dark-зеленой ground in the forest thickets and dense violet night the remnants of clouds, the artist masterfully sets off a pink glow of light pre-dawn clouds, which rapidly disperse the first rays of the sun.

most recently the creation of landscape in the catalogue — "Landscape" (1980) Igor Alexandrovich Vulokh — distinctive, recognizable work of the period of creative flowering of the author.

the Second major section of the catalog — still lifes.

Opens his gouache "Flower" (1977) of the sixties Vladimir Igorevich Yakovlev. It is definitely a collector's beautiful, recognizable, very characteristic of the author thing. White flower on a dark background, pure and noble, there is no nerve strain, characteristic of many Yakovlevskaya works, but from the first glance you can feel the spirit and soul of the artist, the love with which you painted this flower.

undated large "still life with kettle" Nikolai Mikhailovich Rotanova. Strict color palette, combined with whimsical graphic pattern make it a very interesting and in-то even mysterious. Beautiful and very worthy thing.

Complicated, but quite restrained for the author are noble and warm autumn color stands out in the catalog canvas " No. 2. Bouquet" Victor Semyonovich Kazarin. Familiar to fans of the artist, the author's energy as if hidden deep inside the canvas; in it, as in the quietly burning fireplace, flare and shimmer mixedlights.

On the border of landscape and still life canvas is a modern hyperrealism Sergei A. Geta "October" (2010-2018) — work with the original color scheme, beautiful and decorative.

Conventionally, to still lifes include canvas Lucy Raven "Big cabbage" (2018). This is where a lot of mysteries and mysterious characters! But all colorful, bright, fresh and fun!

the Three works are today section of the genre.

undated metre hardboard "national gallery" the Natta Ivanovna Konysheva. Traditionally, the artist fills the space of the painting various characters involved with their own Affairs, with their entourage. Attracts attention the figure of a woman in a dark dress in the foreground. She sits in a chair, in a quiet, relaxed pose, ignoring the fussy type, left, and her obviously mysterious and ironic look into the depths of the painting, where the colourful unfolding of the action.

a Great undated oil on canvas, "untitled (Composition with figure and horse in a frame)" Anatoly Stepanovich slepysheva refers to a number of works under the title "picture in a frame". On canvas the artist frames the Central composition picture frame — sometimes worked out in detail, sometimes (as in this case) look pretty sloppy. But this negligence is deceptive. In the Central of the composition the author of the recognized sentences: calm, measured pace of a man with a horse moving away from the viewer along the road, divided into equal parts Telegraph poles with hanging wires. Uniform rectilinear motion, is similar to the rest, the author balances the "frame" — violent, turbulent, swirling red-черным pattern (in which, however, traced the corners of the "frame" and black lines reminiscent of rhythm). Slepyshev was a true master of composition and a rare colourist, so we see in his picture of the striking wholeness, harmony and beauty.

In 2011 a multi-figure painting "Vicious circle" Sergey Vladimirovich Potapov. The artist works in his own style, called them ""postsymbolism", which is based on the traditions of European and Russian cultural symbolism-историческое heritage" (source: potapov-art.info). Answering the question about the semantics of names, the author adds: "by "post" I mean not so much "after" (in time), how many "for" — by character. It is not only the content of character and its philosophical content, but also its "vertical" — communication with the field of prototypes and archetypes" (source: ibid). Read more about the author and his style read here.

Canvas Leonid Konstantinovich Borisov "Rotation" (2000) — is the only representative of pure abstraction in the directory. Art Love Gourevitch writes about the author: "throughout the creative journey remains a minimalist. In pure geometric abstraction without the usual for Leningrad underground philosophical connotations. He is interested in geometric form, the combination of the two-трех forms itself as visual fact, as an event in space... the Delicacy and refinement of color solutions, the location of the shapes on the canvas allow for the utmost reticence to deliver a solid effect" (Love Gurevich. The Leningrad underground artists : Biographical dictionary.— SPb. Ed-во "Art —" SPB, 2007. P.26).

Work in mixed media "Fragment" (2010) Vladimir Nikolaevich Nemukhin — the next incarnation of the motif of the labyrinth, one of my favorite author's motives. Mazes Nemukhin — is simple and complex, intricate, with just the right moves and dead ends, with maps that point the way, and pictures are just pretending cards — in short, everything is exactly as in the worldly maze.

Concludes the story of the luxurious bright print "Transformation with Picasso 13" (2014) from the series "the Transformations with Picasso" Mikhail Mikhailovich Shemyakin. This is a large (112 × 81) sheet with your favorite artist, short-run printing giclee. The work bears the original author's signature and inscription and is accompanied by a Certificate of the Fund of the artist Mikhail Shemyakin (St.-Петербург), and it is is very important, given the huge number of fakes on the market of printed drawings of the artist.

Other prints and original drawings from the series "the Transformations with Picasso" and the author's other series until 5 April 2020 can be seen in the Center of Mikhail Shemyakin (St.-Петербург) at the exhibition "SHEMYAKIN. PICASSO. VELASQUEZ. Painting as model. The history of transformations".

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).

we Wish you all a good bargain and enjoy shopping on 302-м AI-Аукционе!

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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fee from the buyer is 18 % of the final price of the lot.

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