Person of the week: Nina Boiler
ARTinvestment.RU   25 июня 2020

Nina Boiler turns the prose of life into a beautiful tale, and a dull, grey objects, extracted from their usual environment, gain magical and mysterious features

Nina Boiler — contemporary artist, winner of "Master", which is produced by painters and graphic, artfully mastered the traditional techniques, the author of several video-инсталляций and performances. Nina's own career, independent of fashion, from trends, from the temptation of the "heroic" underground existence. Neither the dissidents, headed by O. Rabin, nor the conceptualists with I. Kabakov, no "left" MOSH was not carried away by the artist.

Nina was Born in 1949 in Kiev. In 1973-м graduated from the Kiev state art Institute. In 1980-м moved to Moscow. 1987-го actively involved in numerous solo and group exhibitions in Russia and abroad. In 1980-е met in the House of creativity on the Senezh Vladimir Salnikov. This meeting was crucial: they lived together for 35 years.

In her paintings often comes to the forefront the desire to clean visualizations. She deliberately chooses the most commonplace objects, has long lost his "face" and became the backdrop, and focuses the image and composition so that we could again "see". It could be old tubes, glasses, tights — anything, any part of the interior vyhvatnivtsi, optical modificeres, cleaned of "subject" and becomes self-sufficient.

In 1999 was presented the joint project with Vladimir Efimov "things Resurrected", where Nina Boiler showed the composition of "items quick use" mostly plastic and red. In 2003-м hosted the exhibition "Scraps, scraps, cleaning" in the gallery of Lisa Plavinskaya's. "Nina Boiler saves food from the voracious womb and the garbage, she gives the scraps and cleaning up the elegiac beauty of dried flowers" (Irina Kulyk). however, no public call in this series of works was not felt. The author seemed committed to the principle of equal rights of all subjects to be depicted.

the Artist observes the subject world: "I Love to portray unfamiliar or have never painted, but then strange things. I think I am afraid of them drawing the same — tame. I like to see how surprised my audience when I show them the past that they always pass without noticing" (Nina Boiler).

Vladimir Salnikov wrote about the work of Nina: "for many years Nina is the series. Every time getting a new product, it is what-то the time and thinks — draws, practicing approach: a method of disposing of their heroes on canvas or paper, fit them tools. And only after it becomes quite clear how you want to portray a particular item or set of items, and already the prepared sample, a kind of invariant, it is with apparent ease writes the rest of the picture."

Work series allows the artist to create a kind of scenario where, on different sheets you can see the splash screen, and climax, and ending. But the play needs to play within himself a spectator — all according to the plan. "...Nina Boiler is the question: what is the thing as it appears to us. Commenting on their work, she says that things are mysterious, that they are not understandable. In her paintings we see things focused and closed in themselves, inscrutable, but still to our mind the illusion of what- the predictability. But the repetition, the options inside Nining series only multiply, increase, make that almost unbearable silence, the things around us".

Fine script, is playing a small show logical flow in scenario for a short video. Thus was created live-работы Nina Boiler, in particular the installation of "Toxic emissions adorn the landscape" (1995), the shots where the essence of the sketches is filled with smoke of factory chimneys of view, the following in time to the music of Piazzolla. Later, in 2004 personal exhibition in "Even happier" in the NCCA Nina presented a video installation dedicated to the social "performances" — marriage and a joint household consisting of the two projections on the walls of the hall videos "Wedding" and "Even happier".

Themes in her video installations or paintings and graphic series are always associated with specific life experiences, observations and feelings. So, in 2016, hosted the exhibition "Only the paper. Nina Kotel" gallery "Peresvetov lane". She exhibited works of different years, connected by the red color. The exhibition presents a series of works with paper boat, which was associated with very personal memories: "Red paper boat — made it and gave it to the daughter of our friend, artist Aristarkh Chernyshov, Vladimir Salnikova. Red broken pot, too, with Voluminoso bracelet. And I decided to make such a meeting of the red boat and Cherepashka, like the Surrealists — "encounter of sewing machine and an umbrella on an operating table." While red has become a symbol of rebirth, of Transfiguration" (Nina Boiler).

there is Still a spectacular series of computer mouse (2004). Is the mouse used by the friends of Nina Boiler. In this collection we find the mouse Aristarchus Chernyshev, Irina's Throat, Vitaly Patsyukova, Evgeny Barabanov, Viktor Misiano, and others. "I specifically went to the boys, painted them mouse from nature. Aristarchus brought me his collectible mouse 80-х years and the most modern. <...> the Mouse as a pencil or a brush or fountain pen, — continued human hand, part of it. I'm always interested in the ownership of the objecta certain person, the character" (Nina Boiler).

In 2019, held a small exhibition in the "Migratory tavern" called "one Flew over the broken vase Yoko Ono". This project was born spontaneously. Technically - is the memory about what they saw the performance art of Yoko Ono, which was part of the 2-й Moscow Biennale of contemporary art in 2007, because those are the pieces that are left from broken Yoko vase. Some of the shards were carefully collected Stuffing, and now several years later the project was born. "How after the big Bang, life began, among the fragments of the vase arose of the promised space." Here, as in all works of Nina Boiler, we enjoy the material qualities of objects, masterfully transferred by master glide his eyes over the surfaces of objects and textures materials, I'm surprised the camera angles and change our stereotyped view of the new optics Nina Boiler.

Works of Nina Boiler is located in national museums in Nizhny Tagil, Novosibirsk, Orel, Stavropol, Tomsk, Russia, in Yalta, in the Russian and foreign private collections, including the collection of the Grand Dukes of Luxembourg.



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13/07
1502.83
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ARTIMX-RUS
13/07
1502.83
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