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Выдача займов под залог картин и скульптур XIX-XXI веков

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Falileev Vadim Dmitrievich
1878–1950  

FALILEEV Vadim Dmitrievich

December 31, 1878 (Maisa, Penza province) — July 5, 1950 (Rome)

Graphic artist, painter


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Фалилеев, Вадим Дмитриевич

Biography

FALILEEV Vadim Dmitrievich

December 31, 1878 (Maisa, Penza province) — July 5, 1950 (Rome)

Graphic artist, painter

Vadim Falileev was born to a family of landowner. He finished the agricultural college. In 1899–1901 he studied at Penza Art School, in 1901–1902 — at Kiev Art School. In 1903 he entered the Imperial Academy of Arts (IAKh), studied under Y. F. Tsionglinsky, G. R. Zaleman, G. G. Myasoedov. Since 1905 Falileev studied engraving under the guidance of V. V. Matai, in 1907 he attended studio of V. V. Matai.

In 1905 Falileev created his first colored woodcuts Mowers, Wind, Thunderstorm; linocuts Lake, Sleeping coachman. One year later these works were exposed at the exhibition of the group Mir Iskusstva (“World of Art”) in St. Petersburg and at the exhibition of the Union of Russian Artists in Moscow. In 1907 Falileev was awarded 300 rubles premium at the exhibition Blanc et Noir in the Academy of Arts. He made a trip to Europe, visited Munich, Berlin, Vienna and Paris. He studied the history of arts in the museums. In 1910 he was conferred the title of an artist and awarded the pensioner trip abroad for the etchings Pan after the original of N. Poussin, The Parable of the Laborers in the Vineyard after Rembrandt, Diana and Athena after Veronese.

In 1911 Falileev as a pensioner of the Imperial Academy of Arts lived and worked in Italy together with his wife — painter E. N. Kachura-Falileeva. Due to his works The Portrait of Cardinal Inghirami after the painting of Raphael, The Miracle of St. Mark after Tintoretto, and his engravings, views of the Italian cities, Falileev was allowed to extend his pensioner’s trip. In 1912 the painter traveled to Italy again. He visited Rome, Venice, Florence and Capri.

After returning to St. Petersburg Falileev collaborated with different publishing houses, in particular he made engravings for postal cards. In 1913 he moved to his relatives on Volga, lived there for three years. In 1916 Falileev moved to Moscow. In 1917 he created under the order of A. V. Shchusev a series of etchings and linocuts, which depicted the building of Kazan railway station, the cycle of etchings Views of Rome, about 20 lithographic and 30 etching portraits of his friends. Falileev participated in the exhibitions of the group Mir Iskusstva in Petrograd and in Moscow. At the beginning of 1917 his first personal exhibition was held in the Rumyantsev Museum.

After the October revolution in 1917, Falileev made in the technique of dry point the album Rains (1918–1919), the series of linocuts Through Italy (1921) and a lot of lithographic portraits. In yearly 1920s he worked at the First Model Printing House (former Sytin’s Printing House). He was also engaged in the magazine and book graphic art, in particular he designed the cover of the magazine Rabochy Mir (“Worker’s World”, 1919); he made illustrations to the books Paganini by V. L. Wolkenstein (1920), O-Tao by M. Morozova (1921) and Muddy wine by E. Y. Styrskaya (1922).

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13/07
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