The Spanish branch of the Russian Museum opened three new exhibitions — "For the happiness of the people", "Travel of Russian artists" and "Mikhail Shvartsman»

the State Russian Museum
Malaga, Spain
Avenida Sor Teresa Prat, 15 Edificio de Tabacalera

the building Tabacalera in Malaga, which from 2015 is a branch of the State Russian Museum, over the weekend opened three new exhibitions.

Alexander DEINEKA Running. 1932-1933 oil on Canvas timing Source: coleccionmuseoruso.es

"For the happiness of the people"

10 Feb 2018 — on January 21 2019

(the Permanent exhibition)

the Permanent exhibition of the branch timing in Malaga until January 2019 will be 130 works of painting, graphics, sculpture, decorative-прикладного art 1920-60-х from the collection of the Russian Museum and private collections. The project "For the happiness of the people" introduces visitors to the Spanish branch of the GRM with outstanding works of socialist realism.

the exhibition presents iconic works from the collection belt, as the "mother of the guerrilla" Sergey Gerasimov, "shot down as" Alexander Deineka "Metrostroevtsy with a drill" by Alexander Samokhvalov, "Frontline road" by Yuri Pimenov, "the Flight of fascists from Novgorod" Kukryniksy etc. in addition, visitors to the exhibition will see works of Isaak Brodsky, Pyotr Konchalovsky, Arkady Rylov, Konstantin Yuon, Yevgeny Vuchetich, Vera Mukhina, etc.

Victor VASNETSOV Acrobats (On a holiday near Paris). The end of 1877 . oil on Canvas. 221 × 136 timing Source: coleccionmuseoruso.es

"Travel by Russian artists"

10 Feb — on 2 September 2018

(Temporary exhibition)

Exhibit "Journey of Russian artists" presents more than 100 paintings and works of sculpture from the Russian Museum collection, including paintings by Vasily Perov, Alexei Savrasov, Ivan Shishkin, Isaac Levitan, Ilya Repin, Viktor Vasnetsov, Vasily Polenov, Alexander Golovin, Petr Konchalovsky, and others.

the art of travel actively developed among Russian artists from the late eighteenth century, when the Academy began to send in creative business (pensioner trip) of their students. A real Mecca for contemporary artists was, of course, Italy. Sylvester Shchedrin, Karl Brullov, Alexander Ivanov, Pyotr basin and Ivan Aivazovsky wrote the types of Italy, as well as genre scenes from the lives of ordinary people.

of great interest from the Spanish audience will cause paintings by Russian and Soviet artists, dedicated to the visits to their home country. "Matador" (1910) Pyotr Konchalovsky, "the Spanish woman on the balcony" (1911) Alexander Golovin, "bullfighting in Spain" (1928) Kliment red'ko, "Granada" (1978) Tahir Salahov and "Spain. Potters" (1980) Evsey Moiseenko: each of the master paintings I saw in Spain and has captured on canvas what-то their own, but their love for this country and its inhabitants.

Mikhail SHVARTSMAN Source: coleccionmuseoruso.es

Mikhail Shvartsman

10 Feb — on August 26 2018

(Temporary exhibition)

the Third exhibition project of the Spanish branch of the GRM introduces foreign audiences with a work of the famous Russian artist of the second half of the twentieth century, Mikhail Shvartsman (1926-1997). In the exhibition included 13 works by the artist 1970-90-х years.

Mikhail Matveyevich Shvartsman graduated from the Moscow higher art-промышленное school (formerStroganov), became a certified artist-монументалистом. Upon graduation, he earned a living doing book design, poster painting, in which he achieved considerable success not only in the USSR but also abroad, and the development of trademarks. Today it is called one of the masters of Russian "unofficial art", but Shvartsman himself never belonged to the industrial chart as to what-то more prizemleniya compared to painting. Since 1966, he was chief designer of the Special artistic-конструкторского Bureau of light industry, in the same period, founded his own school of graphic design in Moscow.

In the late 1950-х — 1960-х happened and his easel style "other art", like no one existed at that time. Their works became the artist called "hieratures," and his concept — "ieratizmom", making this term from the Greek hieros — "sacred", "symbolic". The artist turned to the complex philosophical-религиозным aspects of life and creating, as he believed, a unique "non-verbal language of the third Millennium". In the non-objective structures of his works Schwarzman opened the metamorphosis of the Universe.

Source: press-релиз timing