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"A perpetual motion machine. Russian kinetic art"

As relatively solid direction in art kinetic art emerged in the 1950-е years in the West. It was at this time in art criticism, appear the terms "kinetic art", "cinecity", "kinetic" (from the Greek kinesis — movement, move). The birth of a new type of Creator — artist-инженера seeking to embody the art movement as such using mobiles — mechanical and optical devices. However, the origins of this movement must be sought in the creative research of Russian avant-garde of the early twentieth century.

the First is directly to kinetic object can be considered mobile Naum Gabo "Standing wave" created in 1920-м in Moscow with the aim to understand the movement and dynamic rhythm as an aesthetic category.

In the field of kinetic art gets it all: art, design, architecture, music. Kinetic art works with statics and dynamics, light, optics and dark, with music, sound and sometimes — silence. So, based on the foundations of the Russian avant-garde and achievements in different fields of culture and art, kinetic art, on the one hand, creates at the intersection of the arts an incredible synthesis, on the other — becomes a mirror of technological progress and its human perception.

to Tell the story of the Russian kinetic arts will help the exhibits from the collections of the State Tretyakov gallery, Moscow Museum of modern art, the State Museum of VV Mayakovsky State Museum of architecture im. A.V. Shchusev State Museum-выставочного centre ROSIZO, Institute "Prometheus" (KAZAN-КАИ, Kazan), as well as from the collection of collector Mikhail Alshibaya, archives of Natalia theremin, artist Sergey Zorin, head of the sector for multimedia projects of the Moscow state Conservatory Andrey Smirnov.

for the First time in Vladivostok it will be possible to see such significant works of the new history of Russian art as a model of the "Monument to the third international" Vladimir Tatlin, theremin Lev Termen, the famous "Cybercook" Lev Nusberg and Sergey Zorin, samoopredelenie design and a dashed stereography Vyacheslav koleichuk collected from 22 500 razor blades sculpture "Galatea" Boris Stuchebrukov, mobiles Leonid Borisov, the installation", Bikapo" Herman Vinogradov, light-музыкальные objects of SKB "Prometheus". The exhibition also includes reconstructions of works by Gustav Klutsis, Naum Gabo, Alexander Rodchenko, lithographs by El Lissitzky, Kazimir Malevich. In addition, especially for working on the exhibition invited contemporary artists-кинеты.

Artists: Naum Gabo, Vladimir Tatlin, Alexander Rodchenko, Gustav Klucis, Karl Johansson, Kazimir Malevich, Ilya Chashnik, Tavel Shapiro El Lissitzky, Tatiana Makarova, Dziga Vertov, George Ghidoni, Georgy Krutikov, Konstantin Melnikov, Lev Termen, Solomon Nikritin, Arseny Avraamov, Boris Yankovsky, The Group "Movement", Lev Nusberg, Francisco Infante, Vyacheslav Koleychuk, Sergey Zorin, Alexander Grigoriev, Galina Bitt,Zanevsky Rimma, Viktor Stepanov, Anatoly Krivchikov, Mikhail Dorokhov, Vladimir Akulinin, SBK "Prometheus" Bulat Galeev, Yuri Pravdyuk, Leonid Borisov, Boris Stuchebryukov, Mikhail Karasik, Herman Vinogradov, Roman Sakin, Pasha 183, Dmitry vtol Morozov, Ilya Trushevsky.

Source: zaryavladivostok.ru


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