Exhibition of Mikhail Roginsky in Venice
ARTinvestment.RU   06 июня 2014

In the framework of the 14th Architecture Biennale in Venice at the CA'foscari University opens the exhibition "Mikhail Roginsky. On the other side of the red door"

University CA ' Foscari, Venice
6 June @November 23. 2014

Today in Venice within the 14-й Architecture Biennale opens the exhibition "Mikhail Roginsky. On the other side of the red doors", organized by the Fund of Mikhail Roginsky in cooperation with the CSAR Center for the study of Russian culture at the University CA ' Foscari. The exhibition represents the Mature period of creativity Roginsky (1978-2003). All these years Mikhail Roginsky 've lived in Parigi@

In 1978, after leaving Soviet Russia, the artist was in France in unexpected creative isolation and gradually avoided two dangers — pressure rough totalitarian propaganda and the impact of the intellectual speculations of popular art. Freed from anything that could interfere with its work, including coveted items from — material prosperity and recognition, focusing on his Roginsky iskusstve@

the Uniqueness of the project is that the Paris period Roginsky will be presented more fully, but the main focus is on the fundamental concepts of painting — color, shape, constructii@

the Choice of such a concept initiated by a key theme of the Biennale — "Bases" ("Fundamentals"), which was proposed by its curator — architect REM Colchas@

Exhibition opens "Red door" (1965) — the only piece in the exhibition related to the Russian period Roginsky, — the most famous but also the most misunderstood. The "door" symbolizes the farewell spectacular, but unreliable as all the myths, opinions about Roginsky as "the father of Russian pop-арта" as a politicized artist, passionate about speculative Kontseptsiya@

the Organizers offer to leave at the door the erroneous confusion of definitions to get rid of stamps, vulgarizers the perception of art, turn to him the basics. Roginsky is presented here in all its multidimensionality of creativity. From space with semi-abstract still lifes shelves, siwudeni the depiction, the viewer is transported to a minimalist still life — simple "portraits" rude things, enduring in its plastic persuasiveness. From the hall a huge acrylic works on paper, simulating the equanimity of "high" art, ironically interprets its main genres, we find ourselves in a distorted, suggestive expressionist world, trying to shout through art, about the painful process of loss garmonii@

Exposure is the story of a creative evolution of the artist, the tenor of her designs — a journey. There is no consistent scheme, designed to simplify the understanding of the artist's work. The integrity of the overall picture based not on chronology, but on the visual material vystavki@

the design Concept of the exhibition was designed by the Russian architect Eugene Asse. The exhibition is accompanied by a photo- and videos, many of which were first shown openly. The exhibition consists of 120 paintings and is divided into 8 sections according to plastic objectives, which the artist decided throughout its jizni@

"ABC two-dimensional"
"Interior. Landscape. Figure in space"
"Fighting "art"
"Measurement of the void"
"Archaeology design"
Fabric
"Object and the form"
"Returned the painting"

Источник: press-релиз Fund of Mikhail Roginsky