1930 -- ies - especially their home - take-off and approval of a new model of Romanticism - Romanticism Soviet pre-war era, endowed with their own features and, of course, based on genuine and sincere feelings. It was formed in the wake of the desire of young artists to participate in the construction of a new type of state. Awakening will come later, the degree of creative freedom and power of creation that were permissible before the war, were subsequently lost.

Experimental Lithographic Workshop, since 1933, situated on Herzen Street in Leningrad, and cultivated and satisfy the public order, the making taste some of the population. The value of the workshop is that it has extended the borders of existing art market from the powerfully-biased so as to spontaneously established demand subjects.

mission was understood in the studio creating art accessible and democratic: to make "high" mass to accomplish the export of artistic culture (sometimes forced), a broad expansion izopredmetov in the world of people, can not imagine what art in general. Make it clear the camp of rekrutiruya art lovers as many as possible, thus increasing the cultural and the protective layer of the country. The aim was naive and touching, but other then it could not be. The tasks were similar workshop with the objectives Detgiz - educate a new person, capable to develop new ideas and new culture, with the only difference being that we are talking about have already made man.

Easel lithography played the role of People lubok: it is argued that the real art - not only oil paintings in gilt frames. As the old Russian splints, lithographs 1930 been transformed into objects gathering. Once they were used for its intended purpose: they hung on the walls of dwellings, public institutions, clubs and houses of culture, given away on holiday occasions. Not all lists have successfully passed the test of time. Many are deteriorating, paper burns out, because very few people thought about keeping them as works of art. They are becoming less and less. Most fortunate sheets, which the artist kept in his folders, gifts valued colleagues and friends, keeping them in the blockade. There were trial (interim) prints, the uniqueness of which is even more evident.