Today in the gallery of modern art exhibition opens Seeds Agroskin «Night»

Today, Gallery of contemporary art exhibition opens Seeds Agroskin «Night».

Paintings Seeds Agroskin earlier could accidentally take over bytopisatelskie. In his artistic biography, there are baskets of potatoes, and the most that either there is a banal beets. Chairs and tables, windows and staircases, walls and doors of rooms. People did not find, but if met anthropoid character, no joy from the audience for such a meeting is not experienced. Agroskin interesting to others. He has spent years to write stray dogs in the Deaf Moscow outs. All that he wrote, it was dusk, and as it convinces us that his palette is rich and complex, it was never sings because it poluzadushennaya, this palette. Why this artist makes the best galleries, gathering experts and critics admire? This is not a rhetorical question. Agroskin somehow clings us, it suggests something of prime importance.

Now it says the night. The main subject of the picture was a half-slightly divorced street lighting or the light of the moon. In the half-painted in front of us what a home is boring night garages, a kind of monument to a Soviet mean character, even in the half-break and we can not, which is from the chiefs, teachers and the idols in question. In the dark all cats sulfur.

We offer a look at the world through the eyes of the night motorists, which has a deserted, besprobochnym highways and quickly able to notice some signs of the night city. If he depart to the countryside road, you will see an empty field, slightly marked by road signs, a distant mill, which shape remind superstructure «Titanic», almost sunken into the cold night water. Here, you will not sunset, not the pre-condition of peace, and numb sleep time, and maybe forever.

is already almost no longer anything worth brushing stir one's stumps, as he writes and writes, as if defending the last bastion of the last blindage art painting. Then nothing. If you remove a little bit more, cut down on the motives and thicken the darkness, there will be a conceptual «no painting». Agroskin poised on the edge, but never enters into the measurement of «black box».

His position - that nekomfortabelnaya point close to absolute zero. His ladder, clothes rope street, obviously there are a number of «complete lack of any presence». In this sense it is - a religious painter, or rather, he appeals to the far otletevshemu God. Cries out from the gathering darkness, nosyas to his car through the streets of the town, turns into a metaphysical emptiness. The father of heaven somewhere long gone away, and his work is returned to the initial state of the dark and without form, substance. And the driver of longing, hit the gas and switching speed, and yearn for the Second Coming.

The only point in the illuminated panorama agroskinskoy night painting - this is a self-portrait artist, or rather, his pale, as if from a light stone graven monumental face with wide-open eyes clear. No matter how strong it echoes the classic portrait of art, here before us is the product of almost secular, but sacred. The artist depicted himself as предстоятеля. He looks forward to the moment, and ready to entreaty to the Creator and Savior. The night is too long. We zazhdalis light of heaven.

Exhibition Seeds Agroskin «Night» opened in the gallery of modern art RuArts (1 st Zachatevsky Lane, 10) from November 14 to December 13, 2008.

Source: ruarts.ru