Open 240-е the Auction
Traditional twenty lots — is seven paintings, five original leaves and one — printed graphics, one work in mixed media and one set porcelain
the fee from buyers is 18 %.
Catalog of the Auction No. 240
Selected lots of the Auction No. 240
let's Start with the top-лота. A large (130 × 110) canvas "Trinity" Natalia Igorevna Nesterova (1994) — and two quotes. Journalist and writer Yuri Rost: "When-то long been smart, soft, all understanding mother and friend Natasha Zoya Nikolaevna told me: "Angels can be just as writes Natasha — with heavy wings that carry heavy people"" (source: elena-v-kuzmina.blogspot.com). Writer, author of the novel "Violist Danilov" Vladimir Orlov: "...I fantasize "about" nesterovoj? Nails mind the miracle of art is not to nail to the topic of the day. Yes to anything. It is important that a miracle it makes you think about the eternal and hope for good in the buzz of human turmoil, when the clatter of crowds and splits the crust..." (source: azbuka.gif.ru).
the Infinity section of our catalog opens the watercolor "Winter landscape" (1920-е) Michael Markianovich Germashev. According to the expert, on the back of the framework there is an inscription in graphite pencil "Leon Gerard <...> Street Drouot 18" and "from the biography of the artist known that in the early 1920-х years, he settled in Paris, where he painted landscapes in the contract with the art dealer Leon Gerard, whose gallery was located on the street Drouot, 18".
Strong, filled with a sense only of the past winter the work "Pool. The river Mologa" (1937) belongs to the brush of one of the leaders of Russian avant-garde Alexander Davidovich Drevin (Drawings). Landscape painted in his later years, when the artist returned to figurative art, and sought to reconsider the landscape, to create abstract image of the nature of a particular locality. The landscape reflects a brief time of day when dusk is waning and night is preparing to come into its own: it's almost silent all the day sounds, bright fluorescent colors dimmed and gained depth, came off the day the wind and the dead river Creek covers a light night fog.
Watercolor "Blooming garden" (1-я third of the twentieth century) belongs to the brush of Ivan G. Krylov — Russo-болгарского artist, the son remaining in Bulgaria soldier, partyRussian-турецкой war of 1877-1878. Krylov — student A. M. Vasnetsov, was painted mostly watercolor landscapes and paintings on Russian themes. He was one of the founders and the first President (1929-1934) of the society of Russian artists in Bulgaria. "Among the creative heritage of the artist, — experts says: — critics highlighted watercolors with views of the garden artist. ". Obviously, our work relates to a number of these watercolors.
the Following section of our catalog — genre works. He opens his canvas "In a hat shop" (1950-60-е) remarkable artist Maria Mikhailovna Sinyakova the-Уречиной. As the expert writes, "her watercolors, lithographs, book illustrations 1910-20-х years <...> took a worthy place in the history of Russian avant-garde". Works of the Mature period of creativity (including our picture) "often represent genre scenes, which are based on early watercolors <...>. Like watercolors, these works are of complex composition with many details, filling all the space, light and ironic style of performance, elegant and detailed contour drawing, decoration, color scheme with brown-голубыми, pink-бордовыми, green and grey-белыми tones".
Author's lightness, irony, detail, decoration inherent in the work — oil Mosvodokanal (2015) of Natta Ivanovna Konysheva. Usually genre stuff of the artist, and are a real mosaic of people, actions and events, and in "Mosvodokanal" was dominated by the only story, the only action — despite the abundance of detail, more or less subordinate to the plot. Such integrity in painting Konyshev uncommon.
a breezy summer day, clear high sky, as fresh as after rain, the green trees, bright, elegant walking or sitting people, flags, rides, and kites — we see it all in a beautiful, decorative canvas "In the Park" modern artist Vera Andreevna the Elnitskaya.
Rare pencil drawing Boris Petrovich Sveshnikov "Hand. The imitation of Michelangelo" (1940-е) — as the expert writes, "a unique monument of history and culture 1940-х — beginning 1950-х years". This is one of the early drawings the artist executed shortly before his arrest on false charges of "anti-Soviet conspiracy." The work is performed "a characteristic, confident and expressive pencil strokes with complex developments and modeling of shapes and volumes".
the Portraits in our collection only two. First — Tushev picture "Girl, Kosivska eyes" (1966) Anatoly T. Zverev — refers to the series of graphic portraits of women, created in the second half of 1960-х. "In this figure, masterfully executed in just 3-4 minutes, Anatoly Zverev seeks to convey not only and not so much the similarity of the depicted girl, but her distinctive psychological traits, emotions", — says the expert, and separately notes that, despite the enormous popularity and a lot of custom work at this time, it "by-настоящему honest and beautiful thing".
the Second portrait — is also Tushev "portrait" (1980), the Moscow nonconformists Eugene Iosifovicha Chubarova, very farfrom traditionalism or realism, but very characteristic of the author, and brilliantly done composite.
To the portraits section is adjacent theater schedules. Opens his work Natalia Sergeevna Goncharova — pencil sketch-вариант costume of Peter III (1931) plays for A. Savoir "Young Catherine" ("La petite Catherine") in the Paris theatre Antoine. This is one of the first theatrical productions carried out with the participation Goncharova (costumes), and Mikhail Larionov (decorations) after the death of Sergei Diaghilev, the drama theatre. The expert writes that "Goncharova for this work was a kind of liberation from the constant need to balance their artistic imagination with the requirements of the dance". The artist meticulously studied household details and characteristics of the costumes and attributes of the XVIII century, but its "historic costumes", according to the expert, — "not the styling, and exquisite variation on the theme of Rococo". The play was a success and interested the Parisian public personality and life of Catherine the great.
the Next theatre — costume design Kazakh girls (1972) to an unidentified play. Its author — legendary anel (Anna A.), Sudakevich. A woman of striking beauty, a student Zavadsky, film star 1920-х years, which threw letters thousands of fans — after retiring from the screen, Anna Alekseevna was a great costume. Worked in film, at the circus, was for many years the chief artist of the Moscow circus, worked with Yuri Nikulin, came up with a brilliant plaid cap for Oleg Popov, did the costumes for major productions by Kasian Goleizovsky "an Evening of new choreographic miniatures" at the Bolshoi theater. Our little graph is a finely crafted, full of details, elegant maiden costume — obviously fantasy, but brightly painted national colors and easy to stage.
the Third theatrical graphics in our directory — sketch female costume for the play "Three ages of Casanova" (CA. 1985) in the Theater. Vakhtangov's work on the son of Anna Alekseevny, Sudakevich Boris Messerer Asafovich, famous theatre artist. The style of the sketch tells us that this costume is not for dancing, and dramatic performance. The suit is complex, made of colorful and diversified one of the fabrics, very delicate and beautiful.
Completes the theatrical section of the photogravure Alexander Evgenievich Yakovlev — sheet from album: Yakovlev, A., Eliseev S. Japanese theatre (Kabuki). Paris : Jacques de Brunhoff, Jules Menial. 1933.
Section of the still life begins another top-лот our auction — still life "Sink in the dish" (1959) Dmitry Mikhailovich Krasnopevtsev. The expert points out that at the time of writing of this work "a complex mythological and the plastic system [Krasnopevtsev] was formed and acquired a finished, classic features. Still lifes of that time, written in a peculiar, recognizable manner, — is an attempt to show not simply shows the items and make a balanced, harmonious composition, and to grasp the essence of these subjects, to comprehend their metaphysics".
"Working in a genre that can be called "metaphorical still life", — writes the author of the canvas "Event" (1989-1991) Maxim DanilevichMitlyansky. — Heroes of my still lifes — items "playmaker" tragicomic action, moving from canvas to canvas as the actors theater of the masks" (source: museum.ru). And indeed, "Event" — is not just a still life: the second work plan and author's inscription on the back invite the viewer to reflect on the-своему to understand this tense, powerful and solid image.
Section of the abstractions made three. First — is large, distinctive and recognizable watercolor and ink "Eco-1" (1989) Nicholas Evgenyevich Vechtomova.
the Sheet in mixed media, "Early spring in Germany" (2010) Vladimir Nikolaevich Nemukhin — recollection of the life and work of the artist in Germany in the mid-1990-х. This work can be called a continuation of the original series: in the album "Vladimir Nemukhin : paintings : drawings : sculpture : China" (M., ed-во "Banfi", 2012) published 2 sheets — "Spring in Germany" (1995) and "Autumn in Germany" (1996).
Clean and elegant compositional and coloristic small graphics "Morning in Petrovo-Дальнем" (2017) Igor G. Snegur.
Completes the description of the catalog item of the week — porcelain set of seven items of "Suprematist pastoral" (2010) Pavel Viktorovich Pepperstein. The author brings together and compares two types of images that are somehow connected with China: on the one hand, bucolic and pastoral motifs, with the other — Suprematist motifs. Read more copyright design says the enclosed booklet, and we can only add that the set is made of fine porcelain and remarkably beautiful.
Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).
we Wish you all a good bargain and good shopping!
Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.
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fee from the buyer is 18 % of the final price of the lot.
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