Traditional twenty lots — nine paintings, six original leaves and two — graphics and one composition, executed in mixed media

the Catalogue of the Auction № 188.

Selected lots of the Auction № 188

• AMOSOVA-БУНАК Olga Feodorovna (1888-1965) Landscape with Church. 1923
  oil on Canvas. 87 × 95,5
• SOKOLOV, Konstantin Sergeyevich (1945-1990) On the porch. 1990
  oil on Canvas. 23,7 × 30

• SITNIKOV Vasily Yakovlevich (1915-1987) Landscape. 1982
  Paper, colored pencils, watercolor, ballpoint pen. 27,5 × 34,5
• BATYNKOV Konstantin Alexandrovich (1959) city. 2012
  Paper, acrylic. 61 × 86

• NUSBERG, Lev V. (1937) Composition. 1970
  ink on Paper. 39,5 × 38.5 cm (sheet) 38 × 38 (light)
• YANKILEVSKY Vladimir Borisovich (1938) untitled (Abstract composition). 1980
  Paper, ink, colored pencil. 21,7 x 28,5 (leaf), 19,5 × 26 (figure delineated)

• ZVEREV Anatoly T. (1931-1986), Quietly shining to the world... illustration for the story N. Gogol "a Terrible revenge". 1956
  Paper (sheet from the album), ink. 28,5 × 20
• ALEXANDROVA T. B. (1907-1987) Ships in ice. Illustration to the novel of Charles de Coster's "the Legend of tijl uilenspiegel and lamme Godsake their adventures — funny, brave, and glorious in Flanders and other countries." 1960-70-е
  Paper, watercolor, whitewash. 34,3 x 26,5 (sheet), 26 × 19,5 (figure delineated)

the Landscape part of the collection opens created in the best traditions of Russian realistic painting of the species work "Summer day" Jacob Markovich Khaimov. Our landscape is very peaceful, harmonious, stunning richness of shades of green and sunlight on the surface of the foliage of the forest, reminiscent of the best works of masters of the early and mid twentieth century.

By the way, that in the beginning of the last century, in 1911, was created by a small oil on canvas "Cows at the river" (1911) Vladimir Donatovich Orlovsky. This work belongs to the later period of the artist and demonstrates in all its glory the current and very popular at the time (along, perhaps, with the style of Marin Aivazovsky) the style of the artist, one of the main representatives of the academic art of the late XIX — beginning of XX century. The expert points out that "the time of creation, the nature of the pictorial motif, composition, color and degree picturesquely-пластической of completion allow a significant probability to consider the studied landscape field sketch for a large canvas Orlovskogo "To drink" (51,5 x 159,5 cm, private collection)".

Creativity Konstantin Aleksandrovich Prokhorov, most likely, familiar to many, but familiarity is — anonymous: still lifes and landscapes of the artist were published at the time in huge numbers in the form of reproductions on postcards. To estimate skill of the artist gives you the opportunity with great skill and taste discharged urban view "In Suzdal white stone", created by the artist in 1999.

the Theme of urban (or architectural) landscapes continues oil on cardboard "Staraya Ladoga" (1989) a representative of the Vladimir school of painting of Nikolai Mokrov, written in a free manner, in a gentle, close shades of pastel colors that distinguish her work from some of the more typical compositions the hands of Vladimirmasters.

In comparison with gentle, as if floating in the air with a brush of Mokrova, the work Alexei Mikhailovich Korin "the Cathedral Church of the Trinity Makarievsky monastery," written in 1910-х years, looks especially festive and bright. Our landscape is characteristic of the painter freedom of brushwork, a combination of pasty, smooth and linear strokes pririsovali architectural details. According to experts, is particularly interesting compositional structure of the painting with close to the eye of the viewer illuminated by the sun a powerful wall of the temple, as well as a color game, built on complex combinations of shades of white-stone architecture, intensely blue sky and Golden domes.

"Landscape with Church" (1923) Olga Feodorovna Amosova-Бунак another colorful, decorative city view in our selection. "Landscape" refers to the early Moscow period of the artist's work. Since moving from Petrograd to Moscow (1918) and until mid-1920-х years, she is mainly engaged in design activity, collaborated with Atelier Khanzhonkov and numerous Moscow theaters. Hence, perhaps, a certain theatricality in the landscape, flattened composition and pure local colors which evoke a theatrical backdrop.

the Theme of the city-своему disclosed in enthralling the viewer with many interesting "talking" parts are very detailed etching "untitled (Old house)" (1968) one of the most famous representatives of the second Russian avant-garde, Dmitry Petrovich Plavinsky.

Completes the urban theme is expressive and very dynamic fancy industrial composition acrylic on paper "city" (2012), acclaimed master of the genre Konstantin A. Batynkov.

Almost abstract graphical "Landscape" (1982) of the sixties Vasily Yakovlevich Sitnikov refers to the American period of life and creativity of the artist. The expert stressed that figure resolved in a recognizable manner Sitnikov and is it original and distinctive artist, a masterly draftsman with his own attitude and Outlook.

a Selection of abstract works opens an example of geometric abstraction, the complexity of the composition approaching, perhaps, to the op-арту, — ink on paper "Composition" (1970) one of the most distinctive authors of the second wave of Russian avant-garde Lev Nusberg Voldemarovich.

ink drawing and colored pencil "untitled (Abstract composition)" (1980) master of the "other art" Vladimir Borisovich Yankilevsky — a great opportunity to see the non-figurative abstract artist, known primarily for his compositions with figures of anthropomorphic character.

"the attention Factor" (1988) another representative of the second wave of Russian avant-garde Valery E. of Danica at first glance far removed from abstraction, but this impression disappears when a longer analysis shows: under the gaze of the viewer if the work falls apart into separate abstract fragments, allowing to reach the maximum number of interpretations and the interpretation of the depicted forms.

Printing on metal "Three sisters" performed in Konstantin V. Khudyakov with the participation of Alexander Medvedev Sploshnov in 2015year, despite a very specific, probably referring to the literary source, the title, very far from any of the specifics and conquers a multi-level mixture of various associations, symbols and forms — characteristic signs of the work of artists.

the Language of symbols and associations tells her story and another bright, multi-image, multi-part (and mnogofakturnye) the song "Coupe # 5" (1990-е) master detailed and interesting genre scenes of the sixties Vyacheslav Vasilyevich Kalinin.

"the Mermaid's pool" (2017) Alevtina Dmitriyevna Pyzhova almost a genre scene, executed according to folklore motives in the style of combining elements of Russian folk and naive art.

the drawing "untitled" (1984) Boris Petrovich Sveshnikov this philosophical song-размышление, fascinating as a kind of meditative mood, and the delicate skill with which the artist addresses with a complex graphic technique.

a pure Example of the genre in our catalog this week can rightfully be called a small work oil on masonite "On the porch" (1990) original artist Konstantin Sergeevich Sokolov, performed in a manner reminiscent of the works of the masters of the Northern Renaissance.

There is in our collection and a couple of illustrations to literary works. Illustration of "Ships in the ice" to the novel of Charles de Coster's "the Legend of tijl uilenspiegel and lamme Godsake their adventures — funny, brave, and glorious in Flanders and other countries" Tatiana Borisovna Alexandrovna in 1960-70-х years in a recognizable manner and concise wins as careful and attentive attitude to the literary source and the skill of the layout depicted parts of the composition on the sheet, a talented working with color and light.

a Graphical illustration for the story N. Gogol "a Terrible revenge" "Quietly shining to the world..." (1956) Anatoly T. Zverev are defined according to the expert, "to the magnificent early cycle of illustrations to the works of Zvereva N. Gogol, many of which he knew verbatim. These illustrations are distinguished by the virtuosity of performance, liveliness and fluency of lines, the accuracy of the figure. Skill Zverev-рисовальщика delights and makes each picture a masterpiece. Is no exception and studied illustration for the story "a Terrible vengeance" from the cycle "Evenings on a farm near Dikanka"".

"Landscape with red pepper" (2000) Oscar Yakovlevich Rabin, despite the name, the real still life. This is the work of the Paris period, made in a recognizable manner, characteristic of the author of visual techniques (from composition to the color range), and it is full of nostalgia.

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the workown eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).

we Wish you all a good bargain and good shopping!

the Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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Note: fee from the buyer 15% of the final price of the lot.

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