- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine
135 million for Klimt painting
ARTinvestment.RU 24 июня 2008
The Times columnist Yanushtsak Waldemar (Waldemar Januszczak) talks about the mysteries of pricing in the market of art
The reason for the discourse columnist The Times Yanushtsaka Waldemar (Waldemar Januszczak) on the causes of unusually high prices for works by Gustav Klimt exhibition was the «Gustav Klimt: Painting, Design and Modern Life in Vienna in early 1900-ies» , which will take office in the Liverpool Tate Gallery, until 31 August.
strong understanding of the prices of works of Gustav Klimt and their investment attractiveness in the market were totally destroyed during the summer of 2006, when it became known that perfumes and cosmetics magnate Ronald S. Lauder paid 135 million dollars for the «Golden Adele» ( Portrait of Adele Bloch-Bauer) Klimt. This private transaction was conducted with the mediation of the auction house Christie's, made the «Golden Adele» the most expensive painting in history. Even by the standards of the market of art, accustomed to huge amounts buying Lauder seemed madness. By then the exchange rate turns out that he had paid for the Klimt painting more than 70 million pounds. At this point, Klimt entered the «highest league», leaving behind even Pablo Picasso, Vincent van Gogh and Claude Monet, who is still the price leaders in the market of art.
The most striking fact that Klimt is an extremely ambiguous figure in the artistic terms. In the case of Picasso, Van Gogh and Monet (and now to add a Francis Bacon), you always know what is attractive to collectors of each of these artists, and why the prices of their products so good. This «first name», «Titans Modernism», which focused on the hundreds of books and exhibitions in the most prestigious museums of the world. The role they played in the history of art, it is difficult to overestimate. But 135 million for the work of Klimt? It was only a Viennese dandy, very popular for its time an artist, but not from those who create a school or a new direction in art. His work has made changes in the artistic process. Until, for his picture had not been paid a gigantic sum, Klimt was a beautiful, but in general, minor Viennese designer - an unexplored era fin de siecle. So why is his work became the most expensive in the history of trades?
Very actual exhibition, partly devoted to this subject, opened a branch in Liverpool Tate Gallery, where she became one of the projects the city in its attempt to become the «cultural capital in 2008». In numerous press releases stating that it would be «the first significant exhibition of Gustav Klimt in the UK». That is why the first, as it must be said - that the exhibition was the first comprehensive exhibition of the artist. And not because before that there were other (willing to believe that it was not) but because in its essence it is not a personal exhibition of Klimt.
In this case more appropriately to say that the exhibition presents major works by the artist and his work as a whole becomes the main theme of the exposition. The main but not only. The exhibition represents an early attempt to recreate the astonishing artistic situation in Vienna at the turn of XIX and XX centuries. During this period in the Austrian capital, while working several brilliant artist who was destined to become not only the founders of Al Nouveau, but also play a significant role in the history of design. At this interpretation of loyalty, rather than positioning it as монографической exhibition of Gustav Klimt, and its subtitle indicates - «Art, Design and Modern Life in Vienna in early 1900-ies».
Still, not that it was very important. Tate Gallery in Liverpool, you can only thank for the fact that his show, she has shown us that the artistic environment in which Klimt worked, and not just a compilation of his works, as might be expected. The pictures themselves do not explain. You can see why collectors are willing to pay fantastic sums for his work. You can assess how well he plays around the world, several stilizuya him, and he managed to captivate the audience. But whether it can be titanium, or is it just a pygmy, seen in the microscope?
After the show remains the impression that the latter assumption is correct. Chief talent Klimt revealed that he managed to become one of the landmark pieces of national symbolism, his works, a decorated stairs and plafonds best houses of Vienna have been designed to demonstrate the importance of Vienna as one of the artistic capitals of the early twentieth century. This artist is so well managed that in 1883 he was awarded the main prize imperial accessible Austrian artists - Golden Order of Merit (with crown), which he handed to the Emperor Franz Joseph I.
This is when the artist created a beautiful allegory to mawkishness naked goddess, walking in the garden of paradise with sleeping lions - so «classic», that this picture could easily be written not in 1883 but, for example, in 1530 one of the epigone Tizian.
This innate conservatism has always been characteristic of Klimt. First of all, for this reason he never became a true modernists. If we compare what did Toulouse-Lautrec and Gauguin, with a picture of Klimt Nuda Veritas ( «Naked Truth») - the image of naked girl in tow mirror in their hands, whose «piercing» view compels the viewer to assume that she has just hlebnula blood dragon - the latter seems outdated, but also stupid. The film is accompanied by an inscription made in gold on the frame, a quotation from Schiller: «If you can not please all of their actions and their art, then try like a small number of people, because like many bad» (If thou canst not please all men by thine actions and by thine art, then please the few; it is bad to please the many). Undoubtedly, this is the best advice at all times, but the use of outdated language in the quote, like the whole style images, a false Teutonic «medieval» seem to be redundant in order to convey a simple message.
Guided by some self motivation, Klimt has decided to break with the official art institutions and in 1897 became the first president of the Viennese Secession, a group of ambitious young artists and designers that are configured together to break with the past and lay the foundation for a new national art, the relevant European trends in the early twentieth century. Part of the exhibition devoted to this phase, it is most interesting, but the most outstanding works that detect the current pace, it does not belong to Klimt. Their author - Joseph Hoffman, a true inspirer of Secession. Perhaps it is and was to become the hero of the exhibition.
Hoffman, all knew how to: design a spectacular contemporary architecture (eg, a sanatorium in Purkersdorfe), invent a new system of functioning art gallery and rehash objective world (he was the inventor of many modern household items, including the cutting edge of the holder for a toilet paper). Instinctively felt the prospects of minimalism, Hoffman was far ahead of his time. Thus, at a reproduction of interior design cabinet Emily FLEG, which became the subject of a multi-year platonic love Gustav Klimt. This facility is as easy to style, as everything that can be purchased today at IKEA.
At the same time, at all times emphasized the centrality of Klimt and his involvement in dekoratorskim searches and new techniques, laid the foundation of modern design. In line with the curators, Gustav Klimt paintings should be seen as one of the pillars of the so-called Gesamt-kunstwerk (in Russian best friends, although not completely accurate analogue may be considered the notion of «synthesis of the arts»). Indeed, the combination and unity of style of architecture, painting and decorative arts and has become a hallmark of the Viennese Secession, but this does not mean that the art of Klimt equally involved in the revolutionary achievements of the Austrian design of the period. On the contrary, his art has always been aesthetically removed from the mainstream of the Viennese Secession and farther left in the area of erotic fantasies.
Most likely, it is this propensity to erotica, and at the same time, the ability to give a masterly decorative elegance of the most disturbing and obscene pozam in which he depicted his model and makes the artist so popular nowadays. However, Klimt was a very in demand and in the life: he is often given orders for portraits of beautiful wives and lovers tycoons of Jewish origin. Perhaps the mixture of eroticism, psychology and new money and is the most accurate reflection of the atmosphere of Vienna the turn of the century.
You can, however, whether the painter Klimt, infiltrated into the overall quality of human nature, which have been van Gogh or Bacon? Did it turn over our culture with the force like Vesuvius eruption, as did Picasso? No, not Gustav Klimt was an artist of this type. And only an era, for which no apparent notion of «celebrity» and «genius», which confuses the «good» and «grandeur», so obvious to mix and to overestimate the merits and achievements of Klimt ...
Sources:
https://artinvestment.ru/en/news/artnews/20080624_gustav_klimt.html
https://artinvestment.ru/news/artnews/20080624_gustav_klimt.html
When quoting reference to the https://artinvestment.ru without fail
Attention! All materials of the site and database of auction results ARTinvestment.RU, including illustrated reference information about the works sold at auctions, are intended for use exclusively for informational, scientific, educational and cultural purposes in accordance with Art. 1274 of the Civil Code. Use for commercial purposes or in violation of the rules established by the Civil Code of the Russian Federation is not allowed. ARTinvestment.RU is not responsible for the content of materials submitted by third parties. In case of violation of the rights of third parties, the site administration reserves the right to remove them from the site and from the database on the basis of an application from an authorized body.
- 16.08.2022 Расследование ФБР подрывает репутацию Художественного музея Орландо Отменены три выставки, из собрания отозваны отдельные работы
- 14.08.2020 Face mask for $1.5 million In this sum cost the unnamed "billionaire from Shanghai" ordering a mask of gold and diamonds from the jewelry company Yvel
- 14.08.2020 A special contract for buyers of art of authors of African descent For fight against speculators, Christie's has developed a list of conditions of purchase
- 13.08.2020 Cultural institution in the U.S. last year spent $7.9 billion This year a repeat result is not obtained – loss of art-индустрии the United States already amounted to $150 billion And this is not the final figure
- 13.08.2020 Biography Yayoi Kusama will be released as a graphic novel With the history of one of the most successful contemporary artists in the form of a comic book will be available from 15 September 2020
- 03.08.2018 Торги «Антиквариума» 28 июля. Краткие итоги Наторговали на 3,6 миллиона рублей — 131 % от эстимейта. Одним из топ-лотов стала работа Владимира Немухина, проданная за 240 тысяч
- 25.07.2018 Очередной аукцион #всёпорублю в «Литфонде» принес почти 4,5 млн.руб. Топ-лотом стала икона «Богоматерь Владимирская» — 600 тыс. руб.
- 24.07.2018 «Русская Эмаль» торжественно закрывает сезон и уходит в отпуск На завершающих торгах 14 июля «Русская эмаль» порадовала участников Кандинским, целой коллекцией нэцкэ и произведениями Пыжовой
- 16.07.2018 Краткие итоги сороковых живописных торгов «Кабинета» Аукционный дом «Кабинет» проводит последние торги сезона и уходит в отпуск до осени, вслед за своими игроками
- 03.07.2018 Коротко о главном: итоги аукциона 28 июня в «Литфонде» Рейтинг возглавляют классики русской литературы, а сказочники продолжают удивлять
- 12.08.2020 Literature: Piroska Dossey. Sold! The book is about the phenomenon of pricing, the original title of which was ahead of its time in a decade
- 07.08.2020 Movies: "the Cool school" The emergence of abstract expressionism on the West coast of the United States the voice of the Big Lebowski
- 06.08.2020 Cross-trades in the summer of 2020. ArtTactic Report Analysis of auction sales of a new format with the participation of the old masters
- 04.08.2020 Opened 27-й auction "twenty-first century. Contemporary Russian art" The catalogue contains artworks of Seeds Agroskin, Alexei Vaulin, Dima Goryachkin, Dasha Delone, Anna Laurel, Denis Mikhailov, Andrei Munz, Arman Sirunian, Kathy-Анны Taguchi and Tatiana Yang
- 31.07.2020 10 most unusual ArtTech-стартапов 2020. Part 1 AI talks about young companies whose ideas have become especially popular with the onset of the quarantine
- 07.03.2023 Неизвестный известный Серж Иванов (1893–1983) История происхождения ранних картин С.П.Иванова
- 17.06.2022 Выставка Люси Вороновой в галерее Atelier CHOUTKO На выставке будут представлены живописные произведения Вороновой разных лет и состоится премьера ковра ручной работы, созданного художницей совместно с Atelier CHOUTKO
- 14.03.2022 Эрмитаж потребовал досрочно вернуть работы, участвующие в итальянских выставках В Россию в ближайшее время вернутся около 25 картин
- 30.07.2020 In Saint-Петербурге opened the exhibition "Artists and collectors — to the Russian Museum. Gifts. 1898-2019. Favorites" The exhibition, held simultaneously on all the main belt, has collected more than 1,500 items donated to the Museum since the founding of the
- 27.07.2020 Fedor Rokotov exhibition opens at Historical Museum of Moscow A collection of works of the famous Russian portrait painter XVIII veka will showcase on 29 July 2020
Top 29
- 1. Leonardo da Vinci$450,3 million
- 2. Pablo Picasso$179,4 million
- 3. Amedeo Modigliani$170,4 million
- 4. Qi Baishi$144 million
- 5. Francis Bacon$142,4 million
- 6. Alberto Giacometti$141,3 million
- 7. Edvard Munch$119,9 million
- 8. Claude Monet$110,7 million
- 9. Jean-Michel Basquiat$110,5 million
- 10. Andy Warhol$105,5 million
- 11. Roy Lichtenstein$95,4 million
- 12. Edward Hopper$91,87 million
- 13. Jeff Koons$91,075 million
- 14. David Hockney$90,3 million
- 15. Robert Rauschenberg$88,8 million
- 16. Gustav Klimt$87,9 million
- 17. Mark Rothko$86,9 million
- 18. Kazimir Malevich$85,81 million
- 19. Barnett Newman$84,2 million
- 20. Vincent van Gogh$82,5 million
- 21. Henri Matisse$80,7 million
- 22. Auguste Renoir$78,1 million
- 23. Peter Paul Rubens$76,7 million
- 24. Konstantin Brancusi$71 million
- 25. Cy Twombly$70,5 million
- 26. Fernand Léger$70,06 million
- 27. Willem de Kooning$68,9 million
- 28. Zao Wou-Ki$65,2 million
- 29. Paul Cezanne$60,5 million
- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine