In mid-September at the Pushkin Museum will open a major exhibition of Caravaggio and followers
Works for the exhibition, which runs from mid September to the end of the Christmas holidays, provided from the collections of the Fund's long positions in Florence and the Pushkin Museum to them. A. S. Pushkin
In mid-September in the Pushkin Museum to them. Pushkin opens exhibition "Caravaggio and his followers. Paintings from the collections of the Fund's long positions in Florence and the Pushkin Museum to them. A. S. Pushkin". It is sort of a continuation of the first large-scale exhibition of the works of the great Italian master Michelangelo Merisi da Caravaggio (1571-1610), largely determined the further development of European art from the museums of Italy, which was held in the Museum at the end of 2011 @the beginning of 2012. gada@
In the present exhibition will be presented the famous "wizard Boy bitten by a lizard" and paintings by leading contemporary artists of the XVII–XVIII centuries, which to a large extent was influenced by Caravagio@
the uniqueness of the exhibition in that it includes the work, brought from Italy, belonging to the Fund Roberto Longhi in Florence, and also the works in the collection of the State Museum of fine arts named after A. S. Pushkin. In total, there will be shown more than 50 works zhivopisi@
Thirty paintings from the Fund's long positions are part of the rich collection, collected a scholar and critic Roberto Longhi (1890-1970), one of the prominent representatives of the art world of science. Today, as during the life of Roberto Longhi, this collection is stored on belonged to him Villa (Villa il Tasso) in Florence, which is now a major centre for the study of Italian art of the Renaissance and Barocco@
the Core of the exhibition is the famous painting "Boy bitten by a lizard" (1594), belonging to the early period of the art of Caravaggio. Exposition logically continue the work of his first followers, Orazio Borgianni (1578-1616) and Carlo Saraceni (1570-1620), whose works are not often found outside of Italia@
North caravaggism exhibited the composition of Dirk van Baburen (1595-1624) "arrest of Christ", as well as two works by Matthias Stomer (1600-1650) — painter, who lived a long time in Sicily: "Archangel Raphael in the house of Tobit" and "the Healing of Tobit". In this section of the exposition will be exhibited acknowledged masterpiece of Valantin de Boulogne "the Denial of St. Peter" (1591-1632) — one of the best examples of the work of this French hudojnika@
great contribution of the Spanish school in international caravaggesque movement demonstrate the five essential paintings series "the Apostles", fairly recently referred to the works of jusepe Ribera (1591-1652), who worked in Neapoli@
, Viewers will also see the outstanding quality of the painting Bartolomeo Passarotti (1529-1592), who in his work anticipated the naturalism of Caravaggio, Giovanni Lanfranco (1582-1647) and Giacinto brandi (1621-1691), rethinking the lessons of caravaggism in the spirit of the high Baroque Guido Reni (1575-1642), made a clear contribution to the interpretation of the classical tradition in the seventeenth Wake@
the exhibition will show the works of three "painters of reality" (a term coined by longs) — Giacomo Ceruti (1698-1767), fra Galgario (1655-1743) and Gaspare Traversi (1722-1770), which in the eighteenth century continued to draw inspiration from the traditions of naturalism, laid Caravagio@
the Exhibition, organized in the Pushkin Museum to them. A. S. Pushkin, gives us a brilliant opportunity to show of 30 works from the collection Fund long positions are stored together with the Museum masters paintings of Caravaggio circle — works of Italian, French, Dutch and Spanish artists. Thus, visitors will have a unique opportunity to compare the level of performance and individual style of authors. This is all the more exciting that we are talking about works of eminent masters, such as Angelo Caroselli, Caracciolo, Valantin de Boulogne, Gerrit van Honthorst. Among the paintings, worthy of special attention, is the "Coronation of thorns" Tommaso Salini (1575-1625), the artist represented in the collection Fund long positions, since the study of his work was the result of research work of the last desyatiletii@
Exhibition will also help to understand and appreciate the scale of the individual longs-коллекционера. Collected his works reflect a deep interest in the work of Caravaggio and his circle, which scientists have carried through my whole life, and with excellent knowledge of the history of art and individual style of the artists have long been able to purchase first-rate works of painters, whose names have not enjoyed fame. Among them is a masterpiece of Angelo Caroselli (1585-1662) "Allegory of transitoriness" (approx. 1608-1610), the work of one of Caravaggio's Neapolitan Battistello Caracciolo (1578-1635) "the entombment" and two paintings by Mattia Preti "Concert" (1620) and "Susanna and the elders" (1656-1659). Its fame Mattia Preti owes much to the youthful works of Roberto Longhi about the artists of the so-called naturalistic direction. The exhibition in full measure gives an indication of how important the role played in scientific biography longs studies about the work of Caravaggio and his closest followers called caravaggisti@
a kind of surprise for the visitors of the exhibition will be a large altar arrangement Giovanni Ballon (1566-1643), teachers Tommaso Salini purchased for GMII at the end of 2014. Some works, in particular painting by Battistello Caracciolo and two works by jusepe Ribera, specially were restored and was first brought before publicou@
the idea of the exhibition belongs to Victoria Markova. Curators: Mina Gregori, President of the Roberto Longhi; Maria Cristina Bandera, scientific Director of the Foundation; Victoria Markova, senior research associate, curator of Italian paintings of the Pushkin Museum to them. A. S. Pushkina@
Source: arts-museum.ru
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