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"Islands Yuri Sobolev," in the MMSI

In the Moscow Museum of modern art held a retrospective of Yuri Sobolev (Naliva-Sobolev, 1928-2002)

Moscow Museum of modern art,
17 September @9 mdash November 2014
Moscow, Ermolaevsky lane, 17

In the Moscow Museum of modern art exhibition "Islands Yuri Sobolev," which continues the series of exhibitions dedicated to the history of Russian contemporary art in the second half of the twentieth century. In the Museum retrospective Yuri Sobolev (Sobolev-Нолева, 1928-2002) in Eugene, 17 presents graphics, book and magazine design, animation and slide-фильмы, video- and photographs of theatrical productions artist: documentation multiscreen shows for Congress designers "ICSID" (1975); slide-фильмы to the performances: "That was after salvation" (1987-1988), "e-Mail" (1981) and "ODMO" (1988), is devoted to new wave artists of the 1980-х; and documentation of performances by students of the "school of Yuri Sobolev," festival "KUKART" and archival materials. Exposure time of each floor reflects a certain period of creativity hudojnika.

the Works presented at the exhibition, covering more than forty years of creative work of Yuri Sobolev, slightly less existence самогó contemporary art in Russia. The desire for modernity and innovation has been a vital artistic strategy that has largely defined the concept of his work. The idea of combining on a single turn, one cover or one frame works of classical art and images of the modern world, so popular a few decades later, came to him very early and played by the artist a variety of means — in the original graph of the artist, on the pages of the journal Knowledge — power", in sketches for the animated film directed by Andrei Khrzhanovsky, which is based "Glass harmonica" (1968), the Yearbook of the "Science and humanity" (1962, 1963) and in other works. This strategy is based on the tradition of avant-garde montage Sergei Eisenstein and Alexander Rodchenko, was moved Sobolev in new and unusual for 1960-70-х, the area of multimedia experimental.

His apotheosis of this quest is reached in the multi-image slide-фильме prepared by Yuri Sobolev, together with the Director Yurii Reshetnikov to Congress of the International Council of societies of industrial design ("ICSID"), held in Moscow, in the concert hall "Russia" in 1975. In a multimedia program, which lasted more than forty minutes on 30 screens, images of modern mechanisms and everyday products, from old Western directories were mounted with fragments of works of art from different eras. Despite technological and aesthetic revolutionary split-screen, which included 16 projectors, "ICSID" was banned by Congress as an ideologically dubious work. The exhibition at the MMOMA viewers will have the opportunity to see the documentation of the project, as well as preparatory materials and diagrams explaining the mechanism of the unique konstruktsii.

Experiments in the field of new media, occurred simultaneously with the development of its own plastic language. In the period of work in journals such as "Decorative art" and "Knowledge — force" Yuri Sobolev, one of the first in the USSR began to use modular grid — Western design new, structurally organizing space magazine strip. This way of organizing the sheet he suffered in his creation: according to the author the net, become a part of the works, had several levels-слоев and helped to take the idea of the artist. Thus, from the universal technical tools pencil grid turned into a module copyright-знак and beginning to model the "microcosm" graphic list.

Exhibition "Islands Yuri Sobolev," in MMOMA allows us to trace how ideas and solutions found in experiments with the same media that gave unexpected results and creative finds when working with drugimi.

the exhibition based on the collection and archives of the family of Yuri Sobolev, included works from the collection of the Moscow Museum of modern art, the State Tretyakov gallery, the Museum of cinema, the national centre for contemporary art, Kolodzei Art Foundation, as well as works and archival materials from foreign and private Moscow collecti.

Source: mmoma.ru


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