Sergei Shutov. Containers, bags, tanks, memorial origin
The exhibition at the VII Festival of contemporary art collections
Sergei Shutov No title. 1984-2012
© Sergey Shutov
Source: ncca.ru
NCCA, August 9 - September 8, 2013
Attic House Polenova
st. Zoological, 13, page 1
Tonight in attic of a house Polenova presents "Sergei Shutov. Containers, bags, tanks, memorial origin "in the framework of the VII Festival of contemporary art collections.
« The exhibition is devoted selective memory and co-existence of the document and artistic reality. It is here, in the description of private practices that impact on the subsequent development of civilization, manifested the true, undisputed history of the world. " A text preceded by an exhibition of his collection, for which the NCCA opens the door Polenova attic of a house, the former in early 2000 's one of the busiest areas of artistic life in Moscow.
Way artist Sergei Shutov, by his own definition, a "shining futuristic cyberpunk archaic", directed by attempts to describe the eternal "amazement at the world" .
Shutova can not be called a collector in a precise and pure sense of the word: he is not interested in any particular period, is indifferent to the purity of genres, periods, and techniques that collects reality itself. Therefore, in the trunks of Sergei Shutov there are both their own and others' works of art, which will eventually become the objects of this hunt for the "antiques" - for example, the early work Timur Novikov , music CDs and objects" design "1960-80-ies like desktop sculptures, lamps and ashtrays with the attributes of the great achievements of the USSR. In the mock collections found a place and newspapers containing a variety of information - from reports of Gagarin's flight, Tereshkova and obituaries time to leapfrog 'general secretaries "and annual funeral in Red Square, as well as outlandish designs free press 1990.
This amazing archive of the artist first put up for public display, shaking off the dust of old objects and create them on the basis of spatial collages, situated on the same borrowed from Soviet times the information stands. Jesters is convinced: "The wall newspaper, equal rights to a book shelf, decorated porcelain figurines and children's photographer, becomes a source of true, selected and filtered information ... implanting false memories and true to the memory percipient, showing the original and the prepared documents, videos, objects, sculptures, rhyming with art objects, appropriated and re-created, we equalize the real events with even more real, provoked by the inductor. So the art of winning historical amnesia and approves new time artifitcirovannyh multiplicity of events ».
Sergei Shutov (1955, Potsdam) - painter, graphic artist, author of objects and installations, video artist. Since the mid-1970s to the early 1980's he worked as a loader and a laboratory assistant at the Museum of the East, the State Museum of Fine Arts. AS Pushkin, the zoo, and has lectured at the Moscow Planetarium.
In 1978 he joined the Moscow City Committee of the charts. Since 1987 - member of the "Hermitage", one of the first alternative art groups in Moscow and Leningrad "Club of Friends of Mayakovsky." He became the first academician of the "New Academy sorts of arts" (Moscow - Leningrad). The universal recognition came to Shutoff after the 17th Youth Exhibition in 1986, where he presented a paper which has become a "visiting card" of the art of the 1980s - the painting "Barsuchonok no longer lazy." In 1987 he participated in the shooting of the film "Assa" as an actor and artist. In 1993 he founded the Institute of the art technology, became its president. Collaborated with the radio station 106.8 (radio station), was the first VJ in Russia (the club "Ptyuch"). In 1994 he directed the practical sessions of the Moscow art new media lab. Musician, member of the band's concerts "Popular Mechanics", the author of the soundtrack for the film "The Cabinet of Dr. Caligari" (with Timur Novikov ). In 2001 he represented Russia at the 49th Venice Biennale (installation "Abacus"). In 2002 he was nominated for the State Prize of Russia. Lives and works in Moscow.
Source : ncca.ru
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