In the Arts hosts an exhibition of recent works by Konstantin Khudyakov

Russian Academy of Arts, March 14 - April 1, 2012
st. Prechistenka 21

In the halls of the Russian Academy of Arts, an exhibition Konstantin Konstantin Khudyakov «The Art of High Definition," which presents the work of the last decade - an extraordinary example of figurative plastic thinking. It has long been included among the leaders of the modern native art, the artist is inclined to experiment and willing to take risk. He is constantly on the lookout for means of expression and creative techniques that can help the artist to adequately reflect our time. Such work - acute, affecting the "hot spots" and at the same time deeply metaphorical, pushing the philosophical reflection, joined in the exhibition halls of the Russian Academy of Arts.

name Konstantin Vasilyevich Khudyakov (1945) is well known to those who follow the development of contemporary art in Russia. More than once he offered to the audience a variety of projects, often bold in form, but the content is closely related to classical themes, raising the "eternal" problem of good and evil, common to humanity. However, the artist captures the sensitive nerve of contemporary reality, he was determined to interpret it, and critically, and enter its world of objects into their work. The realities of today's Moscow intertwined with Khudyakov with Christian imagery and semi-creatures, reminiscent of monsters, although they are based - the transformation of images of ordinary people or insects. In order to master essential deep rethinking of reality, breaking its various aspects from different angles: Khudyakov is not afraid to constantly change their artistic handwriting, and bearing in mind the old rule "often turn around style».

K. Khudyakov has a classical education: in 1971 he graduated from the Moscow Institute of Architecture, with honors his diploma on the "concept of the future." He worked as chief designer of the Central Lenin Museum in Moscow, where he established an architectural project of reconstruction of the main exhibition, many engaged in design exhibitions of the museum in the USSR and abroad, and its affiliates. By design the Soviet pavilion at the exhibition at the festival newspaper "Unita" (Italy, 1974).

At the same time the author was engaged in painting, was a famous group of "20 Moscow Artists", which suit their own exhibition in the City Committee of Graphic Artists in the house 28 to Little Georgia Street. From 1978 to 1987 - an active participant in these shows, since 1986, held several personal exhibitions in Russia and abroad, and to this day remains one of the most sought after and popular Russian artists. Since the late 1990s has left the traditional painting and turned to computer graphics.

Source: rah.ru

Source: rah.ru

In 1988 the gallery has organized Khudyakov "M'ARS", was organized and participated in numerous national art shows under the auspices of the gallery - in particular, in Greece, Italy, France, USA and Japan. At the present time - Chairman of the Center for Contemporary Art "M'ARS." He participated in the largest exhibition projects Tretyakov Gallery, Pushkin Museum. Pushkin, a number of Western museums, as well as in the Venice Biennale. The works of K. Khudyakov kept in the Tretyakov Gallery, Yaroslavl Art Museum, the museum collection "M'ARS", in private and corporate collections in Austria, Britain, Germany, Holland, Russia, USA, France, Japan, Latin America, Scandinavia, etc. .

exhibition at the Russian Academy of Arts includes works, reflecting the continued Khudyakov experiments in digital art. The exhibition includes landscapes of Moscow and Borovsk that are based on photos to computer processing. Expressive portraits of Andrei Bitov and Annamuhammeda Zaripov, fragments of the famous series «deisis /Anticipation" and series "Apocalypse", "New Russian font", "Insect Life." Rounding out the exhibition of monumental composition "Battle for Moscow" and "Last Kiss", as the transmission of interest to the master of the historical and religious issues and his ability to combine a variety of characters in world history in the great digital "fresco».

Source : rah.ru