Fellini. Grand Parade
Today in Multimedia Art Museum (Museum "Moscow House of Photography, Ostozhenka, 16) opens the show for the spectators," Fellini. Grand Parade. The exhibition curator Sam Sturdza (Lausanne).
| «La Dolce Vita, 1960 Photo from filming From the collection Christoph Shiferli, Zurich Source: | Anita Ekberg and Marcello Mastroianni. "Sweet Life", 1960 ">  Anita Ekberg and Marcello Mastroianni." dolce vita " 1960 "src = /content/download/news_2011/20110223_ekberg_mastroyani_dolce_vita.jpg "/> Anita Ekberg and Marcello Mastroianni. «La Dolce Vita, 1960 Photo from the filming From the private collection Source: |
In 2010 Fellini film "La Dolce Vita" (1960) observed the fiftieth anniversary, and in the 2011 exhibition "Fellini. The Grand Parade "proves that the creativity of the great director remains to this day is very important. The project is conceived as the study of personality Fellini and his entourage, which helped to create masterpieces of cinematic art. The curators of the exhibition attempts to find sources of inspiration, whose name in the twentieth century it became a household name, forming the adjective "fellinievsky: fellinievsky world - is synonymous with the world of bright, sometimes extravagant, grotesque world.
material that accompanies the films of Fellini, is full of discoveries and surprises. Excerpts from the documentary will show the artist at work. Over forty years of artistic career Fellini for a second did not stop the search and development. Neo-realists in the beginning of the way Fellini assists Rossellini in the film "Rome, Open City" (1945) and in the film "Countryman" (1946), Rossellini's film "Miracle" (1948) is based on the script of Fellini, and Fellini himself appears in a frame in the image "St. Joseph" next to Anna Magnani. Then, Fellini is a director. After the movie "The Road" (1954) it is written in the Roman Catholic filmmakers, and the left accused him of treason. But the situation changed after the release of "Sweet Life: Now the left praising his genius, and bursts into the angry criticism of the church ... But Fellini was important for another: it radically changes all the rules for constructing the plot breaks down structure of a story reinterprets the movie. As a free man, not associated with any movement, he continues to work as he worked. Movie "Eight and a Half" (1963) became a new milestone in the work of director: Reflections on the role of Fellini's movies, thinking about creativity are pushing him to overcome the boundaries of reality to study the mysterious world of make believe. Childhood memories, the unconscious, dreams, breaking into his work and serve as a pretext for the emergence of on-screen figure producer. Since then, he is constantly present in Fellini's films, and this largely contributes to the creation myth fellinievskogo.
 Anita Ekberg. "Sweet Life", 1960 Photo from the filming From the collection Christoph Shiferli, Zurich Source: | Photo from the filming From the Collection of the Foundation Jérôme Seda-Pathe Source: |
Project Coordinator Sam Sturdza able to communicate with the majority of photographers who worked on movie sets with Fellini, to investigate the archives of its employees.
Not wanting to turn the exhibition into an autobiographical digression, the organizers departed from the chronological order, and decided to show the world of Fellini through the main ideas of the director. The exhibition is based on the images - images that inspired it, which he dreamed that he created. The juxtaposition and alternation of these images creates a dialogue between the photographs and films, between the images of stationary and moving.
Exhibition Project "Fellini. Grand Parade is twofold: on the one hand, re-look at the works of the great film director, on the other - a new perspective on the genre kinovystavok. Experimenting with the construction of the exhibition, the curator is often not restrict himself to the rigid framework Fellini's filmography, referring to the visual experience of the twentieth century as a whole. Of course, the past century was the century of cinema - but at the same age of newspapers, television and advertising, a century of images or, more precisely, a century of production of images.
Exhibition
exhibition consists of four major sections. In each of the independent unfolding of history. Here you can find his favorite themes of Fellini. This is a music hall and circus, cartoon and photo-novels, sea monsters and rock and roll, the reconstruction of reality in the studio Cinecitta, a woman in all its diversity, ambiguity of religious feeling, a reality-tested imagination, psychoanalysis and dreams, attitude to the media, love to the illustrated press, disgust and contempt for television advertising (despite the fact that Fellini was a member of three advertising campaigns!), the invention of words paparazzi and dolce vita .. .
 Anita Ekberg and Marcello Mastroianni. «Interview, 1987 Photo from the filming From the Collection of the Foundation for a Fellini movie, Zion Source: |  «Satyricon, 1969 Photo by shooting From the Collection of the Foundation for a Fellini movie, Zion Source: |
Works
The exhibition will feature photographs, drawings, magazines, billboards, and and excerpts from films, auditions, amateur movies, chronicles of the time and the interview ...
Many of the works and materials are exhibited for the first time.
Photo around Fellini
Many photographers friends with Fellini and accompanied him when he worked on the films. The exhibition of these photos will be for the viewer as if the conductors on the backstage world of works of Fellini. Exhibitors include photographers: Gideon Bachmann, Deborah Bier, Mimmo Kattarinich, Ampele Cholfi, Osvaldo Chivarini, Michelangelo Durazzo, Pierluigi, JB Poletto, Paul Ronald, Tazio Sekkyaroli ... A separate seat will take color photographs of Ronald Fields for the film "Eight and a half" and unpublished works by Deborah Bier to the films "City of Women," "Ginger and Fred" and "And the Ship Sails».
Excerpts from movies
Excerpts from the films of Fellini, auditions, amateur film and chronicles are shown on the screen using a specially designed installation, creating a dialogue between still and moving images. The exhibition also includes an unknown amateur film about filming "Sweet Life" and pseudo-ads, created by Fellini's movie "Ginger and Fred »...
 Federico Fellini. March 1955 From the private collection Source: |  Marcello Mastroianni on the set of "8 1 /2". 1963 Photo Paul Ronald Source: |
Book of Dreams
In 1960, 90, on the advice of the psychoanalyst Jung's school of Ernst Bernhard, Fellini draws and describes his dream of two great albums. Page after page unfolds before us for almost thirty years of his fantasies and fears. This amazing document, an incredible collection of forms and images, in which Fellini always found inspiration for his films, exposed for the first time.
Images Fellini
Along with the "Book of Dreams" put up a selection of some unpublished drawings of Fellini, a kind of preparatory sketches.
Journals
Magazine press has greatly contributed to the formation of star status Fellini. But she played another role in the life of a filmmaker: Fellini regularly drew inspiration from it. A selection of original publication 1950-60-x in L'Espresso, Tempo, Domenica del Corriere recreates the visual context, which was then immersed Fellini, and often allows us to identify the sources of his inspiration.
| Dream on April 1, 1975 Drawing from the Book of Dreams » Source: |  Italian movie poster "Rome." 1972 From the Collection of the Foundation for a Fellini movie, Zion Source: |
Posters
Playbill - is a means of communication with the audience. The exhibited original Italian, French and American posters can trace the evolution of images of Fellini, and to analyze the perception of his creativity.
exhibition will run until May 10, 2011.
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