C on 21 November to 21 December in the Moscow Museum of Modern Art exhibited draft Golitsyna (b. 1925) «Plastic scores», which includes works from the series «Postarhitektura» - recent works by the artist. The exhibition demonstrates all stages of development of a series «Postarhitektura»: watercolor sketches with linear silhouettes of buildings and the more detailed elaboration on the canvas. The exposition is solid frieze of architectural compositions.

Project «Plastic scores» reflects the search for the last creative period Golitsyna, which began in 1990. It was then that the artist engaged in serious study of gravitating towards analytics forming properties of the space-object environment. The design, size, weight - is that it was interested first and foremost. But gradually the weight of objects depicted down almost to nothing. They like «relieved» of such physical concepts as «weight», while preserving the volume.

Thus, the earliest architectural sites and structures Golitsyna, although it has partly «light», continue to exist, walls, windows, roof. In later work, the architecture becomes fully transparent, linear, architectural space - air, light and seemingly endless, as if it could be continued further, beyond the canvas, or even the exhibition hall.

ascetic minimalism of form, its lightness and transparency, almost a phantom, strict subordination to the logic of perspective constructions, organizing space and a violation of strict laws of geometry - that is peculiar canvas Klara Golitsyna today. This is reality, but reality is not Euclidean space, a space of creativity, which is important, not the reality, and fantasy as a continuation of the same reality.

before the audience does not appear static product, a sort of «plastic score», on which the artist «plays the architecture», as if to perform music.

Clara Golitsyna inherent acute sense of modernity, it is boldly experimenting with a wide range of visual techniques.

Source: mmoma.ru