Vintage modern talents should gather near the fruitful creative
ARTinvestment.RU   07 июля 2008

In CSR Winery 4-31 July 2008, the exposition of the project «The apples are falling at the same time in different gardens». Curator, Anna Zaitseva, appealed to the accomplished artists asking for a new generation of those who have them the most interestin

From 4 to 31 July MMSI and CSR Winery hold a joint project «Apples are falling at the same time in different gardens» . This project is like a revelation. All: Institutions, gallery owners, visitors, plagued the question of why not born young geniuses of modern art ... The question is fundamentally wrong: they simply are not there looking for. After all, an apple, as you know, falls far from the apple, and modern crop of talent have to collect near the fruitful creative. Curator, Anna Zaitseva, appealed to the accomplished artists asking for a new generation of those who are most interesting to them.

young age often serves as a kind of apology for the hollow product that correctly. This drew the attention of kontseptualist Yuri Albert , and in search of young Paradoxically looked in the past. His peers, now classics of modern art, made its first software product in age from 16 to 27 years. Institutions are graciously accepted by almost all young, attributing them to a fabulous potential for development in the future. The masterpieces selected by Albert, show that out of nothing that something good does not grow, and those who are capable of a strong statement from him and started.

«I suggested to select for the exhibition of young Russian authors. But I believe that there is no such thing as a young artist: a person takes place in modern art or not, and age is nothing to do with it. Therefore, for its exhibition, I chose the early work of the authors, important for the history of modern Russian art, such as Yuri Leyderman, Vadim Zakharov , Constantin Stargazer , Victor Skersis », - told in an interview with Albert Yu said. He explained that in the exposition, which he represents and which is part of I Moscow International Biennale of Young Art «Stop! Who goes? », The works of two dozen well-known artists, created when the age of the author is not more than 25 years. «For example, the work of Victor Skersisa" Pionerki "was made for them failed the exhibition" Sots Art "in 1972, when Skersisu was only 16 years old. And this is not a children's thing, but it is Museum work ».

In addition, Yuri Albert chose to exhibit their work on 24-year-old Vadim Zakharov «Self-portrait» (1983), picture of 25-year-old Constantine Zvezdochetova «Kutuzov and Napoleon» (1983) and «Self-portrait with two shadows» ( 1977), 19-year-old Hope Stolpovskoy.

According to Albert Yu, nearly all the works were collected by friends and acquaintances: «Part of the work - from my collection, something gave Vadim Zakharov, something - from the museum collection MANI - Moscow archive of new art and several works of the "Nest" has provided the NCCA ».

The artist confessed that when they look at the collected work together, he felt not only nostalgic feelings: «This is very cool, museum objects, and the generation that created them, moving towards the world of art, without a discount "Soviet" and "youth "».

The choice of renowned artists of the early works was due not only to the fact that living between Russia and Germany, Yuri Albert, for his own admission, is not well aware of new modern authors, but also that the «new names in Russian art in our days - are rare ... When my generation was beginning to engage in the art, the selection was social: the risk of drawing an abstraction - it means daredevil. And now, this criterion of selection has disappeared, the arts seem to be doing everything possible, but only the professionals did not appear ».

According to Albert, in Russia «there is no system of learning modern art ... In the same Surikov Institute teaches how to draw, but do not teach - why. As a result, emerging artisans who do not know the context of contemporary art. In Germany, where I now live, there are dozens of art academies, which teach and how to install and how to arrange performances ».

The artist admitted that he and his colleagues would be happy to go to teach in the same Surikov, but I'm sure that there is not pozovut.

If Albert launches time machine counter-clockwise, remember, the rest of the artists as curators of their exhibits using historical perspective otherwise, looking to the future, when the clear cause and effect. When artists of different generations knowingly exhibited together, it becomes apparent continuity. Through a single point can be a lot of lines, select the direction that it is not possible, through the two points - only one vector of development. Defining predecessors for young authors, one can determine the vector of their future path and be sure that they have it and that they are not a random point in the side of a straight history of art. On the other hand, the author did not affect the further development of the arts, will be forgotten, and according to this principle, the senior fixed himself as an influential point of history, showing his followers, classics cultivate their garden.

Anatoly Osmolovsky chose three of the students attending his lectures on «Fabrika». He wanted to submit a «strange» art, do not fit into the framework of well-known, but similar to his own creativity seen in all participants of the exhibition. In the sculptures «Products» Osmolovsky saw tanks in the form of towers of different countries, resulting from the clean functionality, features of national ornament. Alexei Pankin makes a series of sculptures «troughs», which is drawn to the pattern, ancient times, when only started to create the forms are not utilitarian, but it expresses a thought and beliefs. Oak hand carved with holes: one is in the form of a European coat of arms, in another like Chinese hexagram. The origin of the differences - we all drink the same water, but from different vessels. Alice Joffe red embroidery on white fabric pattern, process passport page. Uzor when it was equal to identity cards on the embroidery on the dress could get on the right. A passport in the bureaucracy has the function of preserving peace, as the pattern once, keeps evil spirits. Osmolovsky an attempt to establish the link between modernity and the canon, his interest in spirituality, reflecting zarifmovannyh iconostasis with the black pieces of bread, like a paper sculpture of Anna Parkin - a small stage with a scenery brings to mind a Christmas crib. But inside there is no god, nor the Magi - mizanstsena is made of contemporary realities, like a computer game.

Elagina Elena and Igor Makarevich , whose last project was devoted to «the Russian idea», selected artists those with a history of the Fatherland original point of view, it is very subjective, and because, perhaps, more correct than the common version, not through a personal. Leonid Sohransky in a series of sculptures «overground part» depicts St. George and the serpent in the form is not issued before the end of the burst liquid substance, and shows that the snakes and holy are made of the same substance, the victim and one winner. Haim Sokol work «pit» submit «underground» part. In cavities in the floor exhibition hall - zinc baths and buckets, inside - small towns and their inhabitants. Heroes Platonova wanted to win pity pre-revolutionary life, now we are trying to create a better life, compared to the Soviet, but all attempts to build «The Tower of Babel» can not see, people are still at the bottom of the pit of Babylon. Zinc recalls bath in which the earlier Kupala children, as well as the zinc coffins. In addition to birth and death, zinc appears in the road - in the bath now Tadjiks garbage. Sokol puts them in the people themselves, is sad considering that the human material at all times is on the wastes emitted in the process of achieving some lofty goal.

firebrand Avdei Ter-Oganyan states as a poster exhibition «New erotic art». Ivars Gravleys unusual uses publicly Photoshop special effects, normally used in this field to increase the chest and removing the defects of the skin. Photo of pornozhurnalov after repeated use of filters into abstract color compositions. But the artist has shown them in reverse order, from bessyuzhetnogo riot of colors to pick is not the aesthetic sense figurativu. Well, as a joke, a really anxious person thinks that the «Black box» in a dark room someone has sex. Peter Quinquennium black rectangle screen turns into a space filled with planets, which also has a life, sexuality. Inna Levinson connected to the vagina in the plywood back the image of women's feet vacuum cleaner. Though from the «Origin of peace» and took a long time, still made to hide, from where it occurred, and the porn is still the right way to shake even the most cynical.

Maria Chuikov once made a funny animal from vegetables and fruits, and withdrew their gradual withdrawal from life, still-life version of the classic «vanitas», to recall the vanity of all things. For his exhibition, she chose the work of the group «MishMash», in which models of imperial architecture, made of food, mold. The destruction of some life-saving - fungus produces an antibiotic, the ruins of former greatness do not fall into the destructive arrogance.

Alexander Sigutin is not only a curator, but also a sponsor of Vadim and Irina Grabkovyh - beautiful reproduction of the digital portrait Solzhenitsina squares pixels binds Sigutina, suprematism enthusiastic, young and with their unit - pixel squares. And hinting at the two deceived hope - building of communism and a life without him.

Sergei Bratkov chooses unexpected allies - Olga Barkovsky, musician, landscape, working with binauralnym sound. It will work «Flying over Moscow» - sounds recorded tame birds: crows, pigeons and the falcon.

Try it yourself in the role of curators have been invited, and most young artists. David Ter-Oganyan not simply chose close by, but made it a joint project. Artem Galkin - a musician, and contact specialists in audio and video has led to the creation of the «list of names», which is carved as an unnecessary non-existent film, and the emphasis shifted to the final credits, in which the music is always powerful video. Titles - thanks to working on the product. Data separately, they are perceived as the monument to fallen heroes, but also a list of fallen heroes, and movie creators often receive only cursory, inattentive glance. Here it is - a unique sight, and the music makes each peer in the name and try to evaluate its role, which is not listed.

Alexei Kallima represents a group of «Tsvetafor», also hobby utopian ideas, but if Kallima believes in the artist's ability to change the war in the world, the «Tsvetafory» of colorful dreams switched to gray observation antiutopicheskoy reality.

Alexander Melamid as the curator offers a reincarnation of his 1993 project, which he described in a live radio work, brought artists from the surrounding shops, and for the audience to evaluate them by description. From the works of the project Melamid do the same thing on the radio station «Silver rain». Here and now - this is not conceptualism and reality: the verbal description of the works are often attributed to them meaning they do not.

The selection of Victor Alimpiev there and spontaneity, and fatality: he saw the work of Peter Kiryushi among hundreds of applications sent to the Biennale. Not necessarily even be familiar with its adherents. History flows inexorably true, and at the same time is outstanding personalities. Implacability stories only in that a genius will appear not earlier and not later than predetermined. Therefore, all attempts to fabricate an institution «talents on a daily» unsuccessful - they appear in time, rather than artificial, it is not «cabbage», and the consent of the parents.

The title of the exhibition - a quotation from Goethe. And the explanation that many branches have given such ripe fruit to be quoted for a quote - just «being ripe».

Center for Contemporary Art Winery, Great wine, Halls RIGroup Multimedia relevant arts complex in CSR Winery

Moscow, 4 th Syromyatnichesky Lane, 1, p. 6

Material prepared Elena Vladimirova

Sources: www.winzavod.ru , www.rian.ru , artinvestment.ru