Traditional twenty lots — six paintings, four sheets of an original and two — draw graphics, one work, executed in mixed media

Open 135-е trading electronic trading platform "AI Auction".

Description of works 135-го auction, by right of seniority, opens a small, primarily interested in color and parts of the picturesque sketch brushes Sergei V. Ivanov "the March of the Muscovites. XVI century", created by the artist circa 1903. Researchers of creativity of the artist, noted that since 1900-х years in the art of Ivanov becoming increasingly evident features of impressionism@the semicolon, the color palette becomes brighter, smear — wider and pasty. It is this compositional freedom, brightness and decorative color differ and our study — one of the preparatory work for a large (151 × 303 cm) of the same name genre painting of the artist, 1903, now kept in the Tretyakov gallery.

a pure Example of the genre — the early 1920-х (?) "The girl in the chicken yard" Sergei Arsenievich Vinogradov. It is known that often the artist is not only signed and dated his paintings, but also pointed out the place of writing of each of them. Is this inscription on our work: in the lower left corner you can make out the word "s. Stanovoe", labeled with the artist's hand. This suggests that our work was established in the village stanove Efremov County Tula province, where the estate of the artist's friends. There "S. A. Vinogradov, often in different years and a lot of inspired work" (source: tmii-tula.ru ).

Equally impressionistic and luminous "Landscape with a female figure" (1921) Alexander Vladimirovich Makovsky — son of one of the famous brothers (Vladimir, Konstantin and Nicholas) Makovsky. This is a study painted from life in the alla prima technique. Lyricism, subtlety, and precision of the composition adds to the fact that the artist worked with one of my favorite subjects — landscape of the Ukraine.

the Theme of little landscape continued in the beautiful composition "Zhmerynka" (1937) is a Russian impressionist, now rare on the market masters Michael S. Perucho. "Zhmerynka" — work as an outstanding coloristic and compositional. The General freedom of treatment of the material in it is wonderfully combined with a thorough knowledge of material and harmony of the multidimensional layout. A lot of artist says the fact that Perucom — only — in a short autobiography of the artist Mikhail Roginsky dedicated words of gratitude: "...I was very lucky: I got to painting and drawing in the class of Mikhail Semenovich Perucho. He was in the 1920-х years were included in the group “the KNIFE”, and then, in his own words, became fascinated impressionism. For example, he said, “Renoir said that Goya's these horses that they want to kiss”. This in 1947! I can't tell me what-то really taught. I do not believe that the teacher should “teach”. Rather, to encourage, to point out what's good. To remove the student bad habits, develop a taste, advise, what to see in the Museum, what exhibitions to visit, etc. <...> Perucci, I can say with gratitude, has prepared me for the perception of painting. It has prepared me as someone who can if you want to become an artist" (source: artinvestment.ru).

In a very different manner similar to divisionism, in the aesthetics of naïve art was established in 1986 legiony species landscape "Church in the field"A. V. Kharitonov. "My painting, — wrote at the end of life Alexander, — is based on three pillars: the Byzantine icons, ancient Russian painting and Church embroidery of precious stones, pearls, beads" (source: novymuseum.ru). This is our work, permeated with a feeling of light, heat and the like collected from many mother-of-pearl beads — colorful strokes.

Completes the gallery of the urban and rural types of canvas "View of the Kremlin embankment from the Stone bridge" (1984) Dmitri Arkadyevich Nalbandian. The expert stressed that "by its picturesquely-пластической the objective of this work fits into the housing landscapes D. Nalbandian with characteristic virtuosity, the brilliance of colour, spontaneity and temperament of the artistic language".

a Picturesque study "Eastern Crimea" (late 1950-х) brush Rostislav Nikolayevich Barto — one of the many interesting natural kinds, created by the artist during the creative trips to the Crimea and the Caucasus.

On full-scale experiences written and graphic landscape "Abramtzevo. The tree" (1921) Peter Petrovich Konchalovsky from the collection of the grandson of the artist L. M. Konchalovsky. In the so-called "Abramtsevo" period of the artist's task was to depict the trees so that they are "not sticking out of the earth", and logically it was grown (source: vtbrussia.ru). This task the artist brilliantly solves in the landscape, presented for auction this week.

a Selection of landscapes-экспрессий let's start with the expressive and emotional "Landscape with house and large trees" Vasily Mikhailovich Meluka, written by the artist in the style of the Paris school.

an Equally strong impression and bright, pasty "Landscape" (1966) brush Anatoly T. Zverev, apparently written by the artist from nature during one of the trips.

Completes our peculiar landscape section another interesting example of expressive abstract art of the early XXI century — composition "Red river" (2003) Victor Semyonovich Kazarin.

an interesting example of combining recognisable motifs of Russian and Western art is a draw sheet classic social-арта Rostislav Evgenievich Lebedev "Deineka — Liechtenstein. Future pilots" (2008). Work made from the original painting called "Dreams come true" (2008. Oil on canvas. 205 × 275) from the London Saatchi Gallery.

a Selection of still life start with a beautiful subject production of "Spring still life" (1964) disciple and successor of the traditions of P. Konchalovsky, one of the organizers of the artistic Association "Genesis" (1921-1929) Grigory Sretensky.

Like the spring mood stands and "still life with tulips and pineapple" (2014) modern Moscow artist Vera Andreevna the Elnitskaya.

From the subject still lifes and figurative moving on to more abstract images in which artists depict not a specific situation or object, but rather the very idea of the depicted forms. Such works in our collection two — "Green sneakers" (2011) brush of the contemporary artist Maxim Antipov and conceptual graphic sheet "Egg" (1961) one of the main representatives of "other art", HulotIlmar Sooster Of Johannesovich.

Generally, such conceptual abstract figurative art, the feelings, lacking only a single step to surrealism, when freedom is the purest form of contact with freedom of interpretation and associated with the depicted forms of associations.

This move made to draw the composition "Gladiolus Cum Corymbo Expectantium Aurium (Ear-гладиолусы)" from the "Surrealistic flowers" (Florals/Surrealistic Flowers) (1972) the founder and main Creator of surrealism of Salvador Dali.

Abstract art this week presents a picturesque, tangible, three-dimensional, full of colour and plasticity of the composition Boris I. Zhutovski "Winter" (2001), originating from the artist's Studio.

Completing the description of lots 135-го of the Auction string of two works of theater graphics. Pochoir "theatrical Sketch" — reference example graphs of the first wave of the Russian avant-garde — was created by Mikhail Fedorovich Larionov in the second half of 1910-х years in a manner close to lucita (rayonism), the popular avant-garde direction, which years later formed the world-famous abstract art.

Sketch three costumes for the puppet theater "Petrushka, Aunt and Mother" (1933) the hands of the artist Nina Yakovlevna Simonovich-Ефимовой — is a rare example of pre-war puppet theatre graphics from the Creator of puppet Theatre and silhouette artists Efimov effect until 1940 and gave about 2000 plays on themes of folk fairy tales and works of Pushkin, Krylov, Andersen, Boccaccio, Shakespeare.

Those who maybe going to buy the his first work, refer to the following statement: either a single monitor never authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).

Wish you all a good bargain and good shopping!

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

At the auction AI continues to operate a virtual party "Reserve price is not reached". He appears in the final minutes of trading, so that customers have the option to kill the reserve price (for those items where it is). In other words, if you see party "Reserve price is not reached," that is a reason to continue the fight — perhaps the victory is near.

If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

Note: in 2016 (beginning of the Auction No. 110) fee from the buyer determined in the amount of 15% of the final price of the lot.

Selected lots of the Auction № 135

• VINOGRADOV Sergei Arsenievich (1870-1938) Girl in the chicken yard. Beginning 1920-х (?)
  Canvas on cardboard, oil. 24 × 38.5 cm (canvas), 25 × 38.7 (cardboard)
• Alexander MAKOVSKY (1869-1924) Landscape with a female figure. 1921
  oil on Cardboard. 26,5 × 37,5

• LARIONOV, Mikhail Fyodorovich (1881-1964) Sketch of stage details. The second half of 1910-х
  Paper, pochoir. 24,8 × 32,3 (leaf), 21,5 × 29 (light)
• LEBEDEV Rostislav E. (1946) Dejneka — Liechtenstein. Future pilots. 2008
  Fabriano Paper with a watermark, screen printing. 50 × 59 (worksheet), to 44.7 × 53,5 (image)

• SRETENSKY Gregory A. (1899-1972) Spring still life. 1964
  oil on Canvas. 58,5 × 80
• the ELNITSKAYA Vera Andreevna (1966) still life with tulips and pineapple. 2014
  oil on Canvas. 60 × 79,5

• KHARITONOV Alexander (1931-1993) the Church in the field. 1986
  oil on Canvas. 18 × 33,5
• SOOSTER Hulot Ilmar Johannesovich (1924-1970) Egg. 1961
  charcoal on Paper. 13 × 18,5

We continue to make paintings and drawings (original and lottery) to our regular weekly auctions. About his desire to put the thing on the auction AI write info@artinvestment.ru or call: 7 (495) 632-16-81. Rules of submission for auction AI can show sdes.

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