- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine
Masterpieces Malevitch preparing to auction?
ARTinvestment.RU 05 мая 2008
24 April 2008, several authoritative sources have reported agreement between the City of Amsterdam and the heirs of Kazimir Malevich at the avant-gardist controversial works from the collection of Stedelijk Museum
24 April 2008, several authoritative sources, including Bloomberg News and The New York Times, reported on the agreement between the City of Amsterdam and the heirs of Kazimir Malevich at the avant-gardist controversial works from the collection of Stedelijk Museum. New York law firm Herrick, Feinstein LLP, represents the interests of the heirs, made the transfer of five major works from the museum collection.
It is believed that the Stedeliyk Muzium was a bona fide purchaser of the work. In 1958 they were bought from Hugo Heringa. Another point is that Hering did not seem to have had the right to dispose of them as his property. What played lawyers. From the comments of agencies able to understand that in Dutch law because of the lapse of time from the perspectives of legal action in Europe was not. Therefore, the legal attack began when Stedeliyka part of the collection, 14 paintings, left in 2003 for exhibition in the States - in New York's Guggenheim and the Houston Menil Collection, which has become vulnerable to lawsuits.
Kasimir Malevich Suprematist composition (blue rectangle over the red beam). 1916. Oil on canvas. 88 x 70,5. Collection of the heirs of Malevich
Source:
It is better to stop and translate the spirit of that, removing the legal fog, able to assess the extent of the court decision. It is believed that in Stedeliyke is not only the largest but also the most representative collection of works by Malevich. It is clear that it is formed not only works for the Berlin exhibition of 1927, but part of the collection of Nicholas Hardzhieva and his wife Lilia chaga. The same collection with the archive, which has been unofficially removed from the USSR in 1990 and also gave rise to legal disputes.
But this, again, the nuances. More important than others. The point is that for the Berlin exhibition of 1927 Malevich chose the best. This was a retrospective, and, of course, a chance to express their creativity and innovation priority at the global level. Obviously, Malevich's fear that his work, and thus the idea can be buried for many years the Soviet authorities. And, as is now clear, was right. In the USSR, forging a new religion, a new symbol - the competitors were not needed. In short, in Stedeliyke was smart selection of oil Suprematist 1915-ies (size 70 x 60, and sometimes m), 1913-1914 kubisticheskie song's and other valuable works. All finished, high-quality masterpieces. In late April, has already learned what works from otsudili heirs. However, already on the experience of previous settlements could guess that the quality and value will help them understand. When Stedeliyk published a picture on the website (
It's amazing how often repeated intrigue. I only have figures outline the events remains. The story claims the heirs of Malevich's not hard to find in electronic «file» magazine Art in America in October 1999: «New York Museum of Modern Art concludes an agreement with the heirs of Malevich» (
The legal vulnerability of the museum's right to work of Malevich as a result of almost a detective story that, to admit, has created not only humans but also the ominous atmosphere of the time. It is clear that the reconstruction of the events of 80-year-old sin many inaccuracies. So it is necessary to take an amendment to the imperfection of sources, and in general by the number of treatments - more correct to treat this story as a legend to some.
In 1927, Malevich was the first time and, as later revealed, the latter permission to travel abroad - for the preparation of the exhibition in Berlin. From his Leningrad studio in Germany, the artist has brought about a hundred works, including some seventy paintings. But even before the expiry of the travel Malevitch telegram suddenly raised back into the country. In anticipation of wrong, but still hoping to return, Malevich left their work for the storage architect Hugo Heringu. But take away the work of Malevich was not destined to: abroad he is not allowed until his death in 1935. Upon completion of the work of Hering sent Suprematists deposited museum director Alexander Dorner Hanover. It is them and then saw the MOMA director Alfred Barr, which is taken in Europe, the material for the exhibition «Cubism and abstract art». Ostensibly believing Dorner authorized manager of the works, Barr bought him two pictures and a couple of pictures. A further seventeen works selected for exhibition in New York. According to various sources, the number of different - but now it is not important. According to other sources, Dorner had to be at any price to get a visa to leave Germany, and is believed that the paintings of Malevich used as an argument in this matter.
Kazimir Malevich Suprematism, 18-I design. 1915. Oil on canvas. 53 x 53. Collection of the heirs of Malevich
Source:
Somehow miraculously managed to ship the goods abroad. The historical landscape was such that the Nazis have one's heart hinged labels «degenerative art». Already there were confiscated, and even your purchased, Malevich, who also represented the «art of degeneration», Director Barr the passage across the border secretly, hidden in the paintings umbrella. Three years after the events described and the very Dorner had to emigrate to the United States, taking with them a picture and drawing. And the rest - back Hugo Heringu from which all started. What would later say about Heringa, but he still managed to safely hide paintings and drawings, and to preserve the legacy of Malevich in the military liholetya.
In the meantime work uplyvshie overseas regularly exhibited at MOMA. In 1963, when nearly three decades, none of the heirs are not told of their rights, they become part of the permanent museum collection. Problems began in 1993 when the Soviet Union after the collapse of the heirs of Malevich, with the assistance of the German art historian Clemens Toussaint initiated negotiations with the MOMA on the return of works. As a result, in 1999, the New York Museum of Modern Art has agreed to pay financial compensation to heirs (the size is not named, but rumored to have been paid about five million dollars) and return one of the sixteen paintings - «Suprematist composition» with black and red rectangles, form a cross. The remaining fifteen works seem to be left in the museum. So wrote the newspaper of the time. There are also another version of that picture got more (in that little hard to believe). But it must be admitted that the museum in any case easily away.
The fate of same otsuzhennoy in 1999 from MOMA «Suprematist song» was clear as God's day. Already in May 2000 at Phillips auction in New York, oil on canvas sold for 17 million dollars against the expected ten million. Perhaps this experience, and taught the heirs continue to not accept the money - to take pictures profitable.
Then, in 1999, according to the text of the article has already been known that the following objectives Malevich heirs - it is Harvard's Bu sch-Reisinger Museum (a settled left Dorner two works) and the Amsterdam Stedelijk Museum, where the heirs Haringa sold over thirty works of Malevich's works from an exhibition in 1927, retained an architect. Now known about Stedeliyk.
Relation to the results of Crown and restorative dispute - how to win the lottery. Lucky. So, soon the auction. Let's remember, as the recently returned and sold restorative Gustav Klimt, returned and sold as Egon Schiele. From the museum visitors are not ubudet. But the market only possible way to date, received one of the masterpieces of the most significant artists of the XX century. For the first time in a decade, and possibly the last time in history. And the masterpieces of Klimt and Schiele have come to the market: there are sources, but Malevitch this class - hardly. Doubly important that these things will not simply with Iron provenansom, but now the whole «white», from a legal point of view: the new owner can no longer terrorize the claims, playing on the dubious origin. Completely legal Malevitch, released from a dark past - it is a huge rarity in the market, that is the thing that has the highest liquidity.
Collectors are well aware that it is now or never. The battle for the top five of Stedeliyka be grave. Tentative projections type «are no less than twenty million» - this is painful modesty. Selected Suprematist oil of a quality which otsudili from the Dutch, it may cost 60, and 70 million dollars, and more. Thus our forecast - in the coming year, the name of Malevich moved from 5 th place in the ranking of most expensive paintings by Russian artists at least a second or even first. In an environment of experienced collectors, as well versed in direction, and the market situation is believed that the record in the 72 million Mark Rothko would still beaten. And then, of Malevich will be well-deserved first place. Well, it is highly likely.
It is clear that the American abstract expressionist of Russian origin are not born shit. With the result in 72 million dollars in its place on a pedestal, he is unlikely to give in so easy. By the way, ironically, with the legacy of Rothko, too, was connected a great scandal. Paintings, bequests Rothko Foundation, following the death of the artist deftly «ordered» proxies. It was only after years of debate, the daughter of the artist was able to otsudit of the paintings and monetary compensation from the gallery «Marlborough». But that's another story.
Sources:
https://artinvestment.ru/en/invest/events/20080505_Malevich.html
https://artinvestment.ru/invest/events/20080505_Malevich.html
When quoting reference to the https://artinvestment.ru without fail
Attention! All materials of the site and database of auction results ARTinvestment.RU, including illustrated reference information about the works sold at auctions, are intended for use exclusively for informational, scientific, educational and cultural purposes in accordance with Art. 1274 of the Civil Code. Use for commercial purposes or in violation of the rules established by the Civil Code of the Russian Federation is not allowed. ARTinvestment.RU is not responsible for the content of materials submitted by third parties. In case of violation of the rights of third parties, the site administration reserves the right to remove them from the site and from the database on the basis of an application from an authorized body.
- 16.08.2022 Расследование ФБР подрывает репутацию Художественного музея Орландо Отменены три выставки, из собрания отозваны отдельные работы
- 14.08.2020 Face mask for $1.5 million In this sum cost the unnamed "billionaire from Shanghai" ordering a mask of gold and diamonds from the jewelry company Yvel
- 14.08.2020 A special contract for buyers of art of authors of African descent For fight against speculators, Christie's has developed a list of conditions of purchase
- 13.08.2020 Cultural institution in the U.S. last year spent $7.9 billion This year a repeat result is not obtained – loss of art-индустрии the United States already amounted to $150 billion And this is not the final figure
- 13.08.2020 Biography Yayoi Kusama will be released as a graphic novel With the history of one of the most successful contemporary artists in the form of a comic book will be available from 15 September 2020
- 03.08.2018 Торги «Антиквариума» 28 июля. Краткие итоги Наторговали на 3,6 миллиона рублей — 131 % от эстимейта. Одним из топ-лотов стала работа Владимира Немухина, проданная за 240 тысяч
- 25.07.2018 Очередной аукцион #всёпорублю в «Литфонде» принес почти 4,5 млн.руб. Топ-лотом стала икона «Богоматерь Владимирская» — 600 тыс. руб.
- 24.07.2018 «Русская Эмаль» торжественно закрывает сезон и уходит в отпуск На завершающих торгах 14 июля «Русская эмаль» порадовала участников Кандинским, целой коллекцией нэцкэ и произведениями Пыжовой
- 16.07.2018 Краткие итоги сороковых живописных торгов «Кабинета» Аукционный дом «Кабинет» проводит последние торги сезона и уходит в отпуск до осени, вслед за своими игроками
- 03.07.2018 Коротко о главном: итоги аукциона 28 июня в «Литфонде» Рейтинг возглавляют классики русской литературы, а сказочники продолжают удивлять
- 12.08.2020 Literature: Piroska Dossey. Sold! The book is about the phenomenon of pricing, the original title of which was ahead of its time in a decade
- 07.08.2020 Movies: "the Cool school" The emergence of abstract expressionism on the West coast of the United States the voice of the Big Lebowski
- 06.08.2020 Cross-trades in the summer of 2020. ArtTactic Report Analysis of auction sales of a new format with the participation of the old masters
- 04.08.2020 Opened 27-й auction "twenty-first century. Contemporary Russian art" The catalogue contains artworks of Seeds Agroskin, Alexei Vaulin, Dima Goryachkin, Dasha Delone, Anna Laurel, Denis Mikhailov, Andrei Munz, Arman Sirunian, Kathy-Анны Taguchi and Tatiana Yang
- 31.07.2020 10 most unusual ArtTech-стартапов 2020. Part 1 AI talks about young companies whose ideas have become especially popular with the onset of the quarantine
- 07.03.2023 Неизвестный известный Серж Иванов (1893–1983) История происхождения ранних картин С.П.Иванова
- 17.06.2022 Выставка Люси Вороновой в галерее Atelier CHOUTKO На выставке будут представлены живописные произведения Вороновой разных лет и состоится премьера ковра ручной работы, созданного художницей совместно с Atelier CHOUTKO
- 14.03.2022 Эрмитаж потребовал досрочно вернуть работы, участвующие в итальянских выставках В Россию в ближайшее время вернутся около 25 картин
- 30.07.2020 In Saint-Петербурге opened the exhibition "Artists and collectors — to the Russian Museum. Gifts. 1898-2019. Favorites" The exhibition, held simultaneously on all the main belt, has collected more than 1,500 items donated to the Museum since the founding of the
- 27.07.2020 Fedor Rokotov exhibition opens at Historical Museum of Moscow A collection of works of the famous Russian portrait painter XVIII veka will showcase on 29 July 2020
Top 24
- 1. Jeff Koons$91,07 million
- 2. David Hockney$90,3 million
- 3. Gerhard Richter$46,3 million
- 4. Cui Zhuchzho$39,57 million
- 5. Jasper Johns$36 million
- 6. Ed Ruscha$30,4 million
- 7. Christopher Wool$29,9 million
- 8. Peter Doig$28,81 million
- 9. Frank Stella$28 million
- 10. Yoshitomo Nara$24,95 million
- 11. Zeng Fanzhi$23,3 million
- 12. Robert Ryman$20,6 million
- 13. Damien Hirst$19,2 million
- 14. Maurizio Cattelan$17,19 million
- 15. Mark Grotjahn$16,8 million
- 16. Takashi Murakami$15,16 million
- 17. KAWS$14,7 million
- 18. Jin Shangyi$13,89 million
- 19. Banksy$12,14 million
- 20. John Currin$12 million
- 21. Brice Marden$10,917 million
- 22. Pierre Soulages$10,6 million
- 23. Zhang Xiaogang$10,16 million
- 24. Bruce Nauman$9,9 million
- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine