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Выдача займов под залог картин и скульптур XIX-XXI веков

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1886–1939  

GRIGORIEV Boris Dmitrievich

July 11 (23), 1886 (Moscow) — February 7, 1939 (Cagnes-sur-Mer, France)

Painter, graphic artist


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Григорьев, Борис Дмитриевич

Biography

GRIGORIEV Boris Dmitrievich

July 11 (23), 1886 (Moscow) — February 7, 1939 (Cagnes-sur-Mer, France)

Painter, graphic artist

Boris Grigoriev was born to family of bank manager. In 1903–1907 he studied in the Central Stroganov School of Industrial Art in Moscow. Till 1913 he attended as a noncredit student St. Petersburg Academy of Arts. His teachers were A. A. Kiselev and D. N. Kardovsky.

It was D. N. Kardovsky who impressed the young artist with unsurpassed skill and inculcated an idea of a drawing as a base for all artworks and as an independent genre. In other respects the Grigoriev’s opinions and aspirations differed from the academic art school. In 1909 he joined the Studio of impressionists, the group of young painters, who were close to futurists in their art. Grigoriev made friends with D. D. Burlyuk and V. V. Khlebnikov. He often visited the association Treugolnik (“Triangle”) under the guidance of N. I. Kulbin.

In 1909–1913 Grigoriev traveled a lot and lived in Europe (in Paris, Austria, Scandinavia). In 1913 he became a member of the society Mir Iskusstva (“World of Art”). His works were often exposed at the exhibitions of the society, in particular a big series of Paris drawings Intimacy, which depicted types of non-gala Paris.

Concierges, clowns and garçons inspired Grigoriev to create several thousands of drawings, to improve his skills and to draw by intuitive sense. The series Intimacy brought fame and favorable criticism to the artist.

Since 1911 Boris Grigoriev published his drawings in the magazines Satirikon, Noviy Satirikon (“New Satirikon”), designed the Russian folklore. In 1915–1916 Grigoriev together with A. E. Yakovlev and S. Y. Sudeikin painted the interiors of the literary and artistic cabaret theatre Comedian’s Halt (“Prival Komediantov”). At that time Grigoriev formed his own recognizable manner of painting. Fine and flexible lines as dominants of forms were characteristic for his works. Grigoriev began to paint portraits depicting a man in a role, or histrionic portraits: portrait of V. E. Meyerhold (1916, the State Russian Museum, St. Petersburg), portrait of I. E. Repin (1915), N. K. Roerich (1917), B. M. Kustodiev (1917), M. V. Dobuzhinsky (1917), F. I. Shalyapin (1918) and others.

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