1888–1934
Pseudonyms,autonyms and aliases: Noevich
the Architect, graphic artist of the theatre
he Graduated from classical gymnasium in Tiflis. In the early 1900-х studied with А. И. Кандаурова in Tiflis, at the same time worked in the lithographic workshop of Meshieva (labels, posters). He studied at the architectural Department of the Higher Polytechnic school in Munich (1906-1911). In 1912 he made a trip to Italy.
he Lived in St. Petersburg (Petrograd), Yekaterinoslav (1919-1922), Moscow (1922). The architect of the Ethnographic Museum of the Academy of Sciences (1912), Commissioner on the architectural Commission for the protection of monuments of art and antiquities in Petrograd (1917-1919), the Commission completed graphic albums: "the Album cemeteries, Album house churches". The artist of the revolutionary military Council of the USSR (1932-1934).
was Engaged in architectural practice, he worked under the guidance of architects И. А. Фомина and С. Г. Гингера specialized in interior decoration. Participated in the restoration of the Kunstkammer in St. Petersburg (1910-е); has created an architectural piece for the competition project of the monument to Peter I in St. Petersburg (1910-е, 1@and 2 ndashя-я award), home of the historical Museum "Gallery of Russian emperors" (1910-е).
during the Civil war made the project of a Mausoleum-колумбария to victims of the counterrevolution in Yekaterinoslav (1920). In the years of Soviet power has designed and supervised the construction of the pavilion at the agricultural exhibition (1923), the plant "Frazier" (1927) in Moscow, residential complex of the factory "Krasnaya Talka" (1929) and the trust "Textile" (1933) in Ivanovo. Responsible for the renovation (side wings) urban estate Vyazemsky-Долгоруковых to host the Institute К. Макса and Ф. Энгельса.
Worked in the field of easel, book, magazine, industrial (commodity and currency) graphics, graphics of small forms (bookplate). Drew for magazines "Satyricon" (1908), "Rudin" (1915, 1916), "Crocodile" (1924), "Red field" (1926).
Created a series of easel drawings to literary works: "a Ballad about the three sisters and the king on the Rhine" (about 1909), "the Decameron" by G. Verdi. The Boccaccio (1910), fairy tales "1001 ночь," erotic poems П. Верлена (1917), poems of the Lyceum А. С. Пушкина (1916);
he Completed the illustrations for the books: "Admiralty needle" Б. А. Садовского (1915), "Bitter color" Л. М. Добронравова (1915), "Five years of power of the Soviets" (1922, proceedings), "Mari" Ю. Зорича (1923). In the first half of 1920-х established publishing brand in India, Photo-кино, Museum of Work, the "Book shops writers" and publishers "Book", "School and life", the all, the all-Russian Union of workers of education and arts, trade Union of printing industry workers, miners, transport workers, garment industry, food industry and others. Implemented a number of samples of banknotes by order of the Mint — in particular, has developed the obverse and reverse of three-kopeck coins.
From 1909 — participated in exhibitions. Exhibited associations: the Union of Russian artists (1909), "the World of art" (1913, 1915, 1916), "United arts" (1925, OBIS), the Leningrad society of exlibrises (1926-1928). A member and Exhibitor of the Jewish society for the encouragement of arts (1918). Participated in exhibitions: "Russian book mark" in Kazan (1923), "Socialist construction in the visual arts" in Moscow (1931); the International exhibition art-декоративных arts in Paris (1925).
he Taught at the Ekaterinoslav: Jewish Polytechnic (1919-1920), head of the Department of architecture.
the Work presented in the Pushkin Museum to them. А. С. Пушкина.
Sources:
1. Artists of the peoples of the USSR. Biobibliographic dictionary. M., 1976, vol. 3. P. 210.
2. encdp.com.
3. ru.wikipedia.org.
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