MIRONOV Viktor

1933 (Melenki Vladimir region)

Painter, monumental.

the second half of 1940 he studied at the Palekh art school and then went to VGIK. After graduation he worked at the studio slides.

At the same time, V. Mironov worked in the studio E. Belutin. In September 1961 participated in the exhibition of works of the Municipal Committee of artists books, charts and posters in the Central House of Arts, which participated Belutin studio. Exhibitions studio Belutin in Abramtsevo in the 1960's.

the summer of 1962, together with other Belutin and his students traveled to the Volga by boat. «We sailed into town under the name Volsk, there is a huge cement plant. The captain would not want to stay, everywhere soot and cement dust ... But our leadership it abundantly poured out, and here increased the dose, and we soon anchored. And let's draw, of course, conceptually. So plant it and then got into the story ... » (« Literary Gazette, 2002).

participated in the exhibition of paintings of studio Belutin ( "Taganka"), which opened Nov. 26, 1962 in the house 9 at Big Communist Street; addition belyutintsev there exhibited Neizvestny, Yu Nolev-Sobolev , Yu Sooster, V. Yankilevsky. In part Belyutin group exhibited at the scandalously famous exhibition "30 years of MOSH" in the Manege, where there was repeated exposure "Taganka».

«Khrushchev and his entourage began to check on the first floor, where he already did not like the" Geology "Smolin, but especially did not like the" Naked "Falk, where he said that it was a corpse, with tentatively flayed. But on the second floor in front of him appeared belyutintsy. Khrushchev all the more incensed. When it came to my painting "The cement factory in the town of Volsk, painted in gray-blue spectrum, of course, with a tight space, he finally exploded, lashed out at the ideologue Suslov, who, as luck, a native of the very Volsk. Shouted at me: they say, where are you saw this, where all workers in white coats ... Next followed the events already described many times. Abstract art was ordered to crush the art of decaying capitalism. ... In the city Volsk was sent one of Kukryniksy, artist Kupriyanov, with the task of "right" to portray the same cement plant ... » (« Literary Gazette, 2002).

After these exhibitions the artist left the studio Belutin and almost never exhibited, but worked a lot, painted landscapes, portraits, still lifes. A little later the whole left in the iconography, painted about twenty churches in Novgorod, Penza, Saransk, Tobolsk, in Pochayevsky monastery in the Ukraine, the Naval church in Baku, the Orthodox Cathedral Cathedral of the Nativity in Riga, etc.