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Pseudonyms,autonyms and aliases: Eligy 1925–2012  

BELIUYIN Eliy (Eligy) Mikhailovich

Forget about everything. There is no home; there is no work; there is no Moscow. Don’t go to bed if you haven’t drawn two-three good sketches. Draw and paint everything you see — there is nothing uninteresting; there is a subject for the painter everywhere. Be independent, be original; don’t fear to exaggerate, to change, and to emphasize something. Remember, that exaggeration and metaphor are the fundamentals of art.
E. Beliutin

June 10, 1925 (Moscow)

Painter, graphic artist, collector, art historian, teacher


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Белютин, Элий Михайлович

Articles about the artist:

Biography

BELIUYIN Eliy (Eligy) Mikhailovich

Forget about everything. There is no home; there is no work; there is no Moscow. Don’t go to bed if you haven’t drawn two-three good sketches. Draw and paint everything you see — there is nothing uninteresting; there is a subject for the painter everywhere. Be independent, be original; don’t fear to exaggerate, to change, and to emphasize something. Remember, that exaggeration and metaphor are the fundamentals of art.
E. Beliutin

June 10, 1925 (Moscow)

Painter, graphic artist, collector, art historian, teacher

Eliy Beliutin studied at Moscow Art institute named after V. I. Surikov (1942–1946); he also finished postgraduate course (1949). Beliutin began to participate in different exhibitions in 1947. He was a member of the Union of artists of the USSR (SKh SSSR) since 1947, but in 1948 he was expelled from the Union. In 1953 Beliutin became Candidate of Art History.

In 1946 Beliutin founded the art studio, which was the basis of the art movement New Reality. Subsequently studio became the first workshop of the non-figurative art under the Professional Union of graphic artists (1959–1962).

One of the objectives of our studies will be liberation of the emotions of an artist, which were suppressed by the demands of the imitative handicraft. You need to have faith in yourself and in your true art feelings, in manifestation of your art individuality. We need to return ability and capability of bright perception to the intimidated artist, to return fresh impressions and ability to express and reproduce artist’s thoughts and feelings for people — consumers of art. The Soviet art must be on a level with the world modern art.
E. Beliutin

In 1964 art studio was organized in the dacha of Beliutin in Abramtsevo. In 1960s–1970s annual autumn and spring exhibitions of the studio were held in Abramtsevo.

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13/07
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13/07
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