Художник: Анисфельд Борис Израилевич

История продаж доступна подписчикам

1908

Живопись

Холст; масло

160×170

Shepherd Gallery, Нью-Йорк (приобретена у семьи художника без посредников).
Частная коллекция.

Подпись по-русски внизу справа; подпись "Boris Anisfeld" внизу слева.
Выставки: Санкт-Петербург, "Венок", 1908;
Vienna, Secession, 1908, no. 150;
New York, The Boris Anisfeld Exhibition, 1918, no. 5, illustrated;
New York, Shepherd Gallery, Boris Anisfeld in St. Petersburg: 1901-1917, Fall 1984, no. 22 (titled The Blue Statue, 1908);
Toronto, Canada, Art Gallery of Ontario, Boris Anisfeld, "Fantast-Mystic'': Twelve Russian Paintings from the Collection of Joey and Toby Tanenbaum, 1989, no. 6 (titled The Blue Statue 1908).
Литература: Christian Brinton, ``Boris Anisfeld. Fantast,'' Vanity Fair, October 1918, p. 71, illustrated;
James Britton, ``Boris Anisfeld's Art,'' American Art News, October 26, 1918, p. 1;
Louis Weinberg, ``The Art of Boris Anisfeld,'' The International Studio, November 1918, pp. v and x, illustrated;
Henry Tyrrell, ``The Exotic Art of Boris Anisfeld,'' The Christian Science Monitor, undated c. 1918;
Guy Pene du Bois, ``Among the Art Galleries,'' The Evening Post Magazine, November 2, 1918;
``A Russian Painter and New York Water Colorists,'' The Nation, November 16, 1918, p. 595;
``Early Exhibitions of the Season,'' New York Times, October 20, 1918;
```I Paint Myself as I Take Myself-Seriously,' says Boris Anisfeld,'' The Brooklyn Eagle, 18, November 1918;
``Boris Anisfeld Invades the Realm of Fantasy,'' Current Opinion, December 1918, pp. 390-391, illustrated;
William B. Murray, ``Boris Anisfeld Brings His Art to America,'' Vogue, December 1, 1918, pp. 56 and 100, illustrated;
A.J. Philpott, ``New Thrill from Anisfeld Pictures,'' The Boston Globe, December 10, 1918;
``The Anisfeld Pictures,'' The Evening Transcript, Boston, November 10, 1918;
Jean Nutting Oliver, ``Anisfeld Show Art Event of Year,'' The Boston Sun, December 15, 1918;
Francois G. de Cisneros, ``La Opulencia Bizantina: Boris Anisfeld,'' Social (Havana), 1918, p. 19, illustrated;
Christian Brinton, ``The Boris Anisfeld Exhibition,'' Brooklyn Museum Quarterly, January 1919, p. 18;
Marjorie Kinkead, ``Boris Anisfeld: Colorist,'' Asia, February 19, 1919, pp. 170 and 173;
Jesse C. Glasier, ``Many Anisfeld Canvases Have Exquisite Charm as well as Crash of Color,'' Cleveland Plain Dealer, February 23, 1919;
Norma K. Stahle, ``Anisfeld Draws Crowds,'' Cleveland Topics, March 1, 1919;
Albright Art Gallery, 1919, ``Exhibition of Paintings by Boris Anisfeld at the Albright Art Gallery, Buffalo, N.Y,'' Academy Notes, New York, January-March 1919, p. 13, illustrated;
Marguerite B. Williams, ``Painted His Pictures as Russ Guns Roared-Boris Anisfeld's Exhibition in Chicago Full of Slav Atmosphere,'' Chicago News, April 5, 1919;
Dudley Crafts Watson, ``The Blue Statue Remains Mystery,'' Milwaukee Journal, September 14, 1919;
Peyton Boswell, ``Anisfeld Art in Striking Display,'' New York, 1920;
Marguerite B. Williams, ``About a Painter without Theories,'' Chicago Daily News, January 8, 1930;
Shepherd Gallery, Boris Anisfeld in St. Petersburg: 1901-1917, New York, 1984, no. 22, plate 4, illustrated;
``World of Art,'' Apollo, January 1985, p. 62;
Roger J. Mesley, Boris Anisfeld, "Fantast-Mystic'': Twelve Russian Paintings from the Collection of Joey and Toby Tanenbaum, no. 6, pp. 40-43, illustrated (exhibition catalogue).