Подпись по-русски и дата 74.;также надпись, дата 74 и подпись по-русски на оборотной стороне.
Литература и ссылки: Norton Dodge and Alison Hilton, eds., New Art from the Soviet Union: The Known and the Unknown, Washington, D.C., and Mechanicsville, Md.: The Cremona Foundation and Acropolis Books Ltd., 1977, pp. 111-13;
Regina Khidekel, "Traditionalist Rebels: Nonconformist Art in Leningrad," in Forbidden Art: The Postwar Russian Avant-Garde, New York: Distributed Art Publishers, 1998, pp. 129-47;
Ruth Mayfield, Eugene Rukhin: A Contemporary Russian Artist, Raleigh, N.C.: North Carolina Museum of Art, August - September, 1975;
Alla Rosenfeld, "'A Great City with a Provincial Fate': Nonconformist Art in Leningrad from the Khrushchev Thaw to Gorbachev's Perestroika," in Alla Rosenfeld and Norton T. Dodge, eds., From Gulag to Glasnost: Nonconformist Art from the Soviet Union, New York and London: Thames and Hudson and the Jane Voorhees Zimmerli Art Museum, 1995, pp. 101-134;
Марина Унксова, "Минувших дней опальная чреда...": Художник Евгений Рухин и его время, Санкт-Петербург: Издательство имени Н. И. Новикова, 2005.