Through time. Nostalgic walks in endangered cultural landscape
ARTinvestment.RU   26 мая 2014

1-22 June in the Central house of artists will host an exhibition of six artists: Peter Zverhovskogo, Gleb Vyatkin, Victor Dynnikov, Valery Lukka Aron Buch and Vladimir Babin

CHA, June 1-22 2014
Moscow, Krimsky Val, 10, hall № 16 (3-й floor)

1 To June 22 at the Central house of artists will host an exhibition "Through time. Nostalgic walks in endangered cultural landscape", organized by the charitable Foundation "Seven winds" with the assistance of galleries ARS LONGA ART RA, EXPO-88.

the exhibition "Through time" in the Central house of artists presents works by six artists — each of them is self-contained, each has developed creative writing. They are from different cities. Peter Swarovski and Gleb Vyatkin — Volgograd, Victor Dynnikov — the Vladimir government, Valery Lukka — Petersburger, Aron Buch and Vladimir Babin — Muscovites. Their creativity and genetically informative is associated with XX century. All of them — older generation of contemporary Russian artists. They have received professional training in the Soviet academic art institutions. Have not been treated kindly by the authorities, but was not an ardent nonconformist. Not drifted for the sake of survival, carrying out official orders various art funds. They worked hard "on the table", not even hoping that their art is who-то and when-то need. They were free. It is quite natural that fame found them that the uniqueness of their view of the world became popular. In the works of these artists can be found traits, linking their work with the best achievements of modernist art in the first half of the last century, and traces of intense exploration of their language, adequate time. Building on the legacy of the twentieth century, asserting the inherent value of art and graphics, they demonstrate the inexhaustible artistic opportunities, create their own tsvetometricheskie version Mira@

Petr Swarovski (1942) — now is the most famous Volgograd artist. Always been in the side from the picturesque mainstream, was "unfashionable, refined and simple". Wrote the mysterious ladies in wide-brimmed hats and gentlemen in bowler hats, airships and air balloons, ships and locomotives of the last century. Strange people and strange objects by visions of a long-forgotten life passed through his Polota@

Himself Valery Lukka (1945) calls his style "grim realism", the researchers define it as a "conceptual expressionism". The artist decides not only the artistic challenges; important idea. That is why he is so postmodern frequent allusions to the stories of the classic works of world art. Self-sufficiency and expressive pictorial language Valery Lukka share his art with lyrical and dramatic Poesie@

Artist Aron Buch (1923-2006), viewers perceive mainly as the author expressionist still lifes and Nudes. "Boo does not use a palette, and almost never uses brushes — its colors are mixed directly on the canvas, transforming the surface of the canvas into a kind of mosaic of precious stones". Amazing look of these gems still lifes in unexpected Buch presented on this vistavka@

Victor Dynnikov (1939-2005) does not fit the traditional canons of the Vladimir school of landscape. His work has always been recognizable color palette — "brand", dunikowski. Thematically paintings Dynnikov traditional: landscapes, portraits, still lifes, but some single installation on the expressiveness of plastic means, metaphoric, bold color generalization makes it bouquets similar to portraits, still lifes — on landscapes and naoborot@

Small easel paintings Valery Babin (1945) in fact monumental. Solid matte surfaces are reminiscent of the art of fresco painting, and the color scheme tends to Fauvism, but to Fauvism not exotic, but reserved-уральскому. The Creator asks: "How is the art of silence to translate the dialogue between the artist and the painting and then — paintings and the viewer both through the plastic to say about the role, how to learn to be silent about intimate together with the audience?"

Gleb Vyatkin (1934) has always worked in a conditional manner, keeping a figurative basis, when sublimating in his work many discoveries of the twentieth century. He worked far from the capitals. The main seam of his work — female characters. Often work Vyatkina compare with classical music embodied in the canvas. And this is very true: the artist professional education violinist, he worked for many years at the Philharmonic orchestra@

the Works presented at the exhibition the artists are in the best Museum collections (state Russian Museum, the Tretyakov gallery, etc.) as well as in large private Kollektsia@

Source: press-релиз exhibitions