Open 328-е the Auction and 14-й curator's auction "XXI century"
ARTinvestment.RU   05 мая 2020

The master catalogue — lots thirty: seventeen paintings, five original leaves and two — printed graphics, four works in mixed media, one sculpture and a collage

the fee from buyers is 18 %.

Catalogue of the Auction No. 328 and XIV curator of the auction "XXI century".

In section of Russian art the end of the XIX — early twentieth century we present the participants of the auction drawing graphite pencil "three" Nikolai Semenovich Samokish, the famous Russian painter of battle pieces and brilliant animal painter, master of the horses, who was elected in 1890 by the academician for the painting "a Herd of white trotting mares at a watering place".

the Following section of the catalog — creativity artists of the Russian Diaspora. Natalia Sergeevna Goncharova belongs gouache costume design of Sergey — the main character of Prokofiev's ballet "On the Dnieper", delivered the chief Director of the Paris Grand Opera Sergei levarem in the scenery of Mikhail Larionov and costumes Natalia Goncharova. The premiere took place on 16 December 1932 under the title "Sur le Borysthène" — "On the Dnieper": the original French name was hard to pronounce, so Dnieper replaced it with the Greek name the borysthenes. the Artist wrote: "...I decided to build an ensemble of costumes in the colours of the autumn colors. <...> ...the form is, above all, comfortable for dancing, which will not restrict any movement, choreographed, and at the same time giving the opportunity to increase the impression of a color". "the color of each suit, — complements the expert, — is not only an integral part of the overall decorative decisions, but also reflected the nature of the character. Costumes... carefree Sergei was supposed to be bright, saturated colors".

Lithograph "Lovers" (1963) Alexander porfiryevich Archipenko is a sheet from the folder Les Formes Vivantes ("Living form"), containing 10 tracks and released in Switzerland in 1963, edition of 75 copies.

the answer to the question of what ar-деко, can be large, expanded, with examples and illustrations, and can be brief: Erte — author, whose name for a century symbolizes beauty, purity, elegance and a variety of opportunities popular art style. In our catalogue you can draw Erte bronze sculpture "Zobeida" (1990).

Section the Soviet art of the first third of the twentieth century opens a "Composition" from series "Aristokratia" (1920-е) Yakov Georgievich Chernikhov. The series is made up of colorful sketches of graphic art that reflects the dialogue of the artist with the "left" art trends, mainly Suprematism. In the "Aristocratie" the artist uses shapes of basic geometric elements and elaborates a whole system of color problems — monochrome composition, volume with overlays of semi-transparent layers, weighting element, dark colors, creating a complex axonometric image tone stretching, etc. He Chernikhov called this series "the compositional structure of colors". Based on the main principles of the famous avant-garde artists, Chernikhov reinterprets them and gives a new interpretation of the, sometimes surprising with his genius, even the creators of these directions. About the artist read on AI: "the Artist of the week: Yakov Chernikhov".

the Second sheet section — sided figure "In a boat" / "Laundresses near the bridge" (1930-1931) Alexander Davidovich Drevin.

Since the early 1920-х yearsthe artist in search of inspiration and new forms of nature, made several creative trips — from Moscow to the Altai mountains, each of which is subsequently embodied in a separate scenic loop. Creative trip to the Urals gave the artist material for an extensive "Ural cycle" and work "Altaic series", created on motives of travel to the Altai mountains in Eastern Kazakhstan, was shown at the famous exhibition of group "13" in 1931.

About the years of hard creative searches of the artist wrote: "I have dealt with the environment limits for yourself. And always astounded me is that things don't reach the goal. Not everything that I write only from nature, is a work of art... Since 1930, I tried to write the same nature, but in the Studio, and strangely, she began to turn gradually into something else; nature disappeared, and the language of painting intensified, it created another reality" (source: artinvestment.ru). About the artist read on AI: "artist of the week: Alexander Drevin".

the following section presents the work Russian artists of the second half of the twentieth century.

Powerful, bright, dynamic sketch of the diorama "Stalingrad" (1947) for the international exhibition in Belgrade in 1947 performed Alexander Arkadevich Labas. The work is placed accompanied by a certificate of authenticity Labas-Фонда.

In mixed media done an incredibly beautiful and tender composition "division of roses" (1960-е) Valentin Mikhailovich Okorokova. Artist-самоучка with the drawing skills learned at the Moscow higher technical school, in the mid 1910-х — early 1920-х worked in the Studio of Vladimir Tatlin and practiced in the workshop of Rodchenko, was familiar with Malevich. Then went to his home in the town of Kozlov, where he worked as a "Commune Kozlowski creative artists", founded by Sergey Gerasimov, participated in dozens of exhibitions (artinvestment.ru).

About 1925 Ham settled in Lianozovo near Moscow, graduated from Moscow art class-графиков and entered the service in Moscow. His own work became experimental. The fruits of these experiments is not only profitable, but over time became threat; work 1930-40-х years no one except the closest friends, not seen. If 1920-30-е years he was interested in typical for that time tasks of an adequate image of the Overspeed and motion forms in free space, overcoming earth's gravity, then in abstract painting, he was fascinated by the possibility of exit through a color harmony to a sense of infinity, from the microcosm to the macrocosm, to the discovery of the greatness of thoughts, the revelation (tg-m.ru).

In General Okorokov thirty years had lived in intellectual isolation, without communication with like-minded people (artinvestment.ru). In the "New reality" Elia Belutin in 1959, he entered 68-летним, finding the energy of a young team and joining the dialogue with him. With belytinae Hams participated in 13 lifetime exhibitions; moreover, the next four posthumous exhibition Okorokova, including the latest, in 1976-м, was also organized by Velutinum. Then, alas, almost 30 years the name of the artist fell from the exhibition process (artinvestment.ru).

the Revival of interest in the legacy of Valentin Okorokov occurred only in 2008, when in the Tretyakovthe gallery hosted the exhibition "Valentin Okorokov. Subject and outside the subject: 1920-е — 1970-е". On her side from early avant-garde works were exhibited and our work today, in which the artist harmoniously combined abstraction with subtle figurative elements, somewhat reminiscent of the motifs of the Silver age. According to the materials of this extensive exhibition, the critics noted that graphic works and collages 1920-30-х years before the "cosmic" abstractions of recent years the work by Valentin Okorokov surprisingly rhymes with the development of abstract art beyond the borders of the iron curtain. Moreover, and most important, works of the second half of life are not a pale rehash of the avant-garde youth, and represent a new, even more vivid rise (tg-m.ru).

In 2000, the created canvas "wind Turbines" Evgeniy Rastorguev — light, easy atmospheric work, embodiment of freedom and pleasure. Childhood future artist was held in the town of Gorodets on the Volga, and then it was Gorky art College the front study in the workshop of Sergei Gerasimov at the Surikov Institute (on his recommendation and with the support of V. N. Baksheeva Rastorguev, barely out of University, was admitted to the Union of artists without probationary period) — and a lot of work: creative trips around the country, canvas, book illustrations, ceramics, exhibitions, etc. In the late 1960-х Rastorguev became every summer to spend in Gorodets, write about him a whole series of paintings, "the artist from Gorodets" as it was called, was devoted to a number of publications. In our quite recent work, as well as in other works of Gorodets, clearly visible wonderful motifs and intonations of the Gorodets toys.

Not dated oil on canvas "In the village on holiday" Pavel Petrovich Leonov, one of the most known in the us and abroad, domestic naive artists and representatives of art-брют. Village festival — is perhaps the embodiment of one of the many utopian dreams of the artist, the epitome of the village. "We need to draw to the painting was as the tutorial — that there was and letters and drawings to the engineer, the designer was use: I looked and saw how to make a village," — said the artist in an interview. The artistic heritage of Pavel Leonov, as written, is quite large, but most of the work was done on the orders of the numerous admirers of his work, which today do not hurry to part with his paintings. Read about the author on AI: "artist of the week: Pavel Leonov".

the Following section of the catalog — the works of the sixties.

Draw graphics of the sixties, made in different techniques, represents a huge, to not been studied and cataloged part of the cultural heritage of the masters of the second Russian avant-garde. Among them was a real virtuoso of prints from studios out of their striking beauty and level of performance sheets, including — "Big tree with the moon" (1969. Etching, aquatint) Dmitry Petrovich Plavinsky.

In the 1980's made mid-size "Composition" Edward Arkadievich Steinberg, an interesting number and variety of geometric elements and a complex color solution. "In... "mathematicheskii" period, which conventionally outline 1970—1985over the years, the main structural beginning of the song Steinberg becomes the Sky, — writes art-критик Sergey Kuskov. — But it is not so much the Sky, the perceived sensual sight, as the sky ideas, “Eidos” of Plato or “intelligent entity” (as the theologians of the middle ages). Enlightened emptiness of the background makes the geometric “landscape forms” — the area of stray marks. They, floating in zero gravity, heed the dictates of hidden spaces. The background here — White silence of Truth, the deep essence which in its sokrytoe. Over-мирная the area of White light — “absolute space” — combines the small worlds of individual structures, making the picture frames to the Windows, through which sensual eye can contemplate the planetary system began and transcendent forces. Perhaps Steinberg is closest to the geometric symbolism of the Pythagorean-неоплатонической tradition, largely inherited East-христианской culture in its symbolic language of icons, transcribed by P. Florensky. Signs-символы works Steinberg, marked on a clean floor surfaces, transforming them into centers of spiritual energy. Soft, smooth, warm, simultaneously dispassionate glow from the inside saturates the solid surface of the canvas hints at a depth beyond. If the original shroud raspalennoe layer is perceived as movable, immovable, in his “vow of silence” plane barrier, then the realizations she comes to life, appearing now as the zone-посредник between manifest and hidden, and gives you the opportunity to experience the inexhaustibility of its meaning potentials. This kind of transformation of the white light surface metaproterenol — most frequent theme in the authentic context of the artist" (art-critic-kuskov.com).

In the work Vladimir Nikolaevich Nemukhin were the favorite subjects, to which he repeatedly returned, each time embodying them-новому, removing and adding elements, changing color, using different techniques. One of these stories — house — we present today. "The house with the lamb" (1989) executed in mixed media, but first and foremost is, of course, assemblage. The work is interesting, busy and-немухински clean, compositional and coloristic perfect.

is Very conditional to the portrait genre can be attributed to one of the top-лотов directory — meter oil "With an axe" (2003) — is absolutely recognizable thing Oleg Nikolayevich Tselkova. "...the first time I accidentally "pulled" from the face "in the image and likeness" and saw "the FACE." My amazement knew no bounds. I wrote like a portrait, but not a portrait of a single entity, but a General portrait, all together in one person and — awfully familiar... face imprinted millions of years, mankind lived in the past. And the same — in the murky future..." (Oleg Tselkov. Paris. 2001). Household world in the paintings of Oleg Tselkova is very limited and has no more than a dozen items such as a hat, spoon, knife, scissors, rope, pipe, plug, etc., living world in them are a cat, a dragonfly, or a butterfly, a flower, watermelon, pear, Apple. But they are only signs — characters that it's happening near us.

the Terminating and the biggest section of the catalog — of the work modern authors.

Opens its genre canvas "Walk onthe bike" (2000-е) Vladimir S. lyubarov. Paintings of the famous Moscow book designer and Illustrator lyubarov started in the early 1990-х, when he abruptly changed his life and moved to the village of Peremilovo in the Vladimir region. Today lubarovska scenic cycles and series are very popular. The bike, known in the village, a necessary thing. In lubarovska canvases, characters with bikes meet, in particular, in the series "Village Peremilovo, city Pinch", "Fizkultprivet". In our work a couple of rides around the beautiful spacious Dubrava, in a hurry, walking, air-breathing.

To a series of large canvases on biblical subjects include "the Nativity" (2006) Natalia Igorevna Nesterova. "When-то long been smart, soft, all understanding mother and friend Natasha Zoya Nikolaevna told me: "Angels can be just as writes Natasha — with heavy wings that carry heavy people"" (Yuri Rost). "...I fantasize "about" nesterovoj? Nails mind the miracle of art is not to nail to the topic of the day. Yes to anything. It is important that a miracle it makes you think about the eternal and hope for good in the buzz of human turmoil, when the clatter of crowds and splits the crust..." (Vladimir Orlov, the author of the novel "Violist Danilov").

Lucy Voronov refers to a very small number of artists who are masters and love to work with red color, make it the basis of the color palette of his works. "Red coat" (2008) in our catalogue — remarkable psychological wholeness and our confidence in the way the female portrait.

a Pure abstraction, without figurative and architectural elements presented on a canvas "Red cat" (2009) Andrei Vladimirovich of Munz. ", Free improvisation, an expression of accumulated experiences and emotions is the basis of painting works by Andrew Munz — we read in the catalogue of his personal exhibition. — <...> the Colors the artist considers as the strongest means of influence on the viewer. He tries to use color as freely as possible, not afraid of sharp combinations, actively introduces black, which gives the color palette, the strength and depth of".

sun-Drenched Golden beach (2019) Alexey Yuryevich Lantseva. Using a broad palette of local colours, the author creates a complex, air-filled seaside composition.

Complete the story of the catalog collage "All ladies will be our" (2019) Galina Dulkin. In our country and abroad the author is known primarily as an interesting artist-фарфорист, but her paintings and collages for a long time and firmly hold its place in the exhibition exhibitions, Museum collections and private collections. Therefore, all that is said about her porcelain Maurice Barush, art historian, collector and past Director of the Paris galleries Popoff & Cie, — all this fully applies to all her work: "Galina Dulkin features rare for a modern young artist's consistency in moving forward in its creative concept and independence from the fleeting temptations of the actual cultural space. Because of this honed her artistic method. Cutting unnecessary, driven by a true sense of form, artistic manipulationcolor, Galina creates unique works. They are expressive, dynamic, interesting to solve as a puzzle, enjoying the witty solution of the problem. They are recognizable in the context of all exhibitions and interiors.

We see her creative dialogue with artist Georges Braque, with prominent artists Archipenko, Brancusi and Zadkine. Here the legacy of Russian Suprematism, and propaganda porcelain. And this is the dialogue space in the works of Galina emphasized equitable.

<...> Galina has mastered the skill, and the result is above all praise, it — Mature and continues to develop the artist".

Simultaneously with our regular 328-м AI Auction open 14-й auction of the project "XXI century. Contemporary Russian art". In: Azam Atakhanov, Farid Bogdalov, Natalia Glebova, Konstantin Zvezdochetov, Victor I. Kostin, Anatoly Purlik, Alexander Savko, Mary Siemienska, Natalia Turnova, Yuri Shabelnikov.

All the best of luck on 328-м AI-Аукционе and XIV auction "twenty-first century. Contemporary Russian art"!

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему.

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

fee from the buyer is 18 % of the final price of the lot.

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