- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
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- Автопортрет художника. 1930-е.г. Атрибуция.
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Open 324-е the Auction and 10-й curator's auction "XXI century"
ARTinvestment.RU 07 апреля 2020
The master catalogue — thirty lots: fifteen paintings, seven of the original sheets and two — printed graphics, three works in mixed media, two sculptures, and the work done by digital printing in a single copy
the fee from buyers is 18 %.
Catalogue for the Auction AI № 324 and curator of the auction "XXI century".
Section of Russian art of the late XIX — early twentieth century opens a very beautiful and masterful graphic "Landscape with Church" (1890-е) Nikolay Nikolaevich Karazin Kharkiv national University. Academician of the Academy of arts, Karazin "has become best known as a draftsman and Illustrator. Published in magazines such as "Niva", "world illustration", "Pictorial review", and many others". Experts suggest that "the work is a illustration of a story from the life of the Northern outskirts of Russia".
the First quarter of the XX century Dating expert big canvas "seashore" Grigory Ivanovich Kapustin. The artist was born in the Crimea, according to some reports, he studied at the Academy of fine arts. Worked in Odessa and Feodosia, probably in the Studio of I. K. Aivazovsky, whose influence is undoubtedly felt. Known for its sea and forest landscapes. His works were popular, repeatedly reproduced in pre-revolutionary printing, in particular on open letters.
Continues our catalog the works of Russian artists Abroad.
Not only high art but also an undeniable historical value has a watercolor of the "Green salon in the Gatchina Palace" (1924) Alexander Benois, depicting the interior of the Cabinet of Empress Maria Alexandrovna, grandmother last Russian Emperor Nicholas II. Here is what a pre-war study guides of the Gatchina Palace: "the Chief ornament of the Cabinet of the Empress serve as family portraits. There is a portrait of the heir to the Russian throne, Alexander Nikolaevich, the future Alexander II, brush N. In Schiavone, the portraits of his sons: Nicholas Alexandrovich, who died early Knicks, and Alexander Alexandrovich, the future Emperor Alexander III, S. Zaryanko. On the Desk is interesting oval pastel portrait of Konstantin Nikolaevich and Nikolay Nikolaevich, brothers of Alexander II. In addition, the shelves were dear to the heart of the hostess trivia — for example, a collection suillus porcelain of the eighteenth century in the form of birds and fruit" (source: gorod.gatchina.biz/dll_9105007). Judging by the photos of the Cabinet in 1938-1940, the interior artist played very precisely (and even in the same perspective that one of the photos), but in 1924, the family portraits on the walls were not. One can only assume that in the first decade after the revolution, the keepers thought it best to show images of representatives of the Imperial dynasty, and later, restoring historic interior, returned them to normal. The work of the "Green salon..." as written by experts, "belongs to the series of watercolors executed by A. N. Benois in 1924, the Palace showing the Palace and Park, — last works before emigrating. Is accuracy of the image and beautifully executed".
In 1953, written by one of our Marina directory — landscape "Meridian Bay" Arseny Petrovich Sosnowski. Life outside of Russia began for him in 1920, with the immigration of Yalta in the Kingdom of Serbs, Croats and Slovenes. In January 1921 in the town of Herceg-Нови (Montenegro) Sosnowski married the painter G. G. Boyadjieva. Took private painting lessonsA. V. Hansen. He taught drawing at the gymnasium in Cetinje (Montenegro). In the late 1930-х settled with his wife in Belgrade. Wrote mostly seascapes. In 1920-30-е held jointly with his wife exhibitions in Zagreb, Prague, Paris and Brussels. Participated in group exhibitions in Belgrade and Florence, he exhibited his works at exhibitions of Russian artists during the war years (August 1942, June and December 1943).
After world war II did not accept Yugoslav citizenship. In 1950, together with his wife were deported to Bulgaria. In 1951 he traveled to Turkey, then ended up in a displaced persons camp in Trieste (Italy);, where he taught private art classes. In 1954 at the request of the relatives of the wife went to Sweden. Settled in the town of Lysekil (on the North-западе from Gothenburg), continued to paint (artrz.ru). S. N. Baikalov-Латышев with which A. P. Sosnowski was friendly, wrote about it in his memoirs: "Arseny Petrovich — talent nugget, a former naval officer of the Imperial Navy, once in Dalmatia, began to write the sea after a meeting with well-known marine, nephew Aivazovsky, artist HanseDom. The impact of the latter could not affect the Sosnovsky. But what I saw Hansen at his exhibitions in Belgrade, I remember, sounded like a few muffled his noble colors without flashy effects. His composition was distinguished by a deliberate seriousness. Sosnowski also had good knowledge of the anatomy of a wave and a “sense of water”. The sea was akin to him, and his colors sounded louder and optimistic" (Sergei Baikalov-Латышев, archive.org). Our landscape, judging by the date, presumably, written in Trieste, on the Adriatic sea.
Lithography "Group" (1963) Alexander porfiryevich Archipenko is a sheet from the folder Les Formes Vivantes ("Living form"), containing 10 tracks and released in Switzerland in 1963, edition of 75 copies.
Soviet art presented two works tonight 1930-х years.
Lyrical and expressive colorful image of Fitr-Али in watercolors of the same name Alexei Nikanorovich Komarov in 1931. Mosquitoes are well-known as one of the best Russian animal painters, his illustrations were published in magazines, more than one generation of Soviet children learned to love and understand nature in hundreds of his images in the most beloved children's books. A fine draftsman, watercolourist, Komarov wrote landscapes, portraits, genre scenes, which he witnessed during his numerous trips around the country — from edge to edge. A number of compositions he created in 1930-х in the East, the culture he loved, subtly understood and felt. This number obviously belongs a beautiful, romantic composition from our catalogue. Author's litter "Belugi" at the bottom of the figure indicates the nationality of the model.
the light-Flooded landscape Vasily Petrovich Komardenkova "Sun is shining" (1930-е) composite and harmonious than-то resembles a theatrical scenery. Landscape was exhibited at the personal exhibition in the theatre-декорационного art Komardenkova in 1986. For what play and what scene made this work, unfortunately, is not known, but obviously it was a huge and varied experience of the author as a theater artist-оформителя. Landscape decorative, interior, bright and joyful. About the artist read on AI: "artist of the week: Basil Komardenkov".
the Following large and diverse as the names of the authors and performance techniques work section of the catalog — the works of the sixties.
the Work Anatoly T. Zverev presented toshavim drawing the Female portrait (1966) — lyrical portrait of pensive young woman with a curvy, in the fashion of the 1960-х hair.
Gouache "Three apples" (the late 1960-х — beginning 1970-х) Vladimir Igorevich Yakovlev — is "the rare artistic qualities of a work of V. I. Yakovlev from his cycle still life compositions with fruit, executed in different techniques, — said. — Such Yakovlev's work is distinguished by careful and delicate execution, refinement of color relationships, a kind of plastic".
Graceful, refined, delicate and feminine — so, perhaps you can describe small Cabinet aluminum figurine "Cleaning up" from the cycle "Newsalan" (1981) Vadim Abramovich Sidur.
Almost textbook Vladimir Nikolaevich Nemukhin — "still life with maps" (1989). It @all mdas: the main theme, interesting technique, collection size, harmony, beauty and of course the author's energy that is felt in the best nemuhinskie compositions.
In 2000, signature colors made meter-long canvas "Night Barack" Nicholas Evgenyevich Vechtomova.
undated drawing pens "SARS" work Ernst I. Unknown, a wonderful painter and a real master of graphics.
Completes our story about the work of the sixties undated monotype Lidia Alekseevna Masterkova "untitled (Abstract composition)", slim, beautiful, chic colours.
Vladislav Isaakovich Ratner, the author of the song "Landscape" (1989), was not included in the number of those who are now called the sixties. He was an artist who, in his own words, "hiding in the trenches" of the Soviet art of socialist realism. Painting Ratner, fortunately, in recent years, is not only in galleries but also in the Museum's collection and on the auction site. Ratner of those artists who are recognizable from the first glance, but to understand them, the viewer must be attentive and responsive — and then he will open a special world, anyone not like, potent, extraordinary and unique.
"Paintings Ratner — attack color, the real challenge for viewers and for artists. The creative method of the artist is based on a combination of figurative and abstract forms. It is characterized by game of color contrasts and aligning vivid color spots and lines. <...> In landscape work, he finds a new way to image the beauty of the world. Here he is interested in the pulsation of the earth, the vibrations of water and air" (museum.ru).
the Final section of the directory — the work of contemporary writers.
In a peculiar manner written work Omar Chkhaidze valeryanovich "Motherhood" (1994). Painting of the artist is laconic in all — in the color chart in the detail, but this conciseness, like a beam of light focuses on the main — on the eternal mystery of motherhood.
the Painting "Night loneliness" (1998)belongs to the brush Yuri Mikhailovich Scopula, artist Studio Elia Belutin "New reality", a member of Studio exhibitions, and subsequently one of the organizers of the group of "avant-garde abstraction". Today the works of Yuri Scopula are in the collections of the State Tretyakov gallery (Moscow), State Russian Museum (Saint-Петербург), Hungarian National gallery (Budapest), in other museums and private collections.
the author of the paintings "the Fiddler" (2004) Galina Dulkin known and recognized as a remarkable contemporary artist-фарфорист. Her work is primarily concerned with this fragile, but so vast in terms of creative possibilities material. However Dulkin — serious painter, and everything said about her porcelain Maurice Barush, art historian, collector and past Director of the Paris galleries Popoff & Cie, — all this fully applies to its picturesque creativity: "Galina Dulkin features rare for a modern young artist's consistency in moving forward in its creative concept and independence from the fleeting temptations of the actual cultural space. Because of this honed her artistic method. Cutting unnecessary, driven by a true sense of form, artistic manipulation of color, Galina creates unique works. They are expressive, dynamic, interesting to solve as a puzzle, enjoying the witty solution of the problem. They are recognizable in the context of all exhibitions and interiors.
We see her creative dialogue with artist Georges Braque, with prominent artists Archipenko, Brancusi and Zadkine. Here the legacy of Russian Suprematism, and propaganda porcelain. And this is the dialogue space in the works of Galina emphasized equitable.
<...> Galina has mastered the skill, and the result is above all praise, it — Mature and continues to develop the artist".
In 2007 made a small pencil drawing "Cafe "Latte"" Marasovich Paata Merabishvili. His work is known primarily wonderful sculpture — talented, bright, interesting and diverse. Our current work is a fleeting Association with the French graphics Natalia Goncharova and its author is a master of composition and just brilliant draftsman (rare in these times quality) — intelligent, skilled and sensitive beauty.
a Large composition Lucy Raven "Textil. Relax Jazz" (2020) — new work a joyful time of the artist. Names that Lucy gives to his works, sometimes quite unexpected but always recognizable as the handwriting in one-двух simple words lies something very important for the perception and understanding of the work as a whole. And never before, none of her series have not received their own name. A series of "Textil" — the first (!) in the work of Lucy, which she gave the name and in which it develops motifs whose origins lie in the 1970-х years, when Lucy was engaged in the tapestries. Do fabric, textiles are very important to her that's why she returns to him in a joyful period of his work, gives the series name, enthusiastically working on her... And then one paints a picture under a light jazz. And then with his own hands paints for herframe. This is the picture we offered today at auction AI.
at the same time with our staff 324-м AI Auction open 10-й auction of the project "XXI century. Contemporary Russian art". For sale exhibited works by ten members of the national art-сцены: painting Azam Atakhanova, Igor Kislitsin, Victor Kraposhin, Andrew Munz, Igor Nezhivoy, Alexander Savko, Valery Sahatova, work in mixed media Natalia Garnovskii, digital prints on canvas in a single copy of Irina Korsakov and sculpture by Sergei Smurova.
All the best of luck on 324-м AI-Аукционе and the auction of the "twenty-first century. Contemporary Russian art"!
Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).
Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.
the auction AI continues to operate a virtual party "Reserve price is not reached". He appears in the final minutes of trading, so that customers have the option to kill the reserve price (for those items where it is). In other words, if you see party "Reserve price is not reached," that is a reason to continue the fight — perhaps the victory is near.
If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!
fee from the buyer is 18 % of the final price of the lot.
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We continue to make paintings and drawings (original and lottery) to our regular weekly auctions. About his desire to put the thing on the auction AI write [email protected] or call: 7 (495) 632-16-81. Rules of submission for auction AI can show sdes.
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fee from the buyer AI Auction is set at 18% of the final price of the lot. Payment is made in rubles in cash in the office of the Auction or by wire transfer to the account of the Auction. The Auction gives buyers of permits for export outside Russia of goods purchased at auction, and does not guarantee the possibility of obtaining such permits. Sending lots outside of the Russian Federation the administration of the Auction is not possible.
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- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine