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Opened 300-е the Auction
ARTinvestment.RU 14 октября 2019
Traditional twenty lots of the Auction — is a collection of twelve paintings, five original leaves and one — printed graphics and two works in mixed media
the fee from buyers is 18 %.
Catalogue of the Auction № 300.
Opens the directory section of the works of Russian classics.
a Small cardboard "After the sunset" (1880-е) of Isaac Ilyich Levitan opens our directory. "In the image of arable land in the foreground of the sketch is well read freely placed brushstrokes that convey vrijednosti spring earth. Light plangent strokes written vechereyuschim sunset sky with Crescent moon. This detail — picture of the month or moon — is often found in a sketch the artist's works", — said the expert suggests that maybe our landscape is one of natural preparations to the famous painting "Evening at the plow" (1883, TG).
painting Konstantin Egorovich Makovsky "In the chambers of Ivan the terrible" (last quarter of XIX century), according to the expert, "is a sketch for the famous painting of K. Makovsky 1888, dedicated to the times of Ivan the terrible, which was exhibited at the world exhibition in Paris. ... The sketch outlines the key elements of the future painting, expressive transferred all the drama depicts scenes.
the Creation of many large-scale historical paintings Makovsky was preceded by the work on sketches and thumbnails. The core of the film lies the story of an English diplomat of the XVI century, Jerome Horsey and play by A. K. Tolstoy. In the sketch scene is presented in accordance with the description of John. Horsea: “...About the third hour, the king went into it [the bath], having fun favorite songs as he used to do, went out about seven, a well-refreshed. It was moved to another room, put him on the bed, he called Rodion Birkin, gentleman, your pet, and ordered to bring chess. He posted about himself, his servants... the King was dressed in an open robe, a linen shirt and stockings; suddenly he fainted and fell backwards..."".
Small oil "Area of the temple" Valentin Alexandrovich Serov dates back to 1904-1905 years. "most Likely, — experts says: — this field study was created in Pereslavl-Залесском during a joint trip together with artist K. A. Korovin in 1904-1905 years. At ... work depicts a closeup of a fragment of the building walls and gates around the Church, on the other recognizable species landscape...", is currently at the Art gallery of Armenia in Yerevan.
the works of Russian artists Abroad presents a picturesque genre painting "Peasant woman with a horse" (1950-60-е) David Burliuk. "In the work of David Burliuk Mature period, — said the expert, — common small genre scenes on a Russian theme with elements of the landscape. They tend to have grotesquely-примитивной style of performance, clear outline, decorative, distinctive layered texture painting surface... <...>
the Origins of such genre compositions can be found in Russian folk art, and examples of American colonial and contemporary works of visual culture. “let us Not forget that the series itself was originally designed for the American audience. It is linked to the desire of the artist creating the image of the Russian countryside, to use the language, say, Russian folk, unknown to the Americans, and more understandable to them and, according to Burliuk, the equivalent language of "popular" American art" (Polyakov V. Artist David Burliuk. M., 2016. C. 243)".
the works of Soviet artists came up with the following little section of the catalog.
In 1941-1942 created etude "Kabardian horse" Leonid Viktorovich Turzhansky. In to his daughter in 1941, 66-летний the artist as part of a large group of Moscow masters of arts he moved with his family to evacuate to the North Caucasus, in the town of Dolinsk: "Soon Turzhansky moved to Nalchik, where the Chairman of the Committee on Affairs of culture of the Kabardino-Балкарской ASSR X. S. Temirkhanov offered him a contract for the creation of the painting "a Herd of Kabardian horses." <...> in order to “Herd”, Turzhansky left to write horses in the mountain town of Kyz-Бурум.
Despite his advanced age, his father took a job with amazing enthusiasm. The nature of the South that he had not loved, because I thought her beauty corny, it was suddenly as-то by-новому seen in the North Caucasus.
From a business trip he brought back many vivid sketches — were here and Kabardian horses, and oxen, and donkeys on the sun-drenched streets... <...>
based On the collected mountains of material father made a sketch, which depicted a herd of horses and trot in the cloak on the background of mountains and evening sky. To complete the picture, he succeeded only in Tbilisi, moved to Moscow masters of the art after the front close to Nalchik".
And even a small fragment from the memoirs of the artist's daughter: "Turzhansky Loved to write also on thick or coated paper. Used to do it quite often leaves of the old technical books or journals, on which he "pulled an impression from nature," seen from the window".
Powerful, bright, dynamic sketch of the diorama "Stalingrad" (1947) for the international exhibition in Belgrade in 1947 performed Alexander Arkadevich Labas. The work is placed accompanied by a certificate of authenticity Labas-Фонда.
In 1963 made a small (14,9 x 10,3) Tushev drawing the Female portrait Yuri Ivanovich Pimenov. "the Daily work with nature — experts says: — were an integral part of the creative method of Y. I. Pimenov. This sort perovymi sketches he filled many notebooks and working notebooks during his many travels. Then, the material served him to create illustrations and easel paintings". Perhaps our figure and refers to these pervym cursory sketches, but the artist has inscribed it and gave it to the model. I want to draw attention to the appeal to "dear Nina": the artist, of course, noticed mileto girls and used the appeal not as a cliché, but as a sincere expression of affection.
the largest section of the directory — works of the sixties.
"Seated Nude model" (1953-1955) Anatoly T. Zverev, according to the expert, "in early may, one of the earliest paintings of A. T. Zvereva, written in the Studio and under the guidance of his teacher Lopatnikoff D. N., a family which, until recently, kept this picture. The work is written in the typical manner of creativity Zvereva: sweeping, large sickle-shaped strokes, powerful, expressive — is written of his early still lifes to roomflowers and landscapes".
still life painting "Blooming cactus" (1959) Dmitry Mikhailovich Krasnopevtsev belongs to the cycle of early paintings. The expert notes that in the late 1950-х years "complex mythological, pictorial and plastic system" artist "was formed and acquired the classic features. Each such work Krasnopevtseva this time, written in a unique, refined manner, — is an attempt to show not simply shows the items and make them fine, harmonious composition, and the artist's desire to delve into their essence, to try to reveal the metaphysics".
Watercolor Boris Petrovich Sveshnikov "untitled (Landscape with staffage. May)" 1979 painted in a well recognizable copyright puantilistskie manner. It stands out for the breadth of the palette and the visible spring, joyful mood.
In 1980 made medium Composition Eduard Arkadievich Steinberg, an interesting number and variety of geometric elements and a complex color solution.
"the Bulletin of October" (1987) Victor Semyonovich Kazarin — work is rare: expressive, powerful, very dynamic, full of the same kazaryns'ke energy that distinguished his best stuff.
Pastel "untitled" (1990) Vladimir Borisovich Yankilevsky belongs to the cycle "Space of experiences". "as if a Person moved in the space of his imagination, — said the artist. —, These feelings he carries inside itself and projects itself, “internal” — endless and lonely — on “external” — social and finite. What we carry within us as our inner life, I think, is no less real than what we read today in the newspaper. It is this inner world defines the space of human existence, it is very important" (source: "artist of the week: Vladimir Yankilevsky. 1938-2018").
"Composition with a black triangle" (1998) Vladimir Nikolaevich Nemukhin, the expert said, "characterized the work of V. N. Nemukhin 1990-х — 2000-х years, influenced by the artistic legacy of the Russian avant-garde artists and, in all likelihood, and above all, L. Lissitzky. This is where the use of the composition of the main Lissitzky favorite colors, the constructive rigor of geometric constructions. Studied graphics thing is interesting because it's the original author's development of future paintings, in which he outlines their compositional structure".
Watercolor "untitled (Landscape with river)" (2002) Anatoly Stepanovich slepysheva — wonderful serene rural composition. The panel in the left part of the work in-то like numerous kapiszewski walking, but the composition as a whole — original, rich and harmonious. The artist was subservient to the images of the strongest of human emotions — unrestrained joy or unbearable pain, yet he masterfully was able to transfer light and relaxing mood, further demonstrating our work. Great colorist, Slepyshev decided in tranquil green-синей scheme, supported by the variety of colors.
the Only representative of printmaking in the directory — work "Chamomile" (2014) Oscar Yakovlevich Rabin. Could the artist a lot to tell in this small picture, but most importantly it — is bright daisies that bloom and leave in the background a man with his disorder.
is Not dated but is absolutely charming late French period of creativity, light, elegant, exciting, flowing, written in a recognizable manner and the technique of "Dancing woman" Edward L. Zelenina.
Section modern masters represent three remarkable artist.
To the series still lives on the floor applies to our work with oil on paper "untitled (still life on the floor)" (1999) modern artist Lucy Raven. Glass and crystal items (easily recognizable and very cute) sugar cubes in the sugar bowl, sliced lemon on a saucer — they all gathered in a graceful and dynamic composition. The artist examines not the location, but the movement of the pieces on the floor: they seem to move, moving in a slow waltz, following the dance pattern and therefore never losing the harmony of the mutual arrangement. Movement of the composition adds graphic and the regular pattern of the parquet. Like others still lives on the parquet, our work today as if envelops the viewer with warmth and arouses kind and pure feelings.
In cafe on the waterfront fans gathered fresh oysters on the picture for 2008 Natalia Igorevna Nesterova. Two men and two women enjoy eating them, pouring lemon juice and washed down with white wine. The artist uses a fairly rich palette, but does it exceptionally nicely. Interestingly, none of the characters are not looking at the other — all eyes focused anywhere, anywhere but not at each other. Thus the artist avoids the occurrence of any additional motives, plots, relationships, distracting from the taste of fresh oysters.
Busy, multi-threaded, multi-part, multi-image, multi-coloured and at-a-glance recognizable Tverskaya (2015) of Natta Ivanovna Konysheva — is a real gift for those who like to understand the stories, characters, details and setting konicheskikh works.
good luck on the 300-м AI-Аукционе!
Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have on Gorokhovsky, 7 (only need to call and make an appointment).
we Wish you all a good bargain and good shopping!
Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.
On the auction AI continues to operate a virtual party "Reserve price is not reached". He appears in the final minutes of trading, so that customers have the option to kill the reserve price (for those items where it is). Otherwords, if you see party "Reserve price is not reached," that is a reason to continue the fight — perhaps the victory is near.
If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!
fee from the buyer is 18 % of the final price of the lot.
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We continue to make paintings and drawings (original and lottery) to our regular weekly auctions. About his desire to put the thing on the auction AI write [email protected] or call: 7 (495) 632-16-81. Rules of submission for auction AI can show sdes.
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fee from the buyer AI Auction is set at 18% of the final price of the lot. Payment is made in rubles in cash in the office of the Auction or by wire transfer to the account of the Auction. The Auction gives buyers of permits for export outside Russia of goods purchased at auction, and does not guarantee the possibility of obtaining such permits. Sending lots outside of the Russian Federation the administration of the Auction is not possible.
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ARTinvestment.RU — information-аналитический resource on the art market, the developer of a family of indices of the art-рынка and compiler ARTIMX the world's largest database of auction results for artists outside the orbit of Russian art. In its analytical work ARTinvestment.RU relies more than 250thousands of auction sales results for 13 thousand of Russian artists in the segments of painting, drawing and sculpture. Unique indicators of investment risk assigned by the experts ARTinvestment.RU help exclude many of the estimated mass of questionable results.
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- 5. Jeff Koons$58,4 million
- 6. Unknown artist$57.2 million
- 7. Henri Matisse$48,8 million
- 8. Paul Gauguin$30,96 million
- 9. Henry Moore$30,1 million
- 10. Willem de Kooning$29,28 million
- 11. Pablo Picasso$29,2 million
- 12. Unknown artist$28,6 million
- 13. Louise Bourgeois$28.16 million
- 14. Adrian de Vries$27,9 million
- 15. Alexander Calder$25,9 million
- 16. Unknown artist$23,826 million
- 17. David Smith$23,816 million
- 18. Yves Klein$22 million
- 19. Auguste Rodin$20,41 million
- 20. Unknown artist$19,1 million
- 21. Edgar Degas$18,82 million
- 22. Maurizio Cattelan$17,19 million
- 23. Unknown artist$16,88 million
- 24. Takashi Murakami$15,16 million
- 25. Donald Judd$14,16 million
- 26. Unknown artist$11,64 million
- 27. Antonio Canova$11,5 million
- 28. Bruce Nauman$9,9 million
- 29. Aristide Maillol$8,32 million
- 30. Unknown artist$8,146 million
- 31. Cy Twombly$7,7 million
- 32. Julio Gonzalez$7,45 million
- 33. Marino Marini$7,15 million
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- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine