Opened 212-е the Auction
ARTinvestment.RU   22 января 2018

Traditional twenty lots — six paintings, four sheets of original and three — printed graphics, three works, executed in mixed media, one sculpture, one photograph, one object and one set porcelain

the Catalogue of the Auction № 212

Selected lots of the Auction № 212

In such abundance of techniques and not a sin to violate the established order of directory submission, but let's begin with the scenery.

Small oil on cardboard "a Stream with a bridge" (1930-е) belongs to the Mature period of creativity Aristarkh Vasilievich Lentulov. During this period, the sharpness and contrast "benovolehotska" works of the author are replaced by a more realistic approach to depiction and a gradual rejection of bright color contrasts in favour of a subdued coloristic developments, built on subtle color nuances. A vivid illustration of this "paradigm shift" is our atmospheric, harmonious and striking richness of tone relations landscape.

the number of workers with full-scale drawings of the late creative period (1950-60-е) Nikolai Mikhailovich romadina applies bilateral cardboard "Gave" (on turnover — "Landscape"). Created in the tradition of Russian lyrical landscape, this little work is very fresh, expressive and written expressive and textured brush stroke is filled with air.

"Between painting and aviation, — the author wrote the following landscape — have something in common: courage and bespovorotno decisions". Bright, full-bodied oil "Chersonese" (early 1960-х) belongs to the brushes Andrei Borisovich Yumashev, the famous pilot, passenger of flight 1937 Moscow — North pole — California, member of the Union of artists since 1946 and the exponent of the number of solo exhibitions in Moscow and the USA (the most recent took place in 2012-м in SRC WINERY). Art education received in young age classes of the arts encouragement Society (1915-1918), was the basis of his skill, which was formed and perfected in creative communication with such prominent artists as I. I. Mashkov, P. D. Korin, N. M. Romadin, And A. V. Fonvizin, R. R. Falk. After retiring and settling in Alupka, Yumashev "friends withMaximilian Voloshin, became a frequent guest in his famous Koktebel house where you regularly meet famous writers, artists, actors. Yumashev quickly came to the court and became a soul voloshinski intellectual gatherings. <...> Sam Voloshin gave a friend a few drawings and watercolor sketches, dedicated to him his poems." (source: topwar.ru).

On a wide cobbled pavement, surrounded by antediluvian wooden fences and boring boxes of high-rise buildings, it carried "the Truck" (2014) Oscar Yakovlevich Rabin, performed in a sophisticated printed graphics technology. In this work all — movement: and houses, and roofs, and the road steeply going up, and even the fence — symbol of the inviolability — is hopping. And if so, since nothing stands still, so the truck will master the road and all is well! The extremely positive thing!

"the Centre of Cervantes" (2012) of Natta Ivanovna Konysheva — work genre, dynamic, edgy, reflecting the extraordinary and very attentive the author's view on the society and the environment.

Lithography "Long leg" (2002), the founder of Moscow conceptualism Victor D. Pivovarov — genre and surrealism, which tells the story of a man, strides running to the horizon.

In contrast to the "brutal and grotesque" surrealist of the twentieth century, his paintings Viktor Krotov, the author of a small canvas "Circumstantial evidence" (1999), calls "romantic surrealism".

we now Turn to a broad section of the abstract to one degree or another works.

"Composition 6" (1961) one of the acknowledged masters of the "other art", Nicholas Evgenyevich Vechtomova refers to a number of such works. These artistic experiments with color and line became an important milestone on the path of the artist to his recognizable style.

Peter Ivanovich Belenok jokingly referred to his painting panic realism. The canonical example of this style represents our work "untitled" (1975). The painting is divided into two zones: the lower — bright, which placed the human figure, and the "upper, which occupies much more area, where a dark backdrop flaunts an abstract figure — sverhsoldata in which lies a powerful energy. It is transmitted fashistskim stroke the brush... the Resulting figure is the painting in its purest form, its natural pointlessness contrasts sharply with the realistic element of the film, resulting in an effect of “invading another world.” <...> "Little men," Peter Belenok for the most part cut out of the sporting Newspapers and magazines — that's where you can find photos of running, jumping, falling, screaming of athletes and fans" (source: mmoma.ru).

Artifacts , Infante born in the process of finding "adequate language to Express the infinite." The term "artifact" — thing "second nature", i.e., something man-made and Autonomous in relation to nature. Infante "decided to bring his nature, and thus to create a kind of organizing principle, frame or sphere within which it is possible to dispose of the attributes of nature: sunlight, air, snow, the earth and heaven" (source: snob.ru). Artifacts Francisco Infante — is working withnature and mirrors, without editing, collages and computer treatments. Our work "Artifacts" made in 1977 and belongs to the series "Game of gestures".

Geometric abstraction (with elements of landscape) presented "Composition" (1985) classics of nonconformism Eduard Arkadievich Steinberg. It is almost a reference visual expression of creative credo of the author, the artist himself stated: "the Internal concept of my works... is based on a synthesis of mystical ideas of Russian symbolism of Teens and plastic solutions Kazimir Malevich's Suprematism..." (E. Steinberg. 2000, source: artinvestment.ru) .

In the famous "list Grobman", which includes 35 names "heroic" period of the second Russian avant-garde, there is only one woman — Lidia Alekseevna Masterkova. "The picture plane — is limited space where I build my world", — said artist (source: peoples.ru). "Composition" included in our directory, made in 1990, and carries all the signs of this period of creativity: black-белый color, the shape of a circle in the center, the mascara is wet, filigree collage and what-то ethereal, distant beauty of the space.

Completes the section of abstractions porcelain set of 7 items Tête-à-Tête, hand-painted sketches Vladimir Nikolaevich Nemukhin the enterprise Höchster Porzellan Manufaktur (Frankfurt-на-Майне, Germany) in 2013. Generally speaking, the porcelain of the sixties — is a separate issue, in fact, the reader, on the one hand, reflecting the artist's desire to try a new material, on the other — gathered the most important and reference images, themes and motifs of the masters of the "other art".

is Closest to fit two portrait images in our directory. First —, it's actually gouache "Portrait" (1992) on the wrapping paper of Vladimir Igorevich Yakovlev. Second — sculpture "Girl with a book" (late 1980-х — beginning of 1990-х) of the participant group "Loess" (Lemport, Sidur, Silis) of Vladimir Lemport. The work characterizes the avant-garde style 1970-х years, but with all the conventions of a stylized image it recalls living model and may be a portrait likeness. The expert specially points out that this work is not replicable bronze sculpture, and represents a single author's casting.

the Following four works not similar to each other, but what unites them is what prompted the authors to create it, — literature.

a Very beautiful illustration "Ships in the ice" to the novel of Charles de Coster's "the Legend of tijl uilenspiegel and lamme Godsake their adventures — funny, brave, and glorious in Flanders and other countries," performed by Tatyana B. Alexandrova in 1960-70-х years in a recognizable manner and concise wins as careful and attentive attitude to the literary source and the skill of the layout depicted parts of the composition on the sheet, a talented working with color and light.

In 1977, made a drawing lithography Mikhail Mikhailovich Shemyakin — sheet 7 from the series "Belly of Paris", brought to life and the novel by Emile Zola, and their own observations and experiences. "Emile Zola, the novel "Womb of Paris" as it raises the Rabelaisian moments in the descriptionthe focus of the life of Paris, the famous Le Ala. Les Halles has concentrated in himself all. There was blood, there was poured by all colors of the rainbow vegetables, fruits, bloody carcasses, skins game, and was full of feathers of pheasants, ducks, geese and swans. Huge tulipomania butchers ran around the Womb, to take on the larger than life butcher blocks. I spent a year there, leaving at midnight and coming back with him at eight in the morning, capturing it in photos and drawings... I was most interested in turanose. These people-гиганты easily svalivaetsya themselves chetyrehkilometrovoy carcass, these Parisian strongmen — the epitome of strength and what-то monstrous grace. <...> I have tried to create their hymn to labor tuxedos and show the cycle of the unity of life and death, laughter, joy and the grin of death" (source: 7iskusstv.com).

pattern marker "Gramophones" (1980-е) Boris Messerer Asafovich depicts the emblem of the famous literary samizdat almanac "Metropol". "And why the gramophone depicted Messerer on the cover of "metropolis"? The simplest assumption: the gramophone brings to us the voice of those we can't hear directly, live. And uncensored anthology of acquainted readers with works that could not reach him in the usual way. Probably because it is. But <...> the gramophone was for the artist an almost magical figure. This machine with the human voice, has amazing grace in the bend of the pipe, in the sun-the radiation of the horn..." (source: img0.liveinternet.ru).

Incredibly beautiful and noble work of the "Word" created in the complex author's mixed technique Nikolay Romanovym. The main hero of her truly can be called a poem of the same name by Ivan Bunin, which is reproduced (with deviations from the original) on the left side of cardboard and is striking with its rhythm, sound organizes the painted surface. The poet and the artist, each on the-своему, oppose the death material — immortal word.

Completes the directory mirror light panel Konstantin Khudyakov "John" (2016).

Those who are going first to buy a painting or drawing, would be helpful to know that no monitor ever authentic will not give works of art. Color, texture, not to mention the aura of a particular work, the impression from the meeting with her, the monitor is not subject. Good thing he can do at least wishy-washy, and not very good, on the contrary, to embellish (the last one we have, but it is fair to say it's worth). In addition, each person sees and feels by-своему. So come see all the work with my own eyes we have, Gorokhovsky, 7 (only need to call and make an appointment).

we Wish you all a good bargain and good shopping!

Fair market price level on the works of the authors represented in the catalog of this auction can be identified in the information database of auction results ARTinvestment.RU.

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If the latter rate appears accompanied litters "Until reserve was 1 step", it means that making the next bet, you win the auction — unless, of course, who-нибудь, inspired close luck not interrupt your last words. And always a shame when participants traded a few days and especially the last couple of hours excitedly before closing suddenly stop just one step from victory. If you feel that thing — is yours, so take this step!

Note: fee from the buyer 15% of the final price of the lot.

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