Old Masters. European Figure XVI - XVIII centuries
ARTinvestment.RU   05 марта 2014

Radischevskaya museum exhibition devoted to the figure of the Old Masters XVI - XVIII centuries, includes lists of most leading European schools - German, Italian, French, Dutch, Flemish

Source : radmuseumart.ru

Art Museum Radischev
February 11 - March 23, 2014
Saratov, ul. Radyshcheva , 39

In Saratov Art Museum Radischev exhibition " Old Masters . European Figure XVI - XVIII century. " Exposition is devoted to one of the unique and little-known museum collections. Compared with other large section meetings Fund European drawing small: there are about 150 works . Covering a wide chronological range - from the XVI to the XX century , inclusive, it is the works of artists from different eras , the leading European schools, a number of stylistic trends .

Exposition dedicated drawing old masters XVI - XVIII centuries includes lists of most of the leading European schools - German , Italian, French, Dutch, Flemish . The core of this collection consists of 12 sheets from the collection of Count Orlov - Davydov (delivery in 1922 ) , most of which are included in the exhibition. Founder collection Count Vladimir Orlov - Davydov (1809-1882) - writer, honorary member of the Academy of Sciences , State Councillor , patron of many Russian artists abroad. In 1830 it was taken a trip to Italy , which explains the prevalence figures of the Italian school . Dynamic and uninhibited manner on a sheet with the image of " St. Sebastian " Lodovico Cardi belongs - master broadest professional outlook in the spirit of the Renaissance , he was a painter and draftsman , and sculptor , architect , poet and musician . Authorship thin and yet energetic pattern "Soldier's camp" is associated with the names of the great specialists of Salvator Rosa and Francois Boucher .

real masterpiece of the museum's collection - list "Dance" by Giovanni Domenico Tiepolo . This outstanding Venetian painter , draftsman and printmaker left numerous drawings, characterized by a special , full of humor, the author's tone . From the same collection occur drawing "Brothers know Joseph " talented Genoese painter Carlo Alberto Baratta . High quality sketches from unpreserved fresco frieze Polidoro da Caravaggio is a sheet " Sabines , departing on the game to the Romans ».

Italian soil was very fertile for creativity XVIII century French masters such as Charles Joseph Natuar . This artist, known for its numerous joint with F. Boucher , decorative paintings and sketches of tapestries , one of the cycles of history drew oriental flavor Cleopatra ( "Caesar returns to Cleopatra crown of Egypt "). Enthusiasm for Italian art read in Figure " Bacchanalia " by French artist Pierre Lelia , pupil F. Boucher .

German figure in the meeting Orlov-Davydov presented work Augsburg master Johann Matthias Kager "Madonna and Child in glory " , made in the tradition of early canonical compositions and sheet " Guardian Angel " , the Christian story which has received broad interpretation in European art .

from the famous collection of art historian and archaeologist Adrian Viktorovich Prahova (1846-1916) occur excellent drawings received in 1966 from his descendants : " Agony in the Garden ," whose artistic style that combines plastic and cut- design form allows traditionally associate it with the Italian school , "John the Baptist " Genoese Giovanni Battista Paju characterized ease and transparent purity , and " Genre Scene " Flemish painter Theobald Michaud , who worked in the spirit of the Dutch masters of the XVII century .

separate group work , received in 1924 from the museum at historical-philological faculty of Saratov University . High quality attracts the preparatory drawing " Expulsion from Paradise " by Pietro da Cortona, one of the founders of the Baroque style in painting and calligraphic genre worksheet Dutch School " The village on the shores ».

exposition old pattern masters completes monumental sketch Wilhelm Kaulbach , " The Parable of the evil servant " in the Gospel story , which tells about the debtor , the forgiveness of his master , but his unforgiving debtor (meeting AA Zhuravlev , 1896 ) . Work of German academic painter of the XIX century , gravitated toward the neo-Renaissance , characterized by classic clarity and impeccable track pattern, we can consider it in a series of historical antecedents .

M. I. Bohr , head of the graphs

Source : radmuseumart.ru



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