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Внимание! ARTInvestment.ru ищет картины этого художника для продажи. Goncharova Nataliya Sergeevna
1881–1962
Внимание! Продажи данного художника отслеживаются УПРАВИС
GONCHAROVA Natalia Sergeevna
Painter, graphic artist, scene-designer, master of decorative and applied arts
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Гончарова, Наталия Сергеевна
Biography
GONCHAROVA Natalia Sergeevna
Painter, graphic artist, scene-designer, master of decorative and applied arts
Goncharova came from a noble family; she was great grandniece of A. S. Pushkin’s wife N. N. Goncharova. In 1892 Goncharova and her father (architect and mathematician) moved to Moscow. Goncharova finished gymnasium, visited historical courses. In 1901 she entered Moscow School of painting, sculpture and architecture (MUZhVZ); studied at sculpture class under S. M. Volnukhin and P. P. Trubetskoy, later she studied painting in the workshop of K. A. Korovin. In 1904 Goncharova was awarded small silver medal for animal sketches in clay. In the same year she left studies due to her poor health.
At MUZhVZ Goncharova met M. F. Larionov. Soon he married her. In 1903 Goncharova and Larionov traveled to the Crimea; it gave rise to impressionistic period in creative work of Goncharova. Then she exposed the Crimea watercolors in the exhibitions of MUZhVZ, Moscow Literature society (1904), Moscow Association of Artists (1905), at the Russian department of Paris Autumn Salon (1906).
In 1906 Goncharova left impressionism; she was interested in cubism and fauvism, and then she began to paint in primitive style. In her works of the second half of 1900s — the beginning of 1910s, Goncharova tried to combine traditions of the Russian lubok, posters, and icons with the latest avant-garde trends.
In 1911 Goncharova began to paint in futuristic style. She illustrated futuristic editions: Sadok Sudey-2 (“A Trap for Judges”, 1913); editions by A. E. Kruchenykh and V. V. Khlebnikov: Starinnaia Liubov (“Old-Fashioned Love”), Mirskontsa (“Worldbackwords”), Igra v adu (“A Game in Hell”), Vzorval (“Explodity”, 1912–1913); editions by K. A. Bolshakov: Le futur (1913). In 1914 Goncharova published album with lithographs Mystical images of war.
Goncharova and Larionov developed new style in art — rayonism. Goncharova was one of the organizers of startling exhibitions of groups Bubnovy Valet (“Jack of Diamonds”, 1910–1911), Osliniy khvost (“Donkey’s Tail”, 1912), Mishen (“The Target”, 1913), No 4. Futurists. Rayonists. Primitive (1914). Goncharova participated in collective avant-garde exhibitions: Stefanos in Moscow (1907–1908), Zveno (“Link”) in Kiev (1908), Salon of V. A. Izdebsky (1909–1910, 1911), the exhibition of the Union of Youth in St. Petersburg (1910), Der Blaue Reiter (“The Blue Rider”) in Munich (1912), Der Sturm (“Storm”) in Berlin (1912). Goncharova exposed her works in the exhibitions of the group Mir Iskusstva (“World of Art”) in 1911–1913; since 1916 she became a member of this society. Personal exhibitions of Goncharova were held in Moscow (1911, 1913) and in St. Petersburg (1914).
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- Нас покидают...
- Guide to photo reports from exhibitions
- Икона “Господь Вседержитель”, серебро, эмаль.
- Икона “Господь Вседержитель” , оклад,эмаль.
- ASSESSMENT ON Internet (Information database for 5000 artists)
- Still Life Flowers Eugene Lang
- Автопортрет художника. 1930-е.г. Атрибуция.
- Положение во гроб Иисуса Христа оценка
- Bronze. E.Lancere.
- collages on the theme of the war in Ukraine